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Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
By degrees Pierston began to trace again the customary lines of his existence; and his profession occupied him much as of old. The next year or two only once brought him tidings, through some residents at his former home, of the movements of the Bencombs. The extended voyage of Marcia's parents had given them quite a zest for other scenes and countries; and it was said that her father, a man still in vigorous health except at brief intervals, was utilizing the outlook which his cosmopolitanism afforded him by investing capital in foreign undertakings.
What he had supposed turned out to be true; Marcia was with them; no necessity for joining him had arisen; and thus the separation of himself and his nearly married wife by common consent was likely to be a permanent one.
It seemed as if he would scarce ever again discover the carnate dwelling-place of the haunting minion of his imagination. Having gone so near to matrimony with Marcia as to apply for a licence, he had felt for a long while morally bound to her by the incipient contract, and would not intentionally look about him in search of the vanished Ideality. Thus during the first year of Miss Bencomb's absence, when absolutely bound to keep faith with the elusive one's late incarnation if she should return to claim him, this man of the odd fancy would sometimes tremble at the thought of what would become of his solemn intention if the Phantom were suddenly to disclose herself in an unexpected quarter, and seduce him before he was aware. Once or twice he imagined that he saw her in the distance-at the end of a street, on the far sands of a shore, in a window, in a meadow, at the opposite side of a railway station; but he determinedly turned on his heel, and walked the other way.
During the many uneventful seasons that followed Marcia's stroke of independence (for which he was not without a secret admiration at times), Jocelyn threw into plastic creations that ever-bubbling spring of emotion which, without some conduit into space, will surge upwards and ruin all but the greatest men. It was probably owing to this, certainly not on account of any care or anxiety for such a result, that he was successful in his art, successful by a seemingly sudden spurt, which carried him at one bound over the hindrances of years.
He prospered without effort. He was A.R.A.
But recognitions of this sort, social distinctions, which he had once coveted so keenly, seemed to have no utility for him now. By the accident of being a bachelor, he was floating in society without any soul-anchorage or shrine that he could call his own; and, for want of a domestic centre round which honours might crystallize, they dispersed impalpably without accumulating and adding weight to his material well-being.
He would have gone on working with his chisel with just as much zest if his creations had been doomed to meet no mortal eye but his own. This indifference to the popular reception of his dream-figures lent him a curious artistic aplomb that carried him through the gusts of opinion without suffering them to disturb his inherent bias.
The study of beauty was his only joy for years onward. In the streets he would observe a face, or a fraction of a face, which seemed to express to a hair's-breadth in mutable flesh what he was at that moment wishing to express in durable shape. He would dodge and follow the owner like a detective; in omnibus, in cab, in steam-boat, through crowds, into shops, churches, theatres, public-houses, and slums-mostly, when at close quarters, to be disappointed for his pains.
In these professional beauty-chases he sometimes cast his eye across the Thames to the wharves on the south side, and to that particular one whereat his father's tons of freestone were daily landed from the ketches of the south coast. He could occasionally discern the white blocks lying there, vast cubes so persistently nibbled by his parent from his island rock in the English Channel, that it seemed as if in time it would be nibbled all away.
One thing it passed him to understand: on what field of observation the poets and philosophers based their assumption that the passion of love was intensest in youth and burnt lower as maturity advanced. It was possibly because of his utter domestic loneliness that, during the productive interval which followed the first years of Marcia's departure, when he was drifting along from five-and-twenty to eight-and-thirty, Pierston occasionally loved with an ardour-though, it is true, also with a self-control-unknown to him when he was green in judgment.
* * *
His whimsical isle-bred fancy had grown to be such an emotion that the Well-Beloved-now again visible-was always existing somewhere near him. For months he would find her on the stage of a theatre: then she would flit away, leaving the poor, empty carcase that had lodged her to mumm on as best it could without her-a sorry lay figure to his eyes, heaped with imperfections and sullied with commonplace. She would reappear, it might be, in an at first unnoticed lady, met at some fashionable evening party, exhibition, bazaar, or dinner; to flit from her, in turn, after a few months, and stand as a graceful shop-girl at some large drapery warehouse into which he had strayed on an unaccustomed errand. Then she would forsake this figure and redisclose herself in the guise of some popular authoress, piano-player, or fiddleress, at whose shrine he would worship for perhaps a twelvemonth. Once she was a dancing-girl at the Royal Moorish Palace of Varieties, though during her whole continuance at that establishment he never once exchanged a word with her, nor did she first or last ever dream of his existence. He knew that a ten-minutes' conversation in the wings with the substance would send the elusive haunter scurrying fearfully away into some other even less accessible mask-figure.
She was a blonde, a brunette, tall, petite, svelte, straight-featured, full, curvilinear. Only one quality remained unalterable: her instability of tenure. In Borne's phrase, nothing was permanent in her but change.
'It is odd,' he said to himself, 'that this experience of mine, or idiosyncrasy, or whatever it is, which would be sheer waste of time for other men, creates sober business for me.' For all these dreams he translated into plaster, and found that by them he was hitting a public taste he had never deliberately aimed at, and mostly despised. He was, in short, in danger of drifting away from a solid artistic reputation to a popularity which might possibly be as brief as it would be brilliant and exciting.
'You will be caught some day, my friend,' Somers would occasionally observe to him. 'I don't mean to say entangled in anything discreditable, for I admit that you are in practice as ideal as in theory. I mean the process will be reversed. Some woman, whose Well-Beloved flits about as yours does now, will catch your eye, and you'll stick to her like a limpet, while she follows her Phantom and leaves you to ache as you will.'
'You may be right; but I think you are wrong,' said Pierston. 'As flesh she dies daily, like the Apostle's corporeal self; because when I grapple with the reality she's no longer in it, so that I cannot stick to one incarnation if I would.'
'Wait till you are older,' said Somers.
* * *
PART SECOND - A YOUNG MAN OF FORTY
'Since Love will needs that I shall love,
Of very force I must agree:
And since no chance may it remove
In wealth and in adversity
I shall alway myself apply
To serve and suffer patiently.'
-Sir T. Wyatt.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
A dozen minor novels that have been published in the periodical press collected together.
Years ago, Cathy's husband threw himself into danger to save her. Then fate cut the cord-after the accident, he remembered everyone but the woman he'd once died for. On their third anniversary, he betrayed her, and that night she signed the divorce. Freed, she dusted off her hidden brilliance: miracle healer, racing legend, elite hacker, visionary designer. When his memories roared back, regret did, too. He stormed her wedding, pleading, "Cathy, please, one more chance!" But a certain trillionaire held her close and huffed, "Honey, someone's asking for trouble."
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
For ten years, Daniela showered her ex-husband with unwavering devotion, only to discover she was just his biggest joke. Feeling humiliated yet determined, she finally divorced him. Three months later, Daniela returned in grand style. She was now the hidden CEO of a leading brand, a sought-after designer, and a wealthy mining mogul-her success unveiled at her triumphant comeback. Her ex-husband's entire family rushed over, desperate to beg for forgiveness and plead for another chance. Yet Daniela, now cherished by the famed Mr. Phillips, regarded them with icy disdain. "I'm out of your league."
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
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