Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
"Shade o' Gallopin' Dick! Say, allow me to rise an' explain that I kin ride anythin' from a hoss to a streak o' greased lightnin'. I don't take no back seat fer anythin' on hoofs, 'r wheels, 'r wings. If ye think ye kin make Eagle-eye Perkins, ex-Pirate o' the Plains, take to the cliffs an' the cactus jest by flashin' a little ole benzine push-cart onto him an' darin' him to git straddle, ye're goin' to be fooled a-plenty. Shucks! Here, hold my hat."
"You don't have to shed your hat, Perk."
"Got to cl'ar decks fer action. When a man with a wooden leg goes gallivantin' around on a two-wheeled buzz-wagon, the less plunder he keeps aboard the better. Hold the hat an' hesh up about it. Which crank d'ye turn to make 'er start?"
Ed Penny, on his one-cylinder motor-cycle, had come chug-chugging across the bridge over the town canal and stopped in front of the McReady home. While he was out in front, talking with Chub McReady, Welcome Perkins, the self-called reformed road-agent, had stumped out of the house and walked around the hitching-post against which Penny had leaned the machine. Welcome had snorted contemptuously. Penny had then whirled on the old man and had asked him if he thought he could ride the motor-cycle. This led to Welcome's outburst and the jerking off of his sombrero, which he handed to Chub.
Both boys were enchanted with the prospect ahead of them. There was never anything Welcome hadn't done or couldn't do-to hear him tell about it-and this looked like a good chance to take some of the conceit out of him.
"Ever ride a bike, Welcome?" asked Penny, his enthusiasm palling a little as he thought of what might happen to his machine.
"Ride a bike!" exploded Welcome; "me! Why, I was raised on 'em. Never was scart of a reg'lar bike yet, so I reckon two wheels an' a couple o' quarts o' gasoline ain't goin' to make me side-step none. How d'ye start 'er, I ask ye? What knob d'ye pull?"
Penny showed him how to start the gasoline and to switch on the spark. Welcome puffed himself up and patted his chest.
"Nothin' to it," he rumbled. "Watch my smoke, will ye, an' see how easy ridin' a contraption like that comes to a feller that's knowed how to do things his hull life."
He pulled off his coat and gave it to Chub to hold, along with his hat. Then he rolled up his shirt-sleeves.
"Snakes alive!" he muttered, with a sudden thought. "How am I goin' to keep that wooden pin on the pedal?"
"We'll tie it there, Perk," answered Chub promptly. "Wait a minute."
He hung the coat and hat on the hitching-post and started off into the yard. While he was gone, Welcome began pulling up the strap that secured the pin to his stump of a leg. By way of showing how calm and self-possessed he was, he sang as he worked.
"I oncet knowed a gal in the year o' '83,
A han'some young thing by the name o' Em-eye-lee;
I never could persuade her for to leave me be,
An' she went an' she took an' she married me."
When Chub got back with a piece of rope, Welcome was astride the saddle, his foot on the ground, with Penny, who was shaking with suppressed joy, helping to hold up the machine.
"Tie 'er tight, son," said Welcome.
"Don't you fret any about that, Perk," answered Chub, with a wink at Penny as he lifted himself erect. "Remember how to start?"
"Think I'm an ijut?" demanded Welcome indignantly. "I got a head fer machinery, anyways, an' I could hev studied it out all by myself if ye'd given me time. Are we all ready?"
Chub helped Penny pull the machine upright.
"All ready!" they answered, in one voice, with sly grins at each other behind the old man's back.
"Then see me tear loose."
Welcome worked the requisite levers, the machine began to sputter, and the boys gave it a shove. There was a good deal of wabbling, at first, but as the machine gathered headway it got steadier, and Welcome dwindled away down the road.
"Not so much of a joke, after all, Penny," observed Chub, in gloomy disappointment. "The old freak seems to know how to stay on and keep right side up. I thought he'd scatter himself all over the road right at the start."
"One on us, Chub," returned Penny. "Ah," he added, his eyes on Welcome, "he's turning 'round in that big open space near the canal bridge. Gee-whiz! but that was a short turn. Watch him, will you! He's comin' this way like the cannon-ball limited."
"What's he yellin' about?" queried Chub excitedly. "Something must have gone wrong."
Both boys watched the approaching Welcome with growing wonder. He was coming like a house afire, his long hair blowing out behind him, and he was howling like a Comanche. There was a look of helpless consternation on his face.
"Gosh-all-Friday! How d'ye stop 'er? Ye didn't tell me how ter stop 'er!"
Welcome shot past them like a bullet out of a gun, his voice trailing out behind him and becoming all jumbled up in the distance.
"He can stay on, all right," whooped Chub, "but he can't stop! Why didn't you tell him how to stop, Penny?"
"He never asked me!" answered Penny.
"The thing is runnin' away with him!"
Welcome described another hair-raising turn at another place that allowed him to circle, and came whooping back.
"What'm I goin' to do?" he howled; "how long've I got to keep this thing up?"
"Jump off!" suggested Chub.
"Can't! Ye tied me on! Wow!"
By that time Welcome was out of talking distance again. When he circled back on the next frantic round, it was plain that his gorge was beginning to rise.
"I'll skelp somebody fer this!" he roared. "Ye framed it up between ye, that's what ye done! Dad-bing the pizen ole thing-um-bob!"
Welcome was now tearing toward the bridge over the canal. A man was coming across the bridge on foot.
"Great C?sar!" exclaimed Chub, staring toward the bridge, "that's Dirk Hawley, the gambler, comin' this way?"
"Welcome ain't makin' any move to turn around," answered Penny. "Looks to me as though he was going to knock Hawley into the canal."
By a common impulse the boys started on a run toward the scene of threatened disaster. Hawley had come to a standstill in the middle of the bridge.
"Slow down, you old catamaran!" he cried. "What d'ye mean by scorchin' like that?"
"Head me off!" begged Welcome. "Can't stop-don't know how to stop! Trip me up 'r somethin'!"
By the time Hawley had got this through his head Welcome was upon him. With a shout of anger, Hawley hurled himself to one side. He escaped being struck, and missed going into the water of the canal by a scant margin; but he had been obliged to throw himself flat down on the bridge, and in doing so he had jarred his body a little and jolted his temper a good deal.
As he picked himself up he said a good many unkind things about Welcome, but the old fellow was plunging on beyond the bridge and had other troubles that took up his attention.
Just as he had about made up his mind to run into the side of a building, or a fence, and bring himself to a halt at any cost, his frenzied eyes caught sight of another motor-cycle, sailing toward him. A thrill of hope darted through his breast.
"Matt!" he yelped. "Stop me! The blamed thing's got the bit in its teeth an' I can't do nothin' with it!"
Matt King slowed down, stared a moment at the frantic old man, laughed a little, then described a half-circle, put on more power, and raced along beside the runaway machine. It took him but a moment to lean over and shut off the engine.
"How did you happen to get in a fix like this, Welcome?" he asked, when both machines were at a halt and the old man was standing on one foot and trying to jerk his wooden leg loose from the pedal.
"Can't ye guess what onnery limb put this up on me?" glared Welcome. "Not sence I reformed hev I ever felt like p'intin' fer All Outdoors an' becomin' a hootin', tootin' border ruffian, as I do this here minit! Wow! The ole sperrit is a-bubblin' an' a-stirrin' around in me like all-possessed, an' I don't reckon I kin hang out agin' it."
"Buck up, Welcome," said Matt, who knew the old fellow's eccentricities as well as any one, and understood just how much of a false alarm he was. "It won't do for you to backslide now, after you've lived a respectable life for so long. Here, I'll get the lashing off that wooden leg of yours."
Leaning his motor-cycle against a tree by the roadside, Matt bent down and got busy with the rope. As soon as Welcome could jerk the pin loose, he whirled and stumped furiously back in the direction of Chub and Penny. Matt grinned a little as he looked after him.
"I never saw the old chap stirred up as bad as he is now," he muttered. "I wonder what Dirk Hawley is doing over in this direction? Welcome came within one of knocking him into the canal. If that had happened there'd sure have been fireworks."
After leaning Penny's machine against the tree, Matt mounted his own and started for the bridge. As he crossed the bridge he saw something white lying on the planks, and halted to pick the object up. It proved to be an old envelope with an enclosure of some sort, and was addressed to James McReady, Ph?nix, A. T. This address was in ink, but the "James McReady" had been scratched out and the name of "Mark McReady" penciled above it.
James McReady was a prospector, and was in the hills looking for gold most of the time. He was Mark's father, and Mark's nickname was "Chub." Evidently this letter was intended for Chub, and had fallen from Dirk Hawley's pocket when he threw himself out of the way of Welcome and the charging motor-cycle. But how was it that such a letter happened to be in the possession of Hawley, the gambler? While Matt was puzzling over that phase of the question, a heavy step sounded on the bridge, and a gruff, commanding voice called out:
"What are you doin' with that letter? Hand it over here; it belongs to me!"
* * *
Motor Matt's Mystery; or, Foiling a Secret Plot by Stanley R. Matthews
The scene was the side-show tent of the "Big Consolidated," Boss Burton's "Tented Aggregation of the World's Marvels." The show had raised its "tops" at Reid's Lake, near the city of Grand Rapids. A high wind had prevented Motor Matt from giving his outdoor exhibition of a?roplane flying, and the disappointed crowds were besieging the side show, eager to beguile the time until the doors for the big show were open.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
The night I discovered my husband's whore was carrying his heir, I smiled for the cameras-and plotted his ruin. Scarlett was born a queen-heir to a powerful legacy, Luna of the Dark Moon Pack by blood and by sacrifice. She gave everything to Alexander: her love, her loyalty, her life. In return, he paraded his mistress before their pack... and dared to call it duty. But Scarlett won't be another broken woman weeping in the shadows. She'll wear her crown of thorns with pride, tear down every lie built around her, and when she strikes, it will be glorious. The Alpha forgot that the woman he betrayed is far more dangerous than the girl who once loved him.
Aria Thorne was born into a pack that treated her like dirt beneath their paws. Born as a StillBlood, she was mocked, beaten, and branded "broken." Her only chance at escape? A forced marriage to a fallen Alpha whose scars ran deeper than flesh. Lucien Vine was once a man of legend. A ruthless warrior. A king among Alphas. Now he's a shadow, crippled and discarded by the very pack he once led and bled for. Lucien saw nothing but another chain when the new alpha forced him to wed a StillBlood. She was nothing more than one more curse. However, fate has a perverse sense of humor. Because the Broken Luna possesses a hidden ability that she is unaware of, and the only person who might be able to awaken it is the Crippled Alpha. Will they ruin one another? Or rise together and set the world on fire?
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
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