Motor Matt's Century" Run" by Stanley R. Matthews
Motor Matt's Century" Run" by Stanley R. Matthews
"Ready, Perk?"
"Hold up there, Chub! Don't ye git in sich a tarnal hurry. What am I goin' to do with this here rope?"
"Why, cast it off, of course. How can you expect to fly with the rope holdin' you back?"
"Waal, now, wait; le's understand this thing. It's my idee, ain't it?"
"Sure. You drew the plans an' I put the machine together."
"If any picters is published in the papers, mine goes in bigger'n yours, don't it?"
"That's all to the good, Perk. When the reporters write this up, you'll be the king-pin. The invention is yours, and all I did was to put it together. But you're a pretty old man to try it out, Perk. You'd better let me take the first spin."
"Bein' the inventor, I reckon I got a right to show off a little. Purty nigh all my life I been a hootin', tootin' disturber o' the peace, committin' depperdations as makes me blush to think of; but right here is where I do somethin' fer civilization an' progress, which'll go a good ways to'rds makin' up fer the past. I'm plumb hungry, Chub, to hear folks say: 'That there flyin' machine is the biggest thing o' the twentieth century, an' Welcome Perkins done it. He used to be a howlin', cut-an'-slash desperado in his younger days, but now he's turned over a new leaf, an' is devotin' his shinin' abilities to forwardin' the cause o' progress as much as he used to be fer holdin' it back.' That's what I wants to hear folks say as they're p'intin' me out, an'--"
"Oh, slush! If you stand up there chinning much longer, Perk, somebody'll come. You want this to be a private flight, don't you?"
"Jest at the beginnin', till I see if everythin' works all right. If there ain't any hitch. I want to make it as public as possible. I'd be tickled to have the hull town come out an' see me cuttin' figger eight's in the clouds. 'It can't be that one-legged feller up there is Welcome Perkins, the ole ex-pirate o' the plains as has been living right here among us, can it?' the people will say, awed-like, turnin' to each other. Then I'll fly low, so'st to let 'em make sure, an' laugh exultin'-like--"
"Back to the woods for you, Perk; go ahead an' fly. Don't stand there talkin' about it."
"Sure Susie ain't got back yit, an' nobody else ain't lookin'?"
"Don't fret about that, Perk. We're all alone out here, but there's no tellin' how long we'll be by ourselves if you lose much more time."
There was a very peculiar situation in the McReady back yard. A stout pole, some thirty feet high, stood firmly planted in the ground. Half way up the pole a platform had been constructed, and on this platform stood an old, one-legged gentleman surrounded by a lot of canvas wings. There was a canvas tail behind to be depressed or lifted, according as the old gentleman wanted to fly up or down; and there was a propeller just in front of the tail, which was to be worked by foot-power and keep the machine going. The aeroplane had been hoisted to its elevated position by means of a stout rope passing through a pulley at the top of the pole.
The one-legged man was Welcome Perkins, and the red-headed boy on the ground was Chub McReady-who was something of an inventor himself, although this flying machine had been designed wholly by Welcome.
Slowly Welcome untied the rope from the flying machine, and Chub pulled it through the pulley and then coiled it up on the ground at the foot of the pole. Thereupon Welcome pushed into the manhole of the flying machine and began hoisting himself up and down, preparatory to springing off. He stopped suddenly, however, and pulled out of the machine to look down at Chub.
"I reckon, Chub," he observed, as by an afterthought, "I'll fly around the dome o' the capitol half a dozen times an' then light on the weather-vane so'st the governor kin have a chanst to look out o' the cupola winder an' thank me fer this boon to the human race. Mebby I'll perch on top o' the court-house, too, fer a spell, an' take a leetle fly out by the Injun school. If I don't git back airly, don't be in a takin' about me, er--"
"Oh, shucks!" roared Chub. "If you're afraid to start, Perk, come down an' let me try it."
"Afraid!" snorted Welcome. "You know blame' well I ain't afraid o' nothin' on the airth 'r over it. I wisht you'd stuck the 'Merican flag on the machine, some'rs, but I won't stop fer that now. So-long, Chub, I'm goin' to take wing. Git out yer spy-glass if ye want ter watch me."
While Chub held his breath, old Welcome made a few more up and down movements and then leaped from the platform.
But something must have been wrong. It couldn't have been the machine, of course, for Chub had O. K.'d the plans, so it must have been in the way Welcome manipulated the tail or the wings.
Twenty feet from the foot of the pole flowed the town canal. By actual measurement, Welcome flew twenty-five feet; then the canvas fabric turned itself inside out, and, with a wild yell, the old man dropped into the water. There was a tremendous splash, and a small-sized geyser shot upward.
Loud shouts came from around the corner of the house, and Matt King and Tom Clipperton rushed into sight and darted for the canal to give Welcome a helping hand. Matt grabbed up the rope at the foot of the pole as he ran past.
"Great Scott!" cried Chub, joining in the race for the canal, "where'd you fellers come from?"
"Rode up on our motor-cycles," replied Matt, "and hung around the corner to see the show. Foolish business, Chub. Welcome might have broken his neck-or that other leg."
"It was his own notion, that machine. I was sure it would fly, but I headed him for the canal, so if anything went wrong he'd have a soft place to drop."
By that time the boys were at the canal, and Matt threw the rope. Welcome, sputtering and floundering, was tangled in the wreckage. He had sense enough left to catch the rope, and Matt dragged him out of the torn canvas, and all three of the boys lifted him up on the bank.
"That's the last time," fumed Welcome, dancing around and holding his head on one side to get the water out of his ear, "the very last time, Chub McReady, I'm goin' to try any more o' your fool contraptions. I might a' been kilt! 'Tain't your fault I wasn't."
"It wasn't my contraption, Perk," answered Chub, smothering a laugh, now that he was certain Welcome hadn't suffered any particular damage. "It was yours."
"Dad-bing!" yelled Welcome, more worked up over the fun the boys were getting out of the situation than he was over the accident itself. "Ye goaded me on, ye know ye did! I ain't a-goin' to stand no more. Lawlessness is b'ilin' around inside o' me, an' I'm goin' to git right out! Instid o' helpin' progress, like I was intendin', I'm goin' to cut loose, out there in the hills, an' give it a back-set. You hear me? Wow! Laff! laff all ye want! When they git out the U. S. Army to chase me, an' run me down, I reckon ye'll laugh on t'other side yer face. An' it was you done it, Chub McReady! That's somethin' fer you to think about!"
The old man whirled and galloped for the house, growling to himself, jabbing his wooden pin viciously into the ground with every step, and leaving a watery trail as he went. Chub keeled over on the ground, kicked his feet in the air, and roared.
"It's a cinch," he guffawed, "that that's the last flyin' machine Perk'll try to invent. We thought we was havin' this experiment entirely private, an' I guess Perk thought I'd given you fellers the tip, so you could be hangin' around. That didn't help his temper any."
"We got here just before Welcome jumped off," said Matt. "I couldn't figure out what he was trying to do, at first, or I'd have rushed out and tried to stop him."
"You couldn't have stopped him!" snickered Chub. "The old boy had the bit in his teeth."
"Ducking was all right," grinned Clip. "May have been a good thing. Cooled his spirit, anyhow."
"Punk! His pesky spirit will break out somewhere else, you see. Perk is a human volcano, an' he's got to have an eruption just about so often or he can't be happy. But why are you fellers showin' up here so early in the morning?"
"Clip and I are going to Denver on our motor-cycles," answered Matt. "We just came around to say good-by."
Chub's face fell.
"On the level?" he asked. "Hang it all, Matt it can't be you're goin' to-day?"
"We are, if nothing bobs up to keep us back. I've been trying to start for two or three weeks, but at the last moment I generally run into something that interferes with my plans. Clip has bought Penny's motor-cycle, we've laid out our route, and we want to get away early this afternoon."
"Say," exploded Chub, "if I had a motor-cycle I'm hanged if I wouldn't go with you."
"I've got a picture of you leaving Ph?nix now," returned Matt, "while your father is getting to work developing his mine. You'll have to help him, Chub. Where's Susie? I want to say good-by to her before I--"
Matt broke off his words. Fate had already interfered two or three times with his start for Denver, and just then Fate was getting ready to repeat the old performance.
A far-away rattle, growing steadily in volume, broke on the ears of the boys. Whirling around, they stared across the canal and toward the road on the other side of the bridge.
What they saw sent the blood racing through their veins.
Four scrubby cayuses, hitched to a wood-hauler's wagon, were running away. The wagon was nothing more than two pairs of wheels connected by a "reach." As the vehicle leaped and swayed from one side of the road to the other, the startled eyes of the boys made out a small figure clinging to the "reach" for dear life.
"There's a girl on that wagon!" cried Chub breathlessly.
The girl could not have been more than five or six years old, and her dangerous situation appealed to Matt and aroused a swift determination to save her if it could possibly be done.
Without a word, he picked up the rope with which he had dragged Welcome out of the canal and darted for the gate in front of the house. As he ran, his fingers were busy knotting a noose in the rope's end.
* * *
Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
Motor Matt's Mystery; or, Foiling a Secret Plot by Stanley R. Matthews
The scene was the side-show tent of the "Big Consolidated," Boss Burton's "Tented Aggregation of the World's Marvels." The show had raised its "tops" at Reid's Lake, near the city of Grand Rapids. A high wind had prevented Motor Matt from giving his outdoor exhibition of a?roplane flying, and the disappointed crowds were besieging the side show, eager to beguile the time until the doors for the big show were open.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
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