Motor Matt's Century" Run" by Stanley R. Matthews
Motor Matt's Century" Run" by Stanley R. Matthews
"Ready, Perk?"
"Hold up there, Chub! Don't ye git in sich a tarnal hurry. What am I goin' to do with this here rope?"
"Why, cast it off, of course. How can you expect to fly with the rope holdin' you back?"
"Waal, now, wait; le's understand this thing. It's my idee, ain't it?"
"Sure. You drew the plans an' I put the machine together."
"If any picters is published in the papers, mine goes in bigger'n yours, don't it?"
"That's all to the good, Perk. When the reporters write this up, you'll be the king-pin. The invention is yours, and all I did was to put it together. But you're a pretty old man to try it out, Perk. You'd better let me take the first spin."
"Bein' the inventor, I reckon I got a right to show off a little. Purty nigh all my life I been a hootin', tootin' disturber o' the peace, committin' depperdations as makes me blush to think of; but right here is where I do somethin' fer civilization an' progress, which'll go a good ways to'rds makin' up fer the past. I'm plumb hungry, Chub, to hear folks say: 'That there flyin' machine is the biggest thing o' the twentieth century, an' Welcome Perkins done it. He used to be a howlin', cut-an'-slash desperado in his younger days, but now he's turned over a new leaf, an' is devotin' his shinin' abilities to forwardin' the cause o' progress as much as he used to be fer holdin' it back.' That's what I wants to hear folks say as they're p'intin' me out, an'--"
"Oh, slush! If you stand up there chinning much longer, Perk, somebody'll come. You want this to be a private flight, don't you?"
"Jest at the beginnin', till I see if everythin' works all right. If there ain't any hitch. I want to make it as public as possible. I'd be tickled to have the hull town come out an' see me cuttin' figger eight's in the clouds. 'It can't be that one-legged feller up there is Welcome Perkins, the ole ex-pirate o' the plains as has been living right here among us, can it?' the people will say, awed-like, turnin' to each other. Then I'll fly low, so'st to let 'em make sure, an' laugh exultin'-like--"
"Back to the woods for you, Perk; go ahead an' fly. Don't stand there talkin' about it."
"Sure Susie ain't got back yit, an' nobody else ain't lookin'?"
"Don't fret about that, Perk. We're all alone out here, but there's no tellin' how long we'll be by ourselves if you lose much more time."
There was a very peculiar situation in the McReady back yard. A stout pole, some thirty feet high, stood firmly planted in the ground. Half way up the pole a platform had been constructed, and on this platform stood an old, one-legged gentleman surrounded by a lot of canvas wings. There was a canvas tail behind to be depressed or lifted, according as the old gentleman wanted to fly up or down; and there was a propeller just in front of the tail, which was to be worked by foot-power and keep the machine going. The aeroplane had been hoisted to its elevated position by means of a stout rope passing through a pulley at the top of the pole.
The one-legged man was Welcome Perkins, and the red-headed boy on the ground was Chub McReady-who was something of an inventor himself, although this flying machine had been designed wholly by Welcome.
Slowly Welcome untied the rope from the flying machine, and Chub pulled it through the pulley and then coiled it up on the ground at the foot of the pole. Thereupon Welcome pushed into the manhole of the flying machine and began hoisting himself up and down, preparatory to springing off. He stopped suddenly, however, and pulled out of the machine to look down at Chub.
"I reckon, Chub," he observed, as by an afterthought, "I'll fly around the dome o' the capitol half a dozen times an' then light on the weather-vane so'st the governor kin have a chanst to look out o' the cupola winder an' thank me fer this boon to the human race. Mebby I'll perch on top o' the court-house, too, fer a spell, an' take a leetle fly out by the Injun school. If I don't git back airly, don't be in a takin' about me, er--"
"Oh, shucks!" roared Chub. "If you're afraid to start, Perk, come down an' let me try it."
"Afraid!" snorted Welcome. "You know blame' well I ain't afraid o' nothin' on the airth 'r over it. I wisht you'd stuck the 'Merican flag on the machine, some'rs, but I won't stop fer that now. So-long, Chub, I'm goin' to take wing. Git out yer spy-glass if ye want ter watch me."
While Chub held his breath, old Welcome made a few more up and down movements and then leaped from the platform.
But something must have been wrong. It couldn't have been the machine, of course, for Chub had O. K.'d the plans, so it must have been in the way Welcome manipulated the tail or the wings.
Twenty feet from the foot of the pole flowed the town canal. By actual measurement, Welcome flew twenty-five feet; then the canvas fabric turned itself inside out, and, with a wild yell, the old man dropped into the water. There was a tremendous splash, and a small-sized geyser shot upward.
Loud shouts came from around the corner of the house, and Matt King and Tom Clipperton rushed into sight and darted for the canal to give Welcome a helping hand. Matt grabbed up the rope at the foot of the pole as he ran past.
"Great Scott!" cried Chub, joining in the race for the canal, "where'd you fellers come from?"
"Rode up on our motor-cycles," replied Matt, "and hung around the corner to see the show. Foolish business, Chub. Welcome might have broken his neck-or that other leg."
"It was his own notion, that machine. I was sure it would fly, but I headed him for the canal, so if anything went wrong he'd have a soft place to drop."
By that time the boys were at the canal, and Matt threw the rope. Welcome, sputtering and floundering, was tangled in the wreckage. He had sense enough left to catch the rope, and Matt dragged him out of the torn canvas, and all three of the boys lifted him up on the bank.
"That's the last time," fumed Welcome, dancing around and holding his head on one side to get the water out of his ear, "the very last time, Chub McReady, I'm goin' to try any more o' your fool contraptions. I might a' been kilt! 'Tain't your fault I wasn't."
"It wasn't my contraption, Perk," answered Chub, smothering a laugh, now that he was certain Welcome hadn't suffered any particular damage. "It was yours."
"Dad-bing!" yelled Welcome, more worked up over the fun the boys were getting out of the situation than he was over the accident itself. "Ye goaded me on, ye know ye did! I ain't a-goin' to stand no more. Lawlessness is b'ilin' around inside o' me, an' I'm goin' to git right out! Instid o' helpin' progress, like I was intendin', I'm goin' to cut loose, out there in the hills, an' give it a back-set. You hear me? Wow! Laff! laff all ye want! When they git out the U. S. Army to chase me, an' run me down, I reckon ye'll laugh on t'other side yer face. An' it was you done it, Chub McReady! That's somethin' fer you to think about!"
The old man whirled and galloped for the house, growling to himself, jabbing his wooden pin viciously into the ground with every step, and leaving a watery trail as he went. Chub keeled over on the ground, kicked his feet in the air, and roared.
"It's a cinch," he guffawed, "that that's the last flyin' machine Perk'll try to invent. We thought we was havin' this experiment entirely private, an' I guess Perk thought I'd given you fellers the tip, so you could be hangin' around. That didn't help his temper any."
"We got here just before Welcome jumped off," said Matt. "I couldn't figure out what he was trying to do, at first, or I'd have rushed out and tried to stop him."
"You couldn't have stopped him!" snickered Chub. "The old boy had the bit in his teeth."
"Ducking was all right," grinned Clip. "May have been a good thing. Cooled his spirit, anyhow."
"Punk! His pesky spirit will break out somewhere else, you see. Perk is a human volcano, an' he's got to have an eruption just about so often or he can't be happy. But why are you fellers showin' up here so early in the morning?"
"Clip and I are going to Denver on our motor-cycles," answered Matt. "We just came around to say good-by."
Chub's face fell.
"On the level?" he asked. "Hang it all, Matt it can't be you're goin' to-day?"
"We are, if nothing bobs up to keep us back. I've been trying to start for two or three weeks, but at the last moment I generally run into something that interferes with my plans. Clip has bought Penny's motor-cycle, we've laid out our route, and we want to get away early this afternoon."
"Say," exploded Chub, "if I had a motor-cycle I'm hanged if I wouldn't go with you."
"I've got a picture of you leaving Ph?nix now," returned Matt, "while your father is getting to work developing his mine. You'll have to help him, Chub. Where's Susie? I want to say good-by to her before I--"
Matt broke off his words. Fate had already interfered two or three times with his start for Denver, and just then Fate was getting ready to repeat the old performance.
A far-away rattle, growing steadily in volume, broke on the ears of the boys. Whirling around, they stared across the canal and toward the road on the other side of the bridge.
What they saw sent the blood racing through their veins.
Four scrubby cayuses, hitched to a wood-hauler's wagon, were running away. The wagon was nothing more than two pairs of wheels connected by a "reach." As the vehicle leaped and swayed from one side of the road to the other, the startled eyes of the boys made out a small figure clinging to the "reach" for dear life.
"There's a girl on that wagon!" cried Chub breathlessly.
The girl could not have been more than five or six years old, and her dangerous situation appealed to Matt and aroused a swift determination to save her if it could possibly be done.
Without a word, he picked up the rope with which he had dragged Welcome out of the canal and darted for the gate in front of the house. As he ran, his fingers were busy knotting a noose in the rope's end.
* * *
Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
Motor Matt's Mystery; or, Foiling a Secret Plot by Stanley R. Matthews
The scene was the side-show tent of the "Big Consolidated," Boss Burton's "Tented Aggregation of the World's Marvels." The show had raised its "tops" at Reid's Lake, near the city of Grand Rapids. A high wind had prevented Motor Matt from giving his outdoor exhibition of a?roplane flying, and the disappointed crowds were besieging the side show, eager to beguile the time until the doors for the big show were open.
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
For five years, I believed I was living in a perfect marriage, only to discover it was all a sham! I discovered that my husband was coveting my bone marrow for his mistress! Right in front of me, he sent her flirtatious messages. To make matters worse, he even brought her into the company to steal my work! I finally understood, he never loved me. I stopped pretending, collected evidence of his infidelity, and reclaimed the research he had stolen from me. I signed the divorce papers and left without looking back. He thought I was just throwing a tantrum and would eventually return. But when we met again, I was holding the hand of a globally renowned tycoon, draped in a wedding dress and grinning with confidence. My ex-husband's eyes were red with regret. "Come back to me!" But my new groom wrapped his arm around my waist, and chuckled dismissively, "Get the hell out of here! She's mine now."
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
From childhood, Stephanie knew she was not her parents' real daughter, but out of gratitude, she turned their business into a powerhouse. Once the true daughter came back, Stephanie was cast out-only to be embraced by an even more powerful birth family, adored by three influential brothers. The second ruled the battlefield. "Stephanie's sweet and innocent; she would never commit such crimes. That name on the wanted list is just a coincidence." And the youngest controlled the markets. "Anyone who dares bully my sister will lose my investment." Her former family begged for forgiveness-even on TV. Stephanie stood firm. When the richest man proposed, she became the woman everyone envied. The eldest ran the boardroom. "Cancel the meeting. I need to set up the art exhibition for my sister!" The town was turned upside down.
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
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