In the tales . . . the world is one of pure romance. Medi?val customs, medi?val buildings, the medi?val Catholic religion, the general social framework of the thirteenth or fourteenth century, are assumed throughout, but it would be idle to attempt to place them in any known age or country . . . Their author in later years thought, or seemed to think, lightly of them, calling them crude (as they are) and very young (as they are). But they are nevertheless comparable in quality to Keats’s ‘Endymion’ as rich in imagination, as irregularly gorgeous in language, as full in every vein and fibre of the sweet juices and ferment of the spring. —J. W. Mackail
In the tales . . . the world is one of pure romance. Medi?val customs, medi?val buildings, the medi?val Catholic religion, the general social framework of the thirteenth or fourteenth century, are assumed throughout, but it would be idle to attempt to place them in any known age or country . . . Their author in later years thought, or seemed to think, lightly of them, calling them crude (as they are) and very young (as they are).
But they are nevertheless comparable in quality to Keats's 'Endymion' as rich in imagination, as irregularly gorgeous in language, as full in every vein and fibre of the sweet juices and ferment of the spring. -J. W. Mackail
In his last year at Oxford, Morris established, assuming the entire financial responsibility, the 'Oxford and Cambridge Magazine,' written almost entirely by himself and his college friends, but also numbering Rossetti among its contributors. Like most college ventures, its career was short, ending with its twelfth issue in December, 1856. In this magazine Morris first found his strength as a writer, and though his subsequent literary achievements made him indifferent to this earlier work, its virility and wealth of romantic imagination justify its rescue from oblivion.
The article on Amiens, intended originally as the first of a series, is included in this volume as an illustration of Morris's power to clothe things actual with the glamour of Romance.
William Morris was a 19th century British novelist best known for helping pioneer the fantasy genre.
William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Hollow Land.
William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Story of Sigurd the Volsung and the Fall of the Niblungs.
William Morris is most famous for his textile design, but he was also a passionate and active socialist. News From Nowhere explores his socialist ideals in soft science-fiction. A man returns from a socialist meeting and falls into a sleep from which he wakes in a utopian, socialist future.
William Morris was a 19th century British novelist best known for helping pioneer the fantasy genre.
I pressed my lips against his and stole his sweet, savory taste, not ready to end the sweet moment. I licked my lips seductively and whispered. "Despite your age, I love you." Sarah was obsessed with the man of her dreams, despite knowing that their love was forbidden and would be disapproved by her father and others. She held onto the many beautiful dreams she had of being with him, wishing for them to come true. She found herself in love with her father's best friend, a very handsome man who had been rejected by his wife. Her desire was to show him what true love really meant. When her father received a job transfer,Sarah saw it as a perfect opportunity to be with him. The situation improved even more when she realized they would be living under the same roof.
Katie was forced to marry Dillan, a notorious ruffian. Her younger sister mocked her, "You're just an adopted daughter. Count your blessings for marrying him!" The world anticipated Katie's tribulations, but her married life unfurled with unexpected serenity. She even snagged a lavish mansion in a raffle! Katie jumped into Dillan's arms, credited him as her lucky charm. "No, Katie, it's you who brings me all this luck," Dillan replied. Then, one fateful day, Dillan's childhood friend came to her. "You're not worthy of him. Take this 50 million and leave him!" Katie finally grasped Dillan's true stature—the wealthiest man on the planet. That night, trembling with trepidation, she broached the subject of divorce with Dillan. However, with a domineering embrace, he told her, "I'd give you everything I have. Divorce is off the table!"
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
Melanie married Ashton out of gratitude, but she quickly found herself entangled in a web of relentless challenges. Despite these struggles, she stayed true to her commitment to the marriage. In the hospital room, Ashton indifferently attempted to draw her blood, disregarding her discomfort. This callous act was a harsh revelation for Melanie, awakening her to the grim reality of their relationship. Resolved to prioritize her own welfare, she decided to sever ties. With newfound resolve, Melanie filed for divorce. In the process, she unveiled her concealed identities, leaving everyone in shock. Throughout these turbulent times, Melanie realized that Derek, Ashton’s uncle, had been discreetly protecting her all along.
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”