The Boy Aviators in Record Flight by Wilbur Lawton
The Boy Aviators in Record Flight by Wilbur Lawton
"Phew!" exclaimed Billy Barnes as he reported for work on the New York Planet one broiling afternoon in late August, "this is a scorcher and no mistake."
"I should think after all your marvelous adventures with the Boy Aviators that you would be so used to heat and cold and hardship that you wouldn't kick at a little thing like a warm day."
The remark came from a young fellow about twenty-one years old who occupied a desk beside that of the stout spectacled youth of eighteen whom our readers have already met as Billy Barnes.
"Why, hullo, Fred Reade!" said Billy, looking up with a good-natured grin from the operation of opening his typewriter desk, "I thought you were off covering aviation."
"I was," rejoined the other, with a near approach to a sneer, "but since we printed your story about the recovery of the treasure on the Spanish galleon I guess they think I'm not good enough to cover the subject."
If the good-natured Billy Barnes noticed the close approach to outspoken enmity with which these words were spoken he gave no sign of it. Any reply he might have made was in fact cut short at that minute by an office boy who approached him.
"Mr. Stowe wants to see you, Mr. Barnes, at once, please," said the lad.
"There you go, the managing editor sending for you as soon as you get back. I wish I was a pet," sneered Reade as Billy hastened after the boy and the next minute entered a room screened off from the editorial department by a glass door bearing the words "Managing Editor."
At a desk above which hung "This is my busy day," and other signs not calculated to urge visitors to become conversational, sat a heavy-set, clean-shaven man with a big pair of spectacles astride his nose. He had a fat cigar in his mouth which he regarded as he spoke with far more intensity than he did Billy.
"Afternoon, Barnes," was his greeting.
"Good afternoon, Mr. Stowe," returned the young reporter, "you sent for me--"
"Sit down," said the other brusquely, indicating a chair.
Billy sat down and waited for the next words of his managing editor.
"The Planet, as you know, has made a specialty of featuring aviation," continued Mr. Stowe, gazing fixedly at his cigar.
Billy nodded, the remark did not seem to call for a more definite reply.
"We have offered prizes for flights from time to time, and in this way have obtained a reputation as an authority on aviation and a patron of what is bound to be the vehicle of the coming ages."
Again Billy nodded at the managing editor's rather florid way of putting it.
"For instance, the $10,000 Albany-New York flight and the $30,000 New York-St. Louis flight. The $100,000 offer for a transatlantic flight as yet remains unchallenged for, but I have no doubt that in time some daring aviator will make the attempt."
"It should be possible," once more agreed Billy, wondering what was coming next.
"In the meantime," Mr. Stowe continued, "the Despatch has declared itself our rival in this field by also devoting great attention to the subject, and offering prizes for flights in opposition to our original idea. The owner of the Planet has therefore decided to eclipse all previous offers and be the first in the field with a prize of $50,000 for a flight from New York to San Francisco, or as far in that direction as possible. The air craft that travels furthest will get the prize."
"Across the continent?" gasped Billy.
"Exactly. We are going to publish the conditions and date of starting in our to-morrow morning's issue. And the offer incidentally means a great chance for you."
Billy gave a questioning glance.
"I intend to have you follow the racers in an automobile and send dispatches from the various points along the route concerning the progress of the cross-country aerial racers."
The young reporter's face beamed.
"That's mighty good of you, sir," he said earnestly.
"Not at all. It's simply the selection of the best man for the job; that's all. You have far more knowledge of aviation than Reade-or at least you ought to have after your long association with the Boy Aviators-and therefore we have selected you."
"As to the conditions of the race, Mr. Stowe-how about stops, gasolene and water stations, and so on?"
"Each contestant will be expected to arrange those details for himself," was the answer. "This newspaper simply offers the prize to the first aeroplane to arrive in San Francisco, or go furthest in that direction. Also, of course, we claim the privilege of getting exclusive accounts of the doings of the Planet aeroplanes. That's all. Simple, isn't it?"
"Very," agreed Billy as he took his leave. "By the way, sir, does any one else know of your offer?"
"Nobody; not even Reade. I guess he's pretty sore that we took him off aviation on the eve of making the prize offer, but it can't be helped."
"Why, I-you see, sir, I'd rather not take it, if it is blocking Reade in any way. I don't want to take the assignment at all if it's going to hurt Reade with the paper."
The managing editor gave an impatient wave of his hand.
"Let me attend to Reade," he remarked impatiently, "you go and get out a story for to-morrow about possible contestants. Of course your friends, the Chester boys, will enter?"
Billy looked dubious.
"I don't know," he replied. "I rather think they were planning for a rest and to continue their studies, and this cross-country flight won't be any picnic. However, I hope they do enter," replied Billy.
"I had no idea that there would be any doubt about it," said Mr. Stowe impatiently, "well, do the best you can. Anyhow, get interviews with Blewitt, Sharkness and Auldwin. They will be sure to enter their machines, and let's have a good, live story for to-morrow. By the way, not a word of this to anybody but the aviators you may see till we publish the offer. The Despatch would be quite capable of offering a similar prize to-morrow morning if they learned what was in the wind."
Billy nodded as Mr. Stowe once more gave a sign of dismissal, and hastened from the room. So hurried was his exit, in fact, that he almost bumped into Reade as he made his way out. The editorial room was deserted, except for the dark-haired, slender young fellow with whom Billy had almost collided. The other reporters were all out on their assignments.
"Well?" were Fred Reade's first words.
"Well," rejoined Billy, adjusting his spectacles, which had narrowly escaped being jarred off his nose in the bump, "isn't there room enough in the place without your getting so near that door that you almost upset my slender form?"
"Never mind that," replied Frank Reade; "what I want to know is, how do I stand in there?"
He motioned with his head toward the managing editor's room from which the boys were by this time several paces removed.
"I don't understand you exactly," was Billy's reply. He noticed that Reade's face bore an angry flush and he seemed excited.
"What I mean is this: Am I going to continue to do aviation for the Planet?"
"Say, Fred, old man, I'm awfully sorry--"
"Oh, cut that out. You don't mean it, and you know you don't. You wanted to grab off the job for yourself, and I can see by your face that you have."
"If you mean that I am to do aviation for the Planet in future, you are right," replied Billy. "I am; but it was only on Mr. Stowe's orders. You're wrong, Fred, and you know you are, when you accuse me of trying to take your job away from you."
"Oh, rot," exclaimed the other angrily. "If that had been the case you'd have kept away. You don't have to work. You made plenty of money out of your share of the Golden Galleon treasure. You have just deliberately tried to oust me from my job."
"You talk as if you'd been fired," said Billy. "You know that you are one of the most valued reporters on the Planet."
"Don't try to jolly me," rejoined the other angrily. "And as for being fired, I don't have to be, for I've got my resignation ready written out. Here copy boy!" he cried, "take this note in to Mr. Stowe."
As the boy hurried up Reade drew from his pocket an envelope and handed it to the lad.
"Hold on there!" cried Billy, genuinely moved at Reade's evident chagrin, "have you gone crazy, Fred? What's the matter?"
"Take that note in," thundered Reade to the hesitating boy, who thereupon hurried off, "it's your fault I've had to quit, Billy Barnes, and I'll not forget it, I can promise you. I'll get even with you for this in a way you don't suspect. No; I won't shake hands with you. I don't want to speak to you."
Reade flung angrily off and put on his coat and hat. Without taking any more notice of Billy he strode out of the Planet offices and into the street.
On the sidewalk he paused for a minute. His hat shoved back off his brow and his forehead puckered in perplexity.
"I'll do it," he exclaimed suddenly under his breath as if he had made up his mind to something. "I'll do it. The Despatch will jump at it, and I'll get even on Billy Barnes and the Planet at the same time."
The Ocean Wireless Boys on the Pacific by Wilbur Lawton
<div>Since the series' inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best -- fifty-six extraordinary stories that represent a century's worth of unsurpassed achievements in this quintessentially American literary genre. This expanded edition includes a new story from The Best American Short Stories 1999 to round out the century, as well as an index including every story published in the series.<br> Of all the writers whose work has appeared in the series, only John Updike has been represented in each of the last five decades, from his first appearance, in 1959, to his most recent, in 1998. Updike worked with coeditor Katrina Kenison to choose the finest stories from the years since 1915. The result is \"extraordinary . . . A one-volume literary history of this country's immeasurable pains and near-infinite hopes\" (Boston Globe).
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
I stood outside my husband's study, the perfect mafia wife, only to hear him mocking me as an "ice sculpture" while he entertained his mistress, Aria. But the betrayal went deeper than infidelity. A week later, my saddle snapped mid-jump, leaving me with a shattered leg. Lying in the hospital bed, I overheard the conversation that killed the last of my love. My husband, Alessandro, knew Aria had sabotaged my gear. He knew she could have killed me. Yet, he told his men to let it go. He called my near-death experience a "lesson" because I had bruised his mistress's ego. He humiliated me publicly, freezing my accounts to buy family heirlooms for her. He stood by while she threatened to leak our private tapes to the press. He destroyed my dignity to play the hero for a woman he thought was a helpless orphan. He had no idea she was a fraud. He didn't know I had installed micro-cameras throughout the estate while he was busy pampering her. He didn't know I had hours of footage showing his "innocent" Aria sleeping with his guards, his rivals, and even his staff, laughing about how easy he was to manipulate. At the annual charity gala, in front of the entire crime family, Alessandro demanded I apologize to her. I didn't beg. I didn't cry. I simply connected my drive to the main projector and pressed play.
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
Ten years ago, Elizabeth Kaiser was abandoned by her biological father, cast out of her home like a stray dog. A decade later, she returned as a decorated general of Nation A, wielding immense power and wealth beyond measure. The onlookers waited eagerly for her downfall, only to watch in shock as the elite families of Capitol City bowed before her in reverence. Elizabeth smirked coldly. "Want to chase me? Better ask my fists for permission first!"
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