The Collected Works of Ambrose Bierce, Volume 8 by Ambrose Bierce
It is deserving of remark and censure that American literature is become shockingly moral. There is not a doubt of it; our writers, if accused, would make explicit confession that morality is their only fault-morality in the strict and specific sense. Far be it from me to disparage and belittle this decent tendency to ignore the largest side of human nature, and liveliest element of literary interest. It has an eminence of its own; if it is not great art, it is at least great folly-a superior sort of folly to which none of the masters of letters has ever attained.
Not Shakspeare, nor Cervantes, nor Goethe, nor Molière, nor-no, not even Rabelais-ever achieved that shining pinnacle of propriety to which the latter-day American has aspired, by turning his back upon nature's broad and fruitful levels and his eyes upon the passionate altitudes where, throned upon congenial ice, Miss Nancy sits to censure letters, putting the Muses into petticoats and affixing a fig-leaf upon Truth. Ours are an age and country of expurgated editions, emasculated art, and social customs that look over the top of a fan.
Lo! prude-eyed Primdimity, mother of Gush,
Sex-conscious, invoking the difficult blush;
At vices that plague us and sins that beset
Sternly directing her private lorgnette,
Whose lenses, self-searching instinctive for sin,
Make image without of the fancies within.
Itself, if examined, would show us, alas!
A tiny transparency (French) on each glass.
Now, prudery in letters, if it would but have the goodness not to coexist with prudery in life, might be suffered with easy fortitude, inasmuch as one needs not read what one does not like; and between the license of the dear old bucks above mentioned, and the severities of Miss Nancy Howells, and Miss Nancy James, Jr., of t'other school, there is latitude for gratification of individual taste. But it occurs that a literature rather accurately reflects all the virtues and other vices of its period and country, and its tendencies are but the matchings of thought with action. Hence, we may reasonably expect to find-and indubitably shall find-certain well-marked correspondences between the literary faults which it pleases our writers to commit and the social crimes which it pleases the Adversary to see their readers commit. Within the current lustrum the prudery which had already, for some seasons, been achieving a vinegar-visaged and corkscrew-curled certain age in letters, has invaded the ball-room, and is infesting it in quantity. Supportable, because evitable, in letters, it is here, for the contrary reason, insufferable; for one must dance and enjoy one's self whether one like it or not. Pleasure, I take it, is a duty not to be shirked at the command of disinclination. Youth, following the bent of inherited instinct, and loyally conforming himself to the centuries, must shake a leg in the dance, and Age, from emulation and habit, and for denial of rheumatic incapacity, must occasionally twist his heel though he twist it off in the performance. Dance we must, and dance we shall; that is settled; the question of magnitude is, Shall we caper jocundly with the good grace of an easy conscience, or submit to shuffle half-heartedly with a sense of shame, wincing under the slow stroke of our own rebuking eye? To this momentous question let us now intelligently address our minds, sacredly pledged, as becomes lovers of truth, to its determination in the manner most agreeable to our desires; and if, in pursuance of this laudable design, we have the unhappiness to bother the bunions decorating the all-pervading feet of the good people whose deprecations are voiced in The Dance of Death and the clamatory literature of which that blessed volume was the honored parent, upon their own corns be it; they should not have obtruded these eminences
when youth and pleasure meet
To chase the glowing hours with flying feet.
What, therefore, whence, and likewise why, is dancing? From what flower of nature, fertilized by what pollen of circumstance or necessity, is it the fruit? Let us go to the root of the matter.
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The Shadow On The Dial, and Other Essays by Ambrose Bierce
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Though he is today best remembered for his acerbic satire, American writer Ambrose Bierce had a surprisingly broad range as a writer. Black Beetles in Amber is a collection of Bierce's poetry, which ranges from humorous verse to hauntingly tender lyrics.
Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devil's Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce's lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce." Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer's career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend's Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).
The dream of everyone with regards to marriage is to be able to find that special someone and settle down with them. Even arranged marriages grant you an opportunity to meet your partner briefly before the wedding. How will you feel about waking up in the morning with someone sleeping next to you who is not just anyone but your legally married partner yet with no memory of how that had happened in just a few hours of going out the previous day? This is the story of Jason Haward and Julia Harrison, two strangers trapped in a marriage they never planned. The quest to find out why led to the unfolding of a mystery which made them realize they are both living a lie. To find out more, read this amazing story of love, betrayal, revenge and murder.
Dear readers, this book has resumed daily updates. It took Sabrina three whole years to realize that her husband, Tyrone didn't have a heart. He was the coldest and most indifferent man she had ever met. He never smiled at her, let alone treated her like his wife. To make matters worse, the return of the woman he had eyes for brought Sabrina nothing but divorce papers. Sabrina's heart broke. Hoping that there was still a chance for them to work on their marriage, she asked, "Quick question,Tyrone. Would you still divorce me if I told you that I was pregnant?" "Absolutely!" he responded. Realizing that she didn't mean shit to him, Sabrina decided to let go. She signed the divorce agreement while lying on her sickbed with a broken heart. Surprisingly, that wasn't the end for the couple. It was as if scales fell off Tyrone's eyes after she signed the divorce agreement. The once so heartless man groveled at her bedside and pleaded, "Sabrina, I made a big mistake. Please don't divorce me. I promise to change." Sabrina smiled weakly, not knowing what to do...
"The entire wealthy circle in Seattle knew how much Stella Carlson loved Aaron Malone. People watched the childhood sweethearts grow from inexperience to maturity, finally getting married in a grand wedding ceremony. On the day of the wedding, despite the alliance between the Carlson and Malone families, the groom ran away. Stella knew that Aaron had rushed to L.A. to take care of his ex-girlfriend, who had attempted suicide. Unwilling to become the laughingstock of all Seattle, she gritted her teeth and dialed the number of her adversary, her tone almost commanding, "Ethan, come and marry me now. This is your only chance for revenge." On the other end, Ethan Powers raised an eyebrow as he gripped his phone, staring at the floor littered with cigarette butts. "Did the groom run away?" he asked. "My darling."
The night before her engagement, Valerie was tricked by her boyfriend and stepsister into spending the night with a stranger. After the night together, the man vanished. Later, her boyfriend accused her of cheating, revealing his affair with her stepsister. Pressured by her father, Valerie married an unconscious man in place of her stepsister. Valerie exposed the scheme, sabotaged her father's ambitions, and transformed herself. When her husband woke and chased her to the airport, she calmly refused him, saying, "It's over between us." He held her firmly. "You married me, so you must commit."
Lindsey's fiancé was the devil's first son. Not only did he lie to her but he also slept with her stepmother, conspired to take away her family fortune, and then set her up to have sex with a total stranger. To get her lick back, Lindsey decided to find a man to disrupt her engagement party and humiliate the cheating bastard. Never did she imagine that she would bump into a strikingly handsome stranger who was all that she was currently looking for. At the engagement party, he boldly declared that she was his woman. Lindsey thought he was just a broke man who wanted to leech off her. But once they began their fake relationship, she realized that good luck kept coming her way. She thought they would part ways after the engagement party, but this man kept to her side. "We gotta stick together, Lindsey. Remember, I'm now your fiancé. " "Domenic, you're with me because of my money, aren't you?" Lindsey asked, narrowing her eyes at him. Domenic was taken aback by that accusation. How could he, the heir of the Walsh family and CEO of Vitality Group, be with her for money? He controlled more than half of the city's economy. Money wasn't a problem for him! The two got closer and closer. One day, Lindsey finally realized that Domenic was actually the stranger she had slept with months ago. Would this realization change things between them? For the better or worse?
Rejected by her mate, who had been her long-time crush, Jasmine felt utterly humiliated. Seeking solace, she headed to a party to drown her sorrows. But things took a turn for the worse when her friends issued a cruel dare: kiss a stranger or beg her mate for forgiveness. With no other choice, Jasmine approached a stranger and kissed him, thinking that would be the end of it. However, the stranger unexpectedly wrapped his arms around her waist and whispered in her ear, "You're mine!" He growled, his words sending shivers down her spine. And then, he offered her a solution that would change everything...