The Shadow On The Dial, and Other Essays by Ambrose Bierce
The Shadow On The Dial, and Other Essays by Ambrose Bierce
Nowhere "on God's green earth"-it is fitting, that this paper contain a bit of bosh-nowhere is so much insufferable stuff talked in a given period of time as in an American political convention. It is there that all those objectionable elements of the national character which evoke the laughter of Europe and are the despair of our friends find freest expression, unhampered by fear of any censorship more exacting than that of "the opposing party"-which takes no account of intellectual delinquencies, but only of moral.
The "organs" of the "opposing party" will not take the trouble to point out-even to observe-that the "debasing sentiments" and "criminal views" uttered in speech and platform are expressed in sickening syntax and offensive rhetoric. Doubtless an American politician, statesman, what you will, could go into a political convention and signify his views with simple, unpretentious common sense, but doubtless he never does.
Every community is cursed with a number of "orators"-men regarded as "eloquent"-"silver tongued" men-fellows who to the common American knack at brandishing the tongue add an exceptional felicity of platitude, a captivating mastery of dog's-eared sentiment, a copious and obedient vocabulary of eulogium, an iron insensibility to the ridiculous and an infinite affinity to fools. These afflicting Chrysostoms are always lying in wait for an "occasion" It matters not what it is: a "reception" to some great man from abroad, a popular ceremony like the laying of a corner-stone, the opening of a fair, the dedication of a public building, an anniversary banquet of an ancient and honorable order (they all belong to ancient and honorable orders) or a club dinner-they all belong to clubs and pay dues. But it is in the political convention that they come out particularly strong. By some imperious tradition having the force of written law it is decreed that in these absurd bodies of our fellow citizens no word of sense shall be uttered from the platform; whatever is uttered in set speeches shall be addressed to the meanest capacity present As a chain can be no stronger than its weakest link, so nothing said by the speakers at a political convention must be above the intellectual reach of the most pernicious idiot having a seat and a vote. I don't know why it is so. It seems to be thought that if he is not suitably entertained he will not attend, as a delegate, the next convention.
Here are the opening sentences of the speech in which a man was once nominated for Governor:
"Two years ago the Republican party in State and Nation marched to imperial triumph. On every hilltop and mountain peak our beacons blazed and we awakened the echoes of every valley with songs of our rejoicings."
And so forth. Now, if I were asked to recast those sentences so that they should conform to the simple truth and be inoffensive to good taste I should say something like this:
"Two years ago the Republican party won a general election."
If there is any thing in this inflated rigmarole that is not adequately expressed in my amended statement, what is it? As to eloquence it will hardly be argued that nonsense, falsehood and metaphors which were old when Rome was young are essential to that. The first man (in early Greece) who spoke of awakening an echo did a felicitous thing. Was it felicitous in the second? Is it felicitous now? As to that military metaphor-the "marching" and so forth-its inventor was as great an ass as any one of the incalculable multitude of his plagiarists. On this matter hear the late Richard Grant White:
"Is it not time that we had done with the nauseous talk about campaigns, and standard-bearers, and glorious victories (imperial triumphs) and all the bloated army-bumming bombast which is so rife for the six months preceding an election? To read almost any one of our political papers during a canvass is enough to make one sick and sorry.... An election has no manner of likeness to a campaign, or a battle. It is not even a contest in which the stronger or more dexterous party is the winner; it is a mere counting, in which the bare fact that one party is the more numerous puts it in power if it will only come up and be counted; to insure which a certain time is spent by each party in reviling and belittling the candidates of its opponents and lauding its own; and this is the canvass, at the likening of which to a campaign every honest soldier might reasonably take offense."
But, after all, White was only "one o' them dam litery fellers," and I dare say the original proponent of the military metaphor, away off there in "the dark backward and abysm of time," knew a lot more about practical politics than White ever did. And it is practical politics to be an ass.
In withdrawing his own name from before a convention, a California politician once made a purely military speech of which a single sample passage is all that I shall allow myself the happiness to quote:
"I come before you today as a Republican of the Republican banner county of this great State of ours. From snowy Shasta on the north to sunny Diego on the south; from the west, where the waves of the Pacific look upon our shores, to where the barriers of the great Sierras stand clad in eternal snow, there is no more loyal county to the Republican party in this State than the county from which I hail. [Applause, naturally.] Its loyalty to the party has been tested on many fields of battle [Anglice, in many elections] and it has never wavered in the contest Wherever the fate of battle was trembling in the balance [Homer, and since Homer, Tom, Dick and Harry] Alameda county stepped into the breach and rescued the Republican party from defeat."
Translated into English this military mouthing would read somewhat like this:
"I live in Alameda county, where the Republicans have uniformly outvoted the Democrats."
The orators at the Democratic convention a week earlier were no better and no different. Their rhetorical stock-in-trade was the same old shop-worn figures of speech in which their predecessors have dealt for ages, and in which their successors will traffic to the end of-well, to the end of that imitative quality in the national character, which, by its superior intensity, serves to distinguish us from the apes that perish.
The Collected Works of Ambrose Bierce, Volume 8 by Ambrose Bierce
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Though he is today best remembered for his acerbic satire, American writer Ambrose Bierce had a surprisingly broad range as a writer. Black Beetles in Amber is a collection of Bierce's poetry, which ranges from humorous verse to hauntingly tender lyrics.
Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devil's Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce's lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce." Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer's career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend's Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
Nicole spent a decade as the Hewitt family's treasured daughter, bathed in praise-until she was ten, when the truth cut through. She was the mistress's child. Thrown out in a rage, she vanished. A decade later she walked back in, no longer meek. The Hewitt family sneered and tried to grind her down; she didn't flinch. Every scheme, she made them regret. Gossip called her a naive country bumpkin. She answered with a diploma. On the track and the runway, in clinics and code, she stunned-ace driver, noted designer, legendary healer, elusive hacker. The so-called impostor stood above them all!
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
At first, she figured she was signing a marriage agreement, just a checkbox. As the empire's heir, he said he'd claimed a wife only to dodge his family's arranged match. Both of them missed that the document had bound them. A certified marriage certificate arrived, and she waved it off as a clerical glitch-until the same elusive tycoon appeared at her sister's engagement, his name matching hers. Their "sham" turned into a feud: her modest family hid the scandal, and his ruthless family pushed her out. Each time she tried to annul it, the threat of divorce grew sharper, like a trap closing in.
I gave him three years of silent devotion behind a mask I never wanted to wear. I made a wager for our bond-he paid me off like a mistress. "Chloe's back," Zane said coldly. "It's over." I laughed, poured wine on his face, and walked away from the only love I'd ever known. "What now?" my best friend asked. I smiled. "The real me returns." But fate wasn't finished yet. That same night, Caesar Conrad-the Alpha every wolf feared-opened his car door and whispered, "Get in." Our gazes collided. The bond awakened. No games. No pretending. Just raw, unstoppable power. "Don't regret this," he warned, lips brushing mine. But I didn't. Because the mate I'd been chasing never saw me. And the one who did? He's ready to burn the world for me.
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