The Shadow On The Dial, and Other Essays by Ambrose Bierce
Nowhere "on God's green earth"-it is fitting, that this paper contain a bit of bosh-nowhere is so much insufferable stuff talked in a given period of time as in an American political convention. It is there that all those objectionable elements of the national character which evoke the laughter of Europe and are the despair of our friends find freest expression, unhampered by fear of any censorship more exacting than that of "the opposing party"-which takes no account of intellectual delinquencies, but only of moral.
The "organs" of the "opposing party" will not take the trouble to point out-even to observe-that the "debasing sentiments" and "criminal views" uttered in speech and platform are expressed in sickening syntax and offensive rhetoric. Doubtless an American politician, statesman, what you will, could go into a political convention and signify his views with simple, unpretentious common sense, but doubtless he never does.
Every community is cursed with a number of "orators"-men regarded as "eloquent"-"silver tongued" men-fellows who to the common American knack at brandishing the tongue add an exceptional felicity of platitude, a captivating mastery of dog's-eared sentiment, a copious and obedient vocabulary of eulogium, an iron insensibility to the ridiculous and an infinite affinity to fools. These afflicting Chrysostoms are always lying in wait for an "occasion" It matters not what it is: a "reception" to some great man from abroad, a popular ceremony like the laying of a corner-stone, the opening of a fair, the dedication of a public building, an anniversary banquet of an ancient and honorable order (they all belong to ancient and honorable orders) or a club dinner-they all belong to clubs and pay dues. But it is in the political convention that they come out particularly strong. By some imperious tradition having the force of written law it is decreed that in these absurd bodies of our fellow citizens no word of sense shall be uttered from the platform; whatever is uttered in set speeches shall be addressed to the meanest capacity present As a chain can be no stronger than its weakest link, so nothing said by the speakers at a political convention must be above the intellectual reach of the most pernicious idiot having a seat and a vote. I don't know why it is so. It seems to be thought that if he is not suitably entertained he will not attend, as a delegate, the next convention.
Here are the opening sentences of the speech in which a man was once nominated for Governor:
"Two years ago the Republican party in State and Nation marched to imperial triumph. On every hilltop and mountain peak our beacons blazed and we awakened the echoes of every valley with songs of our rejoicings."
And so forth. Now, if I were asked to recast those sentences so that they should conform to the simple truth and be inoffensive to good taste I should say something like this:
"Two years ago the Republican party won a general election."
If there is any thing in this inflated rigmarole that is not adequately expressed in my amended statement, what is it? As to eloquence it will hardly be argued that nonsense, falsehood and metaphors which were old when Rome was young are essential to that. The first man (in early Greece) who spoke of awakening an echo did a felicitous thing. Was it felicitous in the second? Is it felicitous now? As to that military metaphor-the "marching" and so forth-its inventor was as great an ass as any one of the incalculable multitude of his plagiarists. On this matter hear the late Richard Grant White:
"Is it not time that we had done with the nauseous talk about campaigns, and standard-bearers, and glorious victories (imperial triumphs) and all the bloated army-bumming bombast which is so rife for the six months preceding an election? To read almost any one of our political papers during a canvass is enough to make one sick and sorry.... An election has no manner of likeness to a campaign, or a battle. It is not even a contest in which the stronger or more dexterous party is the winner; it is a mere counting, in which the bare fact that one party is the more numerous puts it in power if it will only come up and be counted; to insure which a certain time is spent by each party in reviling and belittling the candidates of its opponents and lauding its own; and this is the canvass, at the likening of which to a campaign every honest soldier might reasonably take offense."
But, after all, White was only "one o' them dam litery fellers," and I dare say the original proponent of the military metaphor, away off there in "the dark backward and abysm of time," knew a lot more about practical politics than White ever did. And it is practical politics to be an ass.
In withdrawing his own name from before a convention, a California politician once made a purely military speech of which a single sample passage is all that I shall allow myself the happiness to quote:
"I come before you today as a Republican of the Republican banner county of this great State of ours. From snowy Shasta on the north to sunny Diego on the south; from the west, where the waves of the Pacific look upon our shores, to where the barriers of the great Sierras stand clad in eternal snow, there is no more loyal county to the Republican party in this State than the county from which I hail. [Applause, naturally.] Its loyalty to the party has been tested on many fields of battle [Anglice, in many elections] and it has never wavered in the contest Wherever the fate of battle was trembling in the balance [Homer, and since Homer, Tom, Dick and Harry] Alameda county stepped into the breach and rescued the Republican party from defeat."
Translated into English this military mouthing would read somewhat like this:
"I live in Alameda county, where the Republicans have uniformly outvoted the Democrats."
The orators at the Democratic convention a week earlier were no better and no different. Their rhetorical stock-in-trade was the same old shop-worn figures of speech in which their predecessors have dealt for ages, and in which their successors will traffic to the end of-well, to the end of that imitative quality in the national character, which, by its superior intensity, serves to distinguish us from the apes that perish.
The Collected Works of Ambrose Bierce, Volume 8 by Ambrose Bierce
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Though he is today best remembered for his acerbic satire, American writer Ambrose Bierce had a surprisingly broad range as a writer. Black Beetles in Amber is a collection of Bierce's poetry, which ranges from humorous verse to hauntingly tender lyrics.
Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devil's Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce's lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce." Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer's career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend's Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).
Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he never gave a damn about rules and laws, as he only liked to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and lan begged her not to leave him?
"Never let anyone treat you like shit!" I learned that the hard way. For three years, I lived with my in-laws. They didn't treat me as their son-in-law but as a slave. I put up with everything because of my wife, Yolanda Lambert. She was the light of my life. Unfortunately, my whole world came crashing down the day I caught my wife cheating on me. I have never been so heartbroken. To have my revenge, I revealed my true identity. I was none other than Liam Hoffman—the heir of a family with trillions of dollars in assets! The Lamberts were utterly shocked after the big reveal. They realized what fools they had been for treating me like trash. My wife even knelt down and begged for my forgiveness. What do you think I did? Did I take her back or made her suffer? Find out!
Five years ago, he upped and left his wife without informing her. He had always felt unworthy. As a result, he decided to go and become a better man. It took him five whole years of daily hard work. When he was satisfied, he returned as a powerful and honorable man. He intended to start a family with his wife. But he got back to meet the greatest shocker of his life. He actually had a daughter!
"It was just one night stand, and now I'm pregnant with triplets? Gosh!" Josephine Jade never thought that she would have to run away from her own family while pregnant. She was alone, without money, without connections, with three fetuses in her stomach. How can she survive? However, Josephine couldn't give up now, until she managed to reclaim her arbitrarily seized property and get back at everyone who tried to get rid of her. A sick child, a past crush that comes back, a mysterious eccentric man, and a family that hates her, will weave together the journey of Josephine Jade's new life. "You have no right to separate me from my children, you bastard! I will survive and you will submit to me. Just watch!"
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Compelled by her dad's dilemma and the looming fate of their business, Irene agreed to become Braydon's lover. To outsiders, Braydon seemed invulnerable, yet only Irene was privy to the tempestuous passions he unleashed behind closed doors. Gradually, Irene found herself tangled in the intricate emotional snare Braydon had woven, her heart craving more, only to be shattered by the revelation of his engagement. Devastated, she left and soon encountered Braydon's archrival. It was then that the formidable Braydon confronted the esteemed surgeon Dr. Mitchell, all in a fierce struggle over Irene.