The Hermit and the Wild Woman and Other Stories by Edith Wharton
The Hermit and the Wild Woman and Other Stories by Edith Wharton
"THE devil!" Paul Garnett exclaimed as he re-read his note; and the dry old gentleman who was at the moment his only neighbour in the quiet restaurant they both frequented, remarked with a smile: "You don't seem particularly annoyed at meeting him."
Garnett returned the smile. "I don't know why I apostrophized him, for he's not in the least present-except inasmuch as he may prove to be at the bottom of anything unexpected."
The old gentleman who, like Garnett, was an American, and spoke in the thin rarefied voice which seems best fitted to emit sententious truths, twisted his lean neck toward the younger man and cackled out shrewdly: "Ah, it's generally a woman who is at the bottom of the unexpected. Not," he added, leaning forward with deliberation to select a tooth-pick, "that that precludes the devil's being there too."
Garnett uttered the requisite laugh, and his neighbour, pushing back his plate, called out with a perfectly unbending American intonation: "Gassong! L'addition, silver play."
His repast, as usual, had been a simple one, and he left only thirty centimes in the plate on which his account was presented; but the waiter, to whom he was evidently a familiar presence, received the tribute with Latin affability, and hovered helpfully about the table while the old gentleman cut and lighted his cigar.
"Yes," the latter proceeded, revolving the cigar meditatively between his thin lips, "they're generally both in the same hole, like the owl and the prairie-dog in the natural history books of my youth. I believe it was all a mistake about the owl and the prairie-dog, but it isn't about the unexpected. The fact is, the unexpected is the devil-the sooner you find that out, the happier you'll be." He leaned back, tilting his smooth bald head against the blotched mirror behind him, and rambling on with gentle garrulity while Garnett attacked his omelet.
"Get your life down to routine-eliminate surprises. Arrange things so that, when you get up in the morning, you'll know exactly what is going to happen to you during the day-and the next day and the next. I don't say it's funny-it ain't. But it's better than being hit on the head by a brick-bat. That's why I always take my meals at this restaurant. I know just how much onion they put in things-if I went to the next place I shouldn't. And I always take the same streets to come here-I've been doing it for ten years now. I know at which crossings to look out-I know what I'm going to see in the shop-windows. It saves a lot of wear and tear to know what's coming. For a good many years I never did know, from one minute to another, and now I like to think that everything's cut-and-dried, and nothing unexpected can jump out at me like a tramp from a ditch."
He paused calmly to knock the ashes from his cigar, and Garnett said with a smile: "Doesn't such a plan of life cut off nearly all the possibilities?"
The old gentleman made a contemptuous motion. "Possibilities of what? Of being multifariously miserable? There are lots of ways of being miserable, but there's only one way of being comfortable, and that is to stop running round after happiness. If you make up your mind not to be happy there's no reason why you shouldn't have a fairly good time."
"That was Schopenhauer's idea, I believe," the young man said, pouring his wine with the smile of youthful incredulity.
"I guess he hadn't the monopoly," responded his friend. "Lots of people have found out the secret-the trouble is that so few live up to it."
He rose from his seat, pushing the table forward, and standing passive while the waiter advanced with his shabby overcoat and umbrella. Then he nodded to Garnett, lifted his hat politely to the broad-bosomed lady behind the desk, and passed out into the street.
Garnett looked after him with a musing smile. The two had exchanged views on life for two years without so much as knowing each other's names. Garnett was a newspaper correspondent whose work kept him mainly in London, but on his periodic visits to Paris he lodged in a dingy hotel of the Latin Quarter, the chief merit of which was its nearness to the cheap and excellent restaurant where the two Americans had made acquaintance. But Garnett's assiduity in frequenting the place arose, in the end, less from the excellence of the food than from the enjoyment of his old friend's conversation. Amid the flashy sophistications of the Parisian life to which Garnett's trade introduced him, the American sage's conversation had the crisp and homely flavor of a native dish-one of the domestic compounds for which the exiled palate is supposed to yearn. It was a mark of the old man's impersonality that, in spite of the interest he inspired, Garnett had never got beyond idly wondering who he might be, where he lived, and what his occupations were. He was presumably a bachelor-a man of family ties, however relaxed, though he might have been as often absent from home would not have been as regularly present in the same place-and there was about him a boundless desultoriness which renewed Garnett's conviction that there is no one on earth as idle as an American who is not busy. From certain allusions it was plain that he had lived many years in Paris, yet he had not taken the trouble to adapt his tongue to the local inflections, but spoke French with the accent of one who has formed his conception of the language from a phrase-book.
The city itself seemed to have made as little impression on him as its speech. He appeared to have no artistic or intellectual curiosities, to remain untouched by the complex appeal of Paris, while preserving, perhaps the more strikingly from his very detachment, that odd American astuteness which seems the fruit of innocence rather than of experience. His nationality revealed itself again in a mild interest in the political problems of his adopted country, though they appeared to preoccupy him only as illustrating the boundless perversity of mankind. The exhibition of human folly never ceased to divert him, and though his examples of it seemed mainly drawn from the columns of one exiguous daily paper, he found there matter for endless variations on his favorite theme. If this monotony of topic did not weary the younger man, it was because he fancied he could detect under it the tragic implication of the fixed idea-of some great moral upheaval which had flung his friend stripped and starving on the desert island of the little cafe where they met. He hardly knew wherein he read this revelation-whether in the resigned shabbiness of the sage's dress, the impartial courtesy of his manner, or the shade of apprehension which lurked, indescribably, in his guileless yet suspicious eye. There were moments when Garnett could only define him by saying that he looked like a man who had seen a ghost.
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Summer, also set in rural New England, is often considered a companion to Ethan Frome -Wharton herself called it \u201cthe hot Ethan\u201d-in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late nineteenth-century New York City, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes. ?? All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of our greatest writers.
Edith Wharton was one of the most famous American authors of the early 20th century. Wharton's writings were known for their witty presentation on upper class society in America. This edition of The Hermit and the Wild Woman, and Other Stories includes a table of contents.
In the title story, a scientist's satirical book is taken as gospel by his readers. In "Expiation" a charity-minded author convinces a bishop to denounce her work. In "The Lady's Maid's Bell," a servant is haunted by her late predecessor. This 1904 collection also includes "The Mission of Jane," "The Quicksand," "A Venetian Night's Entertainment," and more.
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
At their wedding night, Kayla caught her brand-new husband cheating. Reeling and half-drunk, she staggered into the wrong suite and collapsed into a stranger's arms. Sunrise brought a pounding head-and the discovery she was pregnant. The father? A supremely powerful tycoon who happened to be her husband's ruthless uncle. Panicked, she tried to run, but he barred the door with a faint, dangerous smile. When the cheating ex begged, Kayla lifted her chin and declared, "Want a second chance at us? Ask your uncle." The tycoon pulled her close. "She's my wife now." The ex gasped, "What!?"
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
When her half-sister stole her fiancé, scarred her face, and threw her from a skyscraper, Amelia thought it was the end-until fate gave her a second chance. Reborn with bitter clarity, she vowed not to repeat the same mistakes. In her past life, she had been kind to a fault; now, she would wear a mask of innocence to outmaneuver every snake in the grass. One by one, she tore down their schemes-leaving her treacherous sister begging, her stepmother pleading, her worthless father groveling, and her ex-fiancé crawling back. Her response was a cold smirk and two words: "Get lost." But the one thing she never anticipated was crossing paths with Damien Taylor-the most powerful and untouchable man in the capital-on the very first day of her new life. They said he was ruthless, ice-cold, immune to any woman's charm. Amelia believed it. until she learned the truth: the man was dangerously cunning. "Miss Johnson, I saved you. How about dinner?" "Miss Johnson, I helped you. Don't you owe me a favor?" Backed against the wall, Amelia felt his low voice vibrate through her: "You owe me too much, Amelia. It's time to pay up-starting with you." Only much later would she realize. she'd been owing him all along.
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
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