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The Law of the Land by Emerson Hough
The Law of the Land by Emerson Hough
Ah, but it was a sweet and wonderful thing to see Miss Lady dance, a strange and wondrous thing! She was so sweet, so strong, so full of grace, so like a bird in all her motions! Now here, now there, and back again, her feet scarce touching the floor, her loose skirt, held out between her dainty fingers, resembling wings, she swam through the air, up and down the room of the old plantation house, as though she were indeed the creature of an element wherein all was imponderable, light and free of hampering influences.
Darting, nodding, beckoning, courtesying to something that she saw-it must have moved you to applause, had you seen Miss Lady dance! You might have been restrained by the feeling that this was almost too unreal, too unusual, this dance of the young girl, all alone, in front of the great mirror which faithfully gave back the passing, flying figure line for line, flush for flush, one bosom-heave for that of the other. Yet the tall white lilies in the corner saw; and the tall white birds, one on each side of the great cheval glass, saw also, but fluttered not; since a lily and a stork and a maiden may each be tall and white, and each may understand the other subtly.
Miss Lady stood at length, tall and white, her cheeks rosy withal, her blown brown hair pushed back a bit, one hand lightly resting on her bosom, looking-looking into the mirror, asking of it some question, getting, indeed, from it some answer-an answer embodying, perhaps, all that youth may mean, all that the morning may bring.
For now the sun of the South came creeping up apace, and saw Miss Lady as it peered in through the rose lattice whereon hung scores of fragrant blossoms. A gentle wind of morning stirred the lace curtains at the windows and touched Miss Lady's hair as she stood there, asking the answer of the mirror. It was morning in the great room, morning for the southern day, morning for the old plantation whose bell now jangled faintly and afar off-morning indeed for Miss Lady, who now had ceased in her self-absorbed dance. At this very moment, as she stood gazing into the mirror, with the sunlight and the roses thus at hand, one might indeed have sworn that it was morning for ever, over all the world!
Miss Lady stood eager, fascinated, before the glass; and in the presence of the tall flowers and the tall birds, saw something which stirred her, felt something which came in at the window out of the blue sky and from the red rose blossoms, on the warm south wind. Impulsively she flung out her arms to the figure in the glass. Perhaps she felt its beauty and its friendliness. And yet, an instant later, her arms relaxed and sank; she sighed, knowing not why she sighed.
Ah, Miss Lady, if only it could be for ever morning for us all! Nay, let us say not so. Let us say rather that this sweet picture of Miss Lady, doubled by the glass, remains to-day imperishably preserved in the old mirror-the picture of Miss Lady dancing as the bird flies, and then standing, plaintive and questioning, before her own image, loving it because it was beautiful and friendly, dreading it because she could not understand.
Miss Lady had forgotten that she was alone, and did not hear the step at the door, nor see the hand which presently pushed back the curtain. There stepped into the room, the tall, somewhat full figure of a lady who stood looking on with eyes at first surprised, then cynically amused. The intruder paused, laughing a low, well-fed, mellow laugh. On the moment she coughed in deprecation. Miss Lady sprang back, as does the wild deer startled in the forest. Her hands went to her cheeks, which burned in swift flame, thence to drop to her bosom, where her heart was beating in a confusion of throbs, struggling with the reversed current of the blood of all her tall young body.
"Mamma!" she cried. "You startled me." "So it seems," said the new- comer. "I beg your pardon. I did not mean to intrude upon your devotions."
She came forward and seated herself-a tall woman, a trifle full of figure now, but still vital of presence. Her figure, deep-chested, rounded and shapely, now began to carry about it a certain air of ease. The mouth, well-bowed and red, had a droop of the same significance. The eyes, deep, dark and shaded by strong brows, held depths not to be fathomed at a glance, but their first message was one of an open and ready self-indulgence. The costume, flowing, loose and easy, carried out the same thought; the piled black hair did not deny it; the smile upon the face, amused, half-cynical, confirmed it. Here was a woman of her own acquaintance with the world, you would have said. And in the next breath you must have asked how she could have been the mother of this tall girl, at whom she now smiled thus mockingly.
"I was just-I was-well, I was dancing, mamma," said Miss Lady. "It is so nice." This somewhat vaguely.
"Yes," said her mother; "why?"
"I do not know," said Miss Lady, frankly, and turning to her with sudden courage. "I was dancing. That is all."
"Yes, I know."
"Well, is it any crime, mamma, I should like to ask?" This with spirit, and with eyes showing themselves able to flash upon occasion.
"Not in the least, my dear. Indeed, I am not at all surprised. I knew it was coming."
"What was coming, mammal? What do you mean?"
"Why, that this was going to happen-that you were going to dance. It was nearly time."
"I do not know what you mean."
"It was always thus with the Ellisons," said the other woman. "All the Ellisons danced this way once in their lives. All the girls do so. They're very strange, these Ellison girls. They dance because they must, I suppose. It's as natural as breathing, for them. You can't help it. It's fate. But listen, child. It is time I took you more in hand. You will be marrying before long-"
"Mamma!" Miss Lady blushed indignantly. "How can you talk so? I don't know-I didn't-I shan't-"
"Tut, tut. Please don't. It is going to be a very warm day. I really can't go into any argument. Take my word, you will marry soon; or if you don't, you will reverse all the known horoscopes of the family. That, too, is the fate of the Ellison girls-certain marriage! Our only hope is in some miracle. It is time for me to take you in hand. Listen, Lady. Let me ask you to sit a trifle farther back upon that chair. So, that is better. Now, draw the skirt a little closer. That is well. Now, sit easily, keep your back from the chair; try to keep your feet concealed. Remember, Lady, you are a woman now, and there are certain rules, certain little things, which will help you so much, so much."
Mrs. Ellison sighed, then yawned, touching her white teeth with the tip of her fan. "Dear me, it certainly is going to be warm," she said at last. "Lady, dear, please run and get my book, won't you? You know your darling mamma is getting so-well, I won't say fat, God forbid! but so-really-well, thank you."
Miss Lady fled gladly and swiftly enough. For an instant she halted, uncertain, on the wide gallery, her face troubled, her attitude undecided. Then, in swift mutiny, she sprang down the steps and was off in open desertion. She fled down the garden walk, and presently was welcomed riotously by a score of dogs and puppies, long since her friends.
Left alone, the elder lady sat for a moment in thought. Her face now seemed harder in outline, more enigmatical. She gazed after the girl who left her, and into her eyes came a look which one must have called strangely unmaternal-a look not tender, but hard, calculating, cold.
"She is pretty," she murmured to herself half-aloud. "She is going to be very pretty-the prettiest of the family in generations, perhaps. Well-handled, that girl could marry anybody. I'll have to be careful she doesn't marry the wrong one. They're headstrong, these Ellisons. Still, I think I can handle this one of them. In fact, I must." She smiled gently and settled down into a half-reverie, purring to herself. "Dear me!" she resumed at length, starting up, "how warm it grows! Where has that girl gone? I do believe she has run away. Delphine! Ah-h-h-h, Delphine!"
There came no audible sound of steps, but presently there stood, just within the parted draperies, the figure of the servant thus called upon. Yet that title sat ill upon this tall young woman who now stood awaiting the orders of her mistress. Garbed as a servant she was, yet held herself rather as a queen. Her hair, black and luxuriant, was straight and strong, and, brushed back smoothly from her temples as it was, contrasted sharply with a skin just creamy enough to establish it as otherwise than pure white. Egyptian, or Greek, or of unknown race, this servant, Delphine, might have been; but had it not been for her station and surroundings, one could never have suspected in her the trace of negro blood. She stood now, a mellow-tinted statue of not quite yellow ivory, silent, turning upon her mistress eyes large, dark and inscrutable as those of a sphinx. One looking upon the two, as they thus confronted each other, must have called them a strange couple. Why they should be mistress and servant was not a matter to be determined upon a first light guess. Indeed, they seemed scarcely such. From dark eye to dark eye there seemed to pass a signal of covert understanding, a signal of doubt, or suspicion, or armed neutrality, yet of mutual comprehension.
"Delphine," said Mrs. Ellison, presently, "bring me a glass of wine. And from now on, Delphine, see to it that you watch that girl. Tell me what she does. There's very little restraint of any kind here on the plantation, and she is just the age-well, you must keep me informed. You may bring the decanter, Delphine. I really don't feel fit for breakfast."
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
"The Way to the West" tells the story of the opening of the west, including the accounts of three early Americans Daniel Boone, Davy Crockett and Kit Carson. "The Story of the Cowboy" is a historical book about the cowboy in the American West close to the end of 19th century. "The Story of the Outlaw" is a study of the western desperado, with historical narratives of famous outlaws, the stories of noted border wars, vigilante movements, and armed conflicts on the frontier, including the profiles of Billy the Kid and Pat Garrett. "The Passing of the Frontier" explains the part of the frontier in history and what Lewis and Clark came up against when they passed it on their great expedition across the continent. Emerson Hough (1857–1923) was an American author best known for writing western stories, adventure tales and historical novels. His best known works include western novels The Mississippi Bubble and The Covered Wagon, The Young Alaskans series of adventure novels, and historical works The Way to the West and The Story of the Cowboy.
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