Roughing It by Mark Twain
The first thing we did on that glad evening that landed us at St. Joseph was to hunt up the stage-office, and pay a hundred and fifty dollars apiece for tickets per overland coach to Carson City, Nevada.
The next morning, bright and early, we took a hasty breakfast, and hurried to the starting-place. Then an inconvenience presented itself which we had not properly appreciated before, namely, that one cannot make a heavy traveling trunk stand for twenty-five pounds of baggage-because it weighs a good deal more. But that was all we could take-twenty-five pounds each. So we had to snatch our trunks open, and make a selection in a good deal of a hurry. We put our lawful twenty-five pounds apiece all in one valise, and shipped the trunks back to St. Louis again. It was a sad parting, for now we had no swallow-tail coats and white kid gloves to wear at Pawnee receptions in the Rocky Mountains, and no stove-pipe hats nor patent-leather boots, nor anything else necessary to make life calm and peaceful. We were reduced to a war-footing. Each of us put on a rough, heavy suit of clothing, woolen army shirt and "stogy" boots included; and into the valise we crowded a few white shirts, some under-clothing and such things. My brother, the Secretary, took along about four pounds of United States statutes and six pounds of Unabridged Dictionary; for we did not know-poor innocents-that such things could be bought in San Francisco on one day and received in Carson City the next. I was armed to the teeth with a pitiful little Smith & Wesson's seven-shooter, which carried a ball like a homoeopathic pill, and it took the whole seven to make a dose for an adult. But I thought it was grand. It appeared to me to be a dangerous weapon. It only had one fault-you could not hit anything with it. One of our "conductors" practiced awhile on a cow with it, and as long as she stood still and behaved herself she was safe; but as soon as she went to moving about, and he got to shooting at other things, she came to grief. The Secretary had a small-sized Colt's revolver strapped around him for protection against the Indians, and to guard against accidents he carried it uncapped. Mr. George Bemis was dismally formidable. George Bemis was our fellow-traveler.
We had never seen him before. He wore in his belt an old original "Allen" revolver, such as irreverent people called a "pepper-box." Simply drawing the trigger back, cocked and fired the pistol. As the trigger came back, the hammer would begin to rise and the barrel to turn over, and presently down would drop the hammer, and away would speed the ball. To aim along the turning barrel and hit the thing aimed at was a feat which was probably never done with an "Allen" in the world. But George's was a reliable weapon, nevertheless, because, as one of the stage-drivers afterward said, "If she didn't get what she went after, she would fetch something else." And so she did. She went after a deuce of spades nailed against a tree, once, and fetched a mule standing about thirty yards to the left of it. Bemis did not want the mule; but the owner came out with a double-barreled shotgun and persuaded him to buy it, anyhow. It was a cheerful weapon-the "Allen." Sometimes all its six barrels would go off at once, and then there was no safe place in all the region round about, but behind it.
We took two or three blankets for protection against frosty weather in the mountains. In the matter of luxuries we were modest-we took none along but some pipes and five pounds of smoking tobacco. We had two large canteens to carry water in, between stations on the Plains, and we also took with us a little shot-bag of silver coin for daily expenses in the way of breakfasts and dinners.
By eight o'clock everything was ready, and we were on the other side of the river. We jumped into the stage, the driver cracked his whip, and we bowled away and left "the States" behind us. It was a superb summer morning, and all the landscape was brilliant with sunshine. There was a freshness and breeziness, too, and an exhilarating sense of emancipation from all sorts of cares and responsibilities, that almost made us feel that the years we had spent in the close, hot city, toiling and slaving, had been wasted and thrown away. We were spinning along through Kansas, and in the course of an hour and a half we were fairly abroad on the great Plains. Just here the land was rolling-a grand sweep of regular elevations and depressions as far as the eye could reach-like the stately heave and swell of the ocean's bosom after a storm. And everywhere were cornfields, accenting with squares of deeper green, this limitless expanse of grassy land. But presently this sea upon dry ground was to lose its "rolling" character and stretch away for seven hundred miles as level as a floor!
Our coach was a great swinging and swaying stage, of the most sumptuous description-an imposing cradle on wheels. It was drawn by six handsome horses, and by the side of the driver sat the "conductor," the legitimate captain of the craft; for it was his business to take charge and care of the mails, baggage, express matter, and passengers. We three were the only passengers, this trip. We sat on the back seat, inside. About all the rest of the coach was full of mail bags-for we had three days' delayed mails with us. Almost touching our knees, a perpendicular wall of mail matter rose up to the roof. There was a great pile of it strapped on top of the stage, and both the fore and hind boots were full. We had twenty-seven hundred pounds of it aboard, the driver said-"a little for Brigham, and Carson, and 'Frisco, but the heft of it for the Injuns, which is powerful troublesome 'thout they get plenty of truck to read."
But as he just then got up a fearful convulsion of his countenance which was suggestive of a wink being swallowed by an earthquake, we guessed that his remark was intended to be facetious, and to mean that we would unload the most of our mail matter somewhere on the Plains and leave it to the Indians, or whosoever wanted it.
We changed horses every ten miles, all day long, and fairly flew over the hard, level road. We jumped out and stretched our legs every time the coach stopped, and so the night found us still vivacious and unfatigued.
After supper a woman got in, who lived about fifty miles further on, and we three had to take turns at sitting outside with the driver and conductor. Apparently she was not a talkative woman. She would sit there in the gathering twilight and fasten her steadfast eyes on a mosquito rooting into her arm, and slowly she would raise her other hand till she had got his range, and then she would launch a slap at him that would have jolted a cow; and after that she would sit and contemplate the corpse with tranquil satisfaction-for she never missed her mosquito; she was a dead shot at short range. She never removed a carcase, but left them there for bait. I sat by this grim Sphynx and watched her kill thirty or forty mosquitoes-watched her, and waited for her to say something, but she never did. So I finally opened the conversation myself. I said:
"The mosquitoes are pretty bad, about here, madam."
"You bet!"
"What did I understand you to say, madam?"
"You BET!"
Then she cheered up, and faced around and said:
"Danged if I didn't begin to think you fellers was deef and dumb. I did, b'gosh. Here I've sot, and sot, and sot, a-bust'n muskeeters and wonderin' what was ailin' ye. Fust I thot you was deef and dumb, then I thot you was sick or crazy, or suthin', and then by and by I begin to reckon you was a passel of sickly fools that couldn't think of nothing to say. Wher'd ye come from?"
The Sphynx was a Sphynx no more! The fountains of her great deep were broken up, and she rained the nine parts of speech forty days and forty nights, metaphorically speaking, and buried us under a desolating deluge of trivial gossip that left not a crag or pinnacle of rejoinder projecting above the tossing waste of dislocated grammar and decomposed pronunciation!
How we suffered, suffered, suffered! She went on, hour after hour, till I was sorry I ever opened the mosquito question and gave her a start. She never did stop again until she got to her journey's end toward daylight; and then she stirred us up as she was leaving the stage (for we were nodding, by that time), and said:
"Now you git out at Cottonwood, you fellers, and lay over a couple o' days, and I'll be along some time to-night, and if I can do ye any good by edgin' in a word now and then, I'm right thar. Folks'll tell you't I've always ben kind o' offish and partic'lar for a gal that's raised in the woods, and I am, with the rag-tag and bob-tail, and a gal has to be, if she wants to be anything, but when people comes along which is my equals, I reckon I'm a pretty sociable heifer after all."
We resolved not to "lay by at Cottonwood."
Curl up with a collection of stories from the pen of one of the masters of American fiction and humor writing. This carefully curated volume of Twain's short stories represents a cross-section of some the author's finest work, including the title piece, which follows a stranger's plot to corrupt a purportedly honest community.
This is the second e-book in a five-volume electronic edition that includes the texts of every known letter written by Samuel L. Clemens (Mark Twain) from 1876 through 1880. The more than 700 letters published here have never before been gathered together and offered to the public in an easily accessible, organized fashion. Carefully transcribed and dated, they are presented here in a spare, unadorned manner, offering an unprecedented look at an important period in the life of this pre-eminent American author.
First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America--an age of corruption, of national optimism, and of crooked land speculators, ruthless bankers, and dishonest politicians voraciousiy taking advantage of that new optimism.
This volume spans the length of Mark Twains career, and contains some of his most famous shorter works, which all centre on the subject of Money. The Celebrated jumping frog of Calaveras County is the most perfect tall tale in the English language, three flawless pages about Jim Smiley and the bizarre sidelines he would investigate to win a bet, any bet, written in a miraculous mid-19th century California vernacular. If that isnt enough, Twain tops it with the best closing paragraph of any work I have ever read ever. The $1,000,000 Bank note is almost surreal, or Marxist, the story of a derelict made an unwitting guinea pig by two elderly millionaires, curious to see what would happen to an honest but poor man in the possession of such an impractible note. The frightening fetishistic power of currency structures a somewhat creepily benevolent narrative, and the opening paragraphs audaciously cram a novels worth of misfortune. I have taught this book at the college level for a few years now; it definitely sheds Twains unfortunate Americana image, and it reveals the darker genius of this beloved author. Twains greatest work, The Mysterious Stranger will enrage fundamentalist Christians, several of whom have dropped my course because of this novella. Asking people to think about what is real, what is behind existence, though, is no crime and should be inoffensive. Young people who are harmed by systematic thinking will react to this book like people being deprogrammed from a cult: they will hate it. But Twain, who was in anguish when he wrote this, had the honesty to ask difficult questions. Read The Mysterious Stranger as a guide to Twains futuristic thinking, his tribute to the mind above all other things.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Is Shakespeare Dead?: From my autobiography" is one of Mark Twain's controversial books about Twain's own questioning of the authenticity of Shakespeare's works.
Short humorous novel. According to Wikipedia: "Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by the pen name Mark Twain, was a humorist, satirist, lecturer and writer from the United States of America. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Twain became a friend to presidents, artists, leading industrialists and European royalty. Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain 'the father of American literature.'"
Rejected by her mate, who had been her long-time crush, Jasmine felt utterly humiliated. Seeking solace, she headed to a party to drown her sorrows. But things took a turn for the worse when her friends issued a cruel dare: kiss a stranger or beg her mate for forgiveness. With no other choice, Jasmine approached a stranger and kissed him, thinking that would be the end of it. However, the stranger unexpectedly wrapped his arms around her waist and whispered in her ear, "You're mine!" He growled, his words sending shivers down her spine. And then, he offered her a solution that would change everything...
It took only a second for a person's world to come crashing down. This was what happened in Hannah's case. For four years, she gave her husband her all, but one day, he said emotionlessly, "Let's get divorced." Hannah's heart broke into a million pieces as she signed the divorce papers, marking the end of her role as a devoted wife. Within Hannah, a strong woman awakened, vowing never to be beholden to any man again. Embracing her new life, she embarked on a journey to find herself and command her own destiny. By the time she returned, she had experienced so much growth and was now completely different from the docile wife everyone once knew. "Is this your latest trick to get my attention?" Hannah's ever-so-arrogant husband asked. Before she could retort, a handsome and domineering CEO pulled her into his embrace. He smiled down at her and said boldly to her ex, "Just a little heads-up, mister. This is my beloved wife. Keep off!"
BOOK 1- BILLIONAIRE ROMANCE BOOK. MATURE THEMES 18+ The book may contain s!xual scenes, sudden instances of possessiveness, mild violence. Sydney Morgan and Gavin Reed, high school sweethearts, had been married for over a decade. Five years of their relationship were filled with unconditional love; however, in the next six years, this changes drastically between them when Sydney takes advice from her best friend, Gavin's first love. When Sydney loses her baby, Gavin is left broken and vulnerable in the hands of his first love. She convinces him to divorce Sydney, and when he does, Sydney loses it and nearly gets hit by a car, but then the talk of the town, Gavin's rival, and CEO's son, hiding behind a facàde, comes to her rescue.
Ivy Rosalia Jones, a young and beautiful doctor working at a suburban hospital, is determined to marry a man she met through a blind date, even though he is paralyzed. Actually, the marriage was meant to be symbolic, with both of them intending not to interfere in each other's affairs after the wedding. However, Ivy never expected that she would end up marrying the most influential man in the world. Shawn Dyxon Tate, Ivy's husband, has no intention of letting his beautiful wife go. Once she entered his life, he made a decision to spoil her and gave her the world she never had.
RATED 18+ (WARNING) - EXPLICIT SCENES. "Strip for me" the beastly alpha called, his voice echoed from his dark cell, causing a shiver to go down her body. She couldn't fight the way her body reacts to him. Her nipples harden from his touch. "I can smell your wetness omega" he mutters, his hands tracing under her skirt till he feels up her wet jeweled folds, causing a hiss from her lips as his fingers push in. He whispers to he ears, a voice filled the dangerous promise "you are mine" .******. Elise Aldermen is the daughter of the Silvernight Pack's chief alpha. She has waited her whole life for her marriage ceremony, hoping it would be the best day of her life. However, she gets the shock of a lifetime when her betrothed coldly rejects her and makes her a slave after finding out her true origins, even though they were already bound. Not Not only is she claimed to be a bastard on her mating day, but she is also disowned and rejected by her pack and mate. Elise's life turns into a nightmare as she is thrown into the dungeons as the cruel alpha's slave, only to be handed off to his greatest beastly champion, who dwells in the dark cells. Elise soon discovers that the beast she is now forced to be marked and bound to is more than a monster; this beastly alpha could also be her fated mate.
"Ms. Crawford, it’s time for you to divorce Mr. Larsen and come home. You're the only heiress the Master's waiting for.” ~•~ For the sake of love, Amara accepted the arranged marriage with Tobias William Larsen. She did everything to gain her husband’s heart but when his old love returned, she realized that all her effort was all for naught. Tobias demanded a divorce on the night of their wedding anniversary, even at the price of threatening her. Heartbroken, she finally dropped all her illusions about him and returned home to be the heiress. The next time she met Tobias, they were no longer couples but opponents. "Mr. Larsen, should I remind you again? We've divorced." "Amara, that's the stupidest mistake I've ever made. Please come back to me."