Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
Like most other children, who should be my godfather is decided by Mammon-So precocious as to make some noise in the world and be hung a few days after I was born-Cut down in time and produce a scene of bloodshed-My early propensities fully developed by the choice of my profession
Those who may be pleased to honour these pages with a perusal, will not be detained with a long introductory history of my birth, parentage, and education. The very title implies that, at this period of my memoirs, I was ignorant of the two first; and it will be necessary for the due development of my narrative, that I allow them to remain in the same state of bliss; for in the perusal of a tale, as well as in the pilgrimage of life, ignorance of the future may truly be considered as the greatest source of happiness. The little that was known of me at this time I will however narrate as concisely, and as correctly, as I am able. It was on the-I really forget the date, and must rise from my chair, look for a key, open a closet, and then open an iron safe to hunt over a pile of papers-it will detain you too long-it will be sufficient to say that it was on a night-but whether the night was dark or moonlit, or rainy or foggy, or cloudy or fine, or starlight, I really cannot tell; but it is of no very great consequence. Well, it was on a night about the hour-there again I'm puzzled, it might have been ten, or eleven, or twelve, or between any of these hours; nay it might have been past midnight, and far advancing to the morning, for what I know to the contrary. The reader must excuse an infant of-there again I am at a nonplus; but we will assume of some days old-if, when wrapped up in flannel and in a covered basket, and, moreover, fast asleep at the time, he does not exactly observe the state of the weather, and the time by the church clock. I never before was aware of the great importance of dates in telling a story; but it is now too late to recover these facts, which have been swept away into oblivion by the broad wing of Time. I must therefore just tell the little I do know, trusting to the reader's good nature, and to blanks. It is as follows:-that, at the hour-of the night-the state of the weather being also-I, an infant of a certain age-was suspended by somebody or somebodies-at the knocker of the Foundling Hospital. Having made me fast, the said somebody or somebodies rang a peal upon the bell which made the old porter start up in so great a hurry, that, with the back of his hand he hit his better half a blow on the nose, occasioning a great suffusion of blood from that organ, and a still greater pouring forth of invectives from the organ immediately below it.
All this having been effected by the said peal on the bell, the said somebody or somebodies did incontinently take to their heels, and disappear long before the old porter could pull his legs through his nether garments and obey the rude summons. At last the old man swung open the gate, and the basket swung across his nose; he went in again for a knife and cut me down, for it was cruel to hang a baby of a few days old; carried me into the lodge, lighted a candle, and opened the basket. Thus did I metaphorically first come to light.
When he opened the basket I opened my eyes, and although I did not observe it, the old woman was standing at the table in very light attire, sponging her nose over a basin.
"Verily, a pretty babe with black eyes!" exclaimed the old man in a tremulous voice.
"Black eyes indeed," muttered the old woman. "I shall have two to-morrow."
"Beautiful black eyes indeed!" continued the old man.
"Terrible black eyes, for sartain," continued the old woman, as she sponged away.
"Poor thing, it must be cold," murmured the old porter.
"Warrant I catch my death a-cold," muttered the wife.
"But, dear me, here's a paper!" exclaimed the old man.
"Vinegar and brown paper," echoed the old woman.
"Addressed to the governors of the hospital," continued the porter.
"Apply to the dispenser of the hospital," continued his wife.
"And sealed," said he.
"Get it healed," said she.
"The linen is good; it must be the child of no poor people. Who knows?"-soliloquised the old man.
"My poor nose!" exclaimed the old woman.
"I must take it to the nurses, and the letter I will give to-morrow," said the old porter, winding up his portion of this double soliloquy, and tottering away with the basket and your humble servant across the courtyard.
"There, it will do now," said the old wife, wiping her face on a towel, and regaining her bed, in which she was soon joined by her husband, and they finished their nap without any further interruption during that night.
The next morning I was reported and examined, and the letter addressed to the governors was opened and read. It was laconic, but still, as most things laconic are, very much to the point.
"This child was born in wedlock-he is to be named Japhet. When circumstances permit, he will be reclaimed."
But there was a postscript by Abraham Newlands, Esq., promising to pay the bearer, on demand, the sum of fifty pounds. In plainer terms, there was a bank note to that amount inclosed in the letter. As in general, the parties who suspend children in baskets, have long before suspended cash payments, or, at all events, forget to suspend them with the baskets, my arrival created no little noise, to which I added my share, until I obtained a share of the breast of a young woman, who, like Charity, suckled two or three babies at one time.
We have preparatory schools all over the kingdom; for young gentlemen, from three to five years of age, under ladies, and from four to seven, under either, or both sexes, as it may happen; but the most preparatory of all preparatory schools, is certainly the Foundling Hospital, which takes in its pupils, if they are sent, from one to three days old, or even hours, if the parents are in such extreme anxiety about their education. Here it commences with their weaning, when they are instructed in the mystery of devouring pap; next, they are taught to walk-and as soon as they can walk-to sit still; to talk-and as soon as they can talk-to hold their tongues; thus are they instructed and passed on from one part of the establishment to another, until they finally are passed out of its gates, to get on in the world, with the advantages of some education, and the still further advantage of having no father or mother to provide for, or relatives to pester them with their necessities. It was so with me: I arrived at the age of fourteen, and notwithstanding the promise contained in the letter, it appeared that circumstances did not permit of my being reclaimed. But I had a great advantage over the other inmates of the hospital; the fifty pounds sent with me were not added to the funds of the establishment, but generously employed for my benefit by the governors, who were pleased with my conduct, and thought highly of my abilities. Instead of being bound 'prentice to a cordwainer or some other mechanic, by the influence of the governors, added to the fifty pounds and interest, as a premium, I was taken by an apothecary, who engaged to bring me up to the profession. And now, that I am out of the Foundling, we must not travel quite so fast.
The practitioner who thus took me by the hand was a Mr Phineas Cophagus, whose house was most conveniently situated for business, one side of the shop looking upon Smithfield Market, the other presenting a surface of glass to the principal street leading out of the same market. It was a corner house, but not in a corner. On each side of the shop were two gin establishments, and next to them were two public-houses and then two eating-houses, frequented by graziers, butchers, and drovers. Did the men drink so much as to quarrel in their cups, who was so handy to plaister up the broken heads as Mr Cophagus? Did a fat grazier eat himself into an apoplexy, how very convenient was the ready lancet of Mr Cophagus. Did a bull gore a man, Mr Cophagus appeared with his diachylon and lint. Did an ox frighten a lady, it was in the back parlour of Mr Cophagus that she was recovered from her syncope. Market days were a sure market to my master; and if an overdriven beast knocked down others, it only helped to set him on his legs. Our windows suffered occasionally; but whether it were broken heads, or broken limbs, or broken windows, they were well paid for. Every one suffered but Mr Phineas Cophagus, who never suffered a patient to escape him. The shop had the usual allowance of green, yellow, and blue bottles; and in hot weather, from our vicinity, we were visited by no small proportion of bluebottle flies. We had a white horse in one window, and a brown horse in the other, to announce to the drovers that we supplied horse-medicines. And we had all the patent medicines in the known world, even to the "all-sufficient medicine for mankind" of Mr Enouy; having which, I wondered, on my first arrival, why we troubled ourselves about any others. The shop was large, and at the back part there was a most capacious iron mortar, with a pestle to correspond. The first floor was tenanted by Mr Cophagus, who was a bachelor; the second floor was let; the others were appropriated to the housekeeper, and to those who formed the establishment. In this well-situated tenement, Mr Cophagus got on swimmingly. I will therefore, for the present, sink the shop, that my master may rise in the estimation of the reader, when I describe his person and his qualifications.
Mr Phineas Cophagus might have been about forty-five years of age when I first had the honour of an introduction to him in the receiving room of the Foundling Hospital. He was of the middle height, his face was thin, his nose very much hooked, his eyes small and peering, with a good-humoured twinkle in them, his mouth large, and drawn down at one corner. He was stout in his body, and carried a considerable protuberance before him, which he was in the habit of patting with his left hand very complacently; but although stout in his body, his legs were mere spindles, so that, in his appearance, he reminded you of some bird of the crane genus. Indeed, I may say, that his whole figure gave you just such an impression as an orange might do, had it taken to itself a couple of pieces of tobacco pipes as vehicles of locomotion. He was dressed in a black coat and waistcoat, white cravat and high collar to his shirt, blue cotton net pantaloons and Hessian boots, both fitting so tight, that it appeared as if he was proud of his spindle shanks. His hat was broad-brimmed and low, and he carried a stout black cane with a gold top in his right hand, almost always raising the gold top to his nose when he spoke, just as we see doctors represented at a consultation in the caricature prints. But if his figure was strange, his language and manners were still more so. He spoke, as some birds fly, in jerks, intermixing his words, for he never completed a whole sentence, with um-um-and ending it with "so on," leaving his hearers to supply the context from the heads of his discourse. Almost always in motion, he generally changed his position as soon as he had finished speaking, walking to any other part of the room, with his cane to his nose, and his head cocked on one side, with a self-sufficient tiptoe gait. When I was ushered into his presence, he was standing with two of the governors. "This is the lad," said one of them, "his name is Japhet."
"Japhet," replied Mr Cophagus; "um, scriptural-Shem, Ham, um-and so on. Boy reads?"
"Very well, and writes a very good hand. He is a very good boy, Mr Cophagus."
"Read-write-spell-good, and so on. Bring him up-rudiments-spatula-write labels-um-M.D. one of these days-make a man of him-and so on," said this strange personage, walking round and round me with his cane to his nose, and scrutinising my person with his twinkling eyes. I was dismissed after this examination and approval, and the next day, dressed in a plain suit of clothes, was delivered by the porter at the shop of Mr Phineas Cophagus, who was not at home when I arrived.
Including a famous chapter starring a werewolf, Captain Marryat's 1839 supernatural sea saga retells the legend of The Flying Dutchman. Philip Vanderdecken is on a maritime quest to rescue his cursed father. Wearing a relic of the Holy Cross, Philip has a chance to lift the curse—if he can find the doomed wanderer.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
A classic tale of historical adventure to be enjoyed by children and adults alike, set against the turbulent background of the English Civil War, as well as a charming coming-of-age storyIt was in the month of November in this year that King Charles, accompanied by Sir John Berkely, Ashburnham, and Legg, made his escape from Hampton Court, and rode as fast as the horses could carry them toward that part of Hampshire which led to the New Forest . . . It is 1647. Charles I has been defeated in the civil war, but has escaped captivity and is making for France. Parliamentary soldiers searching the New Forest decide to burn the house of Colonel Beverly, a royalist officer killed at the Battle of Naseby. His four children are rescued by their father's gamekeeper, Jacob, who takes them in. The children gradually shed their aristocratic sensibilities and adapt to the simple ways of the forest, working Jacob's farmstead and befriending other inhabitants of the woodland. But when Charles II raises an army and the specter of war returns to haunt the Beverly children, they realize they cannot hide from their true identity.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
I lived as the "scarred ghost" of the Stephens penthouse, a wife kept in the shadows because my facial burns offended my billionaire husband’s aesthetic. For years, I endured Kason’s coldness and my family's abuse, a submissive puppet who believed she had nowhere else to go. The end came with a blue folder tossed onto my silk sheets. Kason’s mistress was back, and he wanted me out by sunset, offering a five-million-dollar "silence fee" to go hide my face in the countryside. The betrayal cut deep when I discovered my father had already traded my divorce for a corporate bailout. My step-sister mocked my "trashy" appearance at a high-end boutique, while the sales staff treated me like a common thief. At home, my father threatened to cut off my mother's life-saving medicine unless I crawled back to Kason to beg for a better deal. I was the girl who took the blame for a fire she didn't start, the wife who worshipped a man who never looked her in the eye, and the daughter used as a human bargaining chip. I was supposed to be broken, penniless, and desperate. But the woman who stood up wasn't the weak Elease Finch anymore; she was Phoenix, a tactical predator with a $500 million secret. I signed the divorce papers without a single tear, walked past my stunned husband, and wiped the Finch family's bank accounts clean with a few taps on my phone. "Your money is dirty," I told Kason with a cold smile. "I prefer clean hands." The cage is open, the hunt has begun, and I’m starting with the people who thought a scar made me weak.
For three years, I was the perfect, invisible wife. My husband, Jaden, called the songs I poured my soul into "trash," then secretly fed them to his pop-star mistress to make her famous. Then one night, after being drugged at a gala, I woke up in a stranger's bed. It wasn't just the betrayal that shattered me; it was the soul-deep certainty that this powerful, dangerous man was my true fated mate. I fled home in a panic, only to find a message on Jaden's phone confirming my worst fears. His mistress, the woman singing my songs on the radio, was pregnant with the baby he'd always told me I was too weak to carry. The nightmare deepened when I learned the identity of the man from the hotel. He was Carter Mcclain, the ruthless Alpha King-and my husband's older brother. He looked at me with eyes that knew my secret, his cruel smirk promising that my life was now a game for his amusement. Jaden had stolen my music, my dream of a family, and my future, leaving me trapped between his betrayal and his terrifying brother. He thought he had broken me, leaving me with nothing. He forgot he left me with the rage that wrote the songs. And I was about to write their final, brutal verse.
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