Make Your Own Hats by Gene Allen Martin
Make Your Own Hats by Gene Allen Martin
Equipment
Thimble
Thread
Needles
Tape-measure
Pins
Tailor's chalk or pencil
Milliner's pliers or wire cutters
Scissors, large and small
Paper for patterns
Thimble-good quality
Thread-Geneva lustre, black and white, number 36. Colored thread as needed.
Needles-assorted paper of milliner's needles, 8 to 10.
Tape-measure-of good quality sateen.
Tailor's chalk-white and dark blue.
Milliner's pliers-pliers which fit the hand, not too heavy, with blunt points, and sharp enough to cut a thread.
Materials used to make Hat Frames
Fabrics-
Buckram
Crinoline
Cape net
Neteen or Fly net
Willow plate
Wires-
Cable
Frame or brace wire
Lace
Tie
Ribbon
Sprung
Paper for patterns-
Heavy manila
Buckram-
Comes in black and white, about twenty-seven inches wide-a heavy stiff material, smooth on one side and rather rough on the other. It is more commonly used for hat foundations than any other fabric. There is also a summer buckram, lighter in weight and smooth on both sides.
Crinoline-
Comes in black and white, twenty-seven inches wide-a stiff, thin, open-meshed material, used to make soft hat frames, to cover wire frames, and in bias strips to cover edge wire after it is sewed on the fabric frame.
Neteen or fly net-
A stiff open-meshed material-comes in black, white, and ecru, one yard wide-a very popular material on account of its great pliability and lightness. It is used for blocking frames and copying, the lines being much softer than when made with buckram. Very durable.
Cape net-
A light-weight, open-meshed material used for blocking and for soft frames. Not as pliable as neteen.
Willow plate-
A coarse straw-like material, light in weight, brittle, and very expensive, used in blocking; frames are also made from it without blocking.
Must be dampened before using. Not recommended for amateurs.
Wire comes in black, white, silver, and gilt, and is covered with cotton, mercerized cotton, and silk. It may be procured in single and double bolts.
Cable-
Largest wire used in millinery. In making wire frames, it is used as edge wire and sometimes for the entire frame. Being larger than frame wire, it makes a pleasing effect when used as part of the wire frame design, if it is to be covered with sheer material.
Frame or brace wire-
Used in making frames and is sewed on the edge of all buckram and fabric hat frames.
Lace-
Smaller than frame wire, used for wiring lace ribbon and flowers, and sometimes for making an entire frame when a very dainty design is desired.
SHOWING SHAPED BRIM OF NETEEN WITH RIBBON-WIRE BRACES BASTED IN PLACE
Tie-
Smallest wire used in millinery; comes wound on spools. Is used to tie other wires, and in making hand-made flowers. Comes in black, white, and green.
Ribbon-
A cotton ribbon about three eighths of an inch wide, with a fine wire woven through the center, also a wire on each edge. Used to wire ribbons.
Sprung-
An uncovered steel wire used to make halo brims; is sometimes sewed on edge of buckram or other fabric brims, if the hat is unusually wide, or if a brim is to be especially stiff. It is occasionally used as an edge wire on wire frames.
Hat Frames of Fabric
Much care, thought, and patience must be exercised in making the frame of any hat. It is the foundation upon which we build, and if poorly made no amount of work can cover it up later. A hat must be right every step of the way. The frame is the first step, and so the most important.
The simplest hat to make is the straight brim sailor with a square crown, covered with velvet. Such a model we will take up at first.
Sailor hat frame-
For convenience we will use the following dimensions: Width of brim, three inches; height of crown, three and one-half inches; length of crown tip, eight and one-half inches; width of crown tip, six and one-half inches, and headsize, twenty-four inches.
Pattern for brim-
Cut from a piece of manila paper fourteen and one-half by fourteen and one-half inches the largest possible circle; the paper may be folded into halves, then quarters, then into eighths and creased.
A round brim will not be of equal width all around from headsize wire, because the headsize wire must be oval to fit the head. The front and back will both be about an inch narrower than the sides.
Headsize wire-
To measure-This is especially important, for upon the accuracy of this measurement depends the comfort of the wearer; this is the foundation wire. Pass a tape measure around the head over the hair where the hat is to rest and add two inches to this measure. One is for lapping the ends and the other inch is to allow for lining and covering of hat which goes up into the headsize.7-1
As our headsize measure is twenty-four inches long, cut a piece of frame wire twenty-six inches long; this allows for the two inches just mentioned. Lap the ends one inch and fasten each end with tie wire.7-2 Wire always laps one inch-no more, no less.
To shape-With the hands inside, pull the circle until it is elongated to fit the head. This headsize wire must not press unduly upon any part of the head.
To locate headsize on pattern-Lay pattern flat, pin headsize wire on pattern with joining at back crease in paper, having the back and front of brim of equal width, and the two sides of brim of equal width. Mark all around headsize wire with a pencil. Remove wire and cut paper one-half inch inside this mark.
To cut buckram brim-Lay pattern on smooth side of buckram, pin, and cut the edges very smoothly. Cut headsize same as pattern. Mark location of center back and center front. Remove pattern and with a hot iron press the buckram perfectly flat, being careful not to break or make a sharp bend in the buckram, for if once broken it cannot be satisfactorily repaired.
To sew headsize wire to brim-First note the relation of headsize wire to brim. If buckram is carefully cut, the wire may be pinned on one-half inch from edge. The brim has been cut round and will have the appearance of a round hat when worn and yet, on account of the oval headsize wire, the brim when finished will measure about three and one-half inches on each side and about two and one-half inches back and front. Pin wire on smooth side of buckram with lap at center back, also pin front and each side, being careful not to lose the shape of the headsize wire. Bring needle up from under side of brim close to wire, beginning at lap. Take stitch over wire to under side coming back through first stitch to right side. Take next stitch over wire one-fourth inch from first, coming back to right side. Repeat all the way around until lap is reached. Fasten thread by taking several stitches close together over ends of wire in order to join neatly and prevent their working loose. Slash buckram inside headsize wire every half inch and turn pieces up. This makes small flaps to which crown may be fastened later. The brim may now be tried on and changes made if necessary.
Edge wire-
This is cut from frame wire and must be long enough to reach around edge of brim and lap one inch. Edge wire is always sewed on same side of brim as the headsize wire, which is usually the smooth side. Shape this wire to conform to shape of brim. Never depend on the hat or the stitches to hold a wire in place. Begin at center-back of hat holding wire toward you, and sewing from right to left. Hold wire as near the edge as possible, without letting it slip over the edge. Sew on with overcasting stitch, taking two stitches in same hole. Take the stitches just the depth of the wire. If too shallow, the wire will slip off over the edge, or, if too deep, the wire will slip back away from the edge leaving it unprotected and liable to become broken and uneven-looking. A frame must be well made in every detail to produce satisfactory results when finished.
To cover edge wire-All edge wire must be covered with crinoline or a cheap muslin. Cut a strip of such goods on a true bias, three-eighths of an inch wide. Remove the selvage and stretch the strip. Bind the edge wire with it, holding it very tight. Sew close to wire using a stab stitch.
Right side-wrong side-
This stitch is made by taking a long stitch on right side and then a short back stitch on wrong side. Lap ends of crinoline one-fourth inch at finish, but do not turn ends under.
Square crown-
A square crown is one having a flat top, or one only slightly rounded, with the sides slightly sloping in towards the top. A crown of this type three or three and one-half inches in height would be at least one and one-half inches smaller at the top than at the bottom. Any crown made separately from the brim must be large enough to cover the headsize wire on the brim at the base. To eliminate any slashes or seams in the side crown, a paper pattern should be made. Following paragraphs explain how this is done.
Pattern for slanting side crown-
Cut a piece of manila paper one-fourth inch wider than crown height and one-half inch longer than headsize wire measure. Slash across this paper in four equally distant places, within one-fourth inch of edge of bottom, then lap slashes at top a little more than one-fourth inch, or about enough to take out about one and one-half inches. Pin slashes. Lap ends of paper one-fourth inch and pin together. Place this pattern on brim with joining at back and pin to upturned slashes on brim. Try on to see if any alterations are necessary. It can be decided at this point and changes made should the crown be too sloping or too straight. An amateur should try on a frame often in order to be assured of lines and curves that are becoming. Remove pattern from brim and cut off from top and bottom any irregularities on the edge.
To cut side crown from buckram-
Remove the pins from the seam, allowing pins in slashes to remain. Lay pattern flat on smooth side of buckram, lengthwise of the material to take advantage of the natural roll. Cut close to pattern; lap the ends one-fourth inch. Sew, using a fine back stitch close to each edge; this makes two rows of stitching. Sew a piece of frame wire to top and bottom of side crown, keeping all joining at back. Use same method as in sewing edge wire on brim. Cover both wires with crinoline.
Crown tips-
The top of the crown may be kept soft-looking or it may be made of buckram, producing a stiff effect. Both methods will be given.
Soft crown tip-First shape side crown to fit headsize wire on brim, which will be an ellipse. Cut piece of crinoline, the exact shape of the crown, plus one inch all around. Pin this over top, puffing it a very little, and sew with stab stitch close under wire. Cut surplus material off to one-fourth inch.
Stiff crown tip, made of buckram-Lay top of side crown on smooth side of buckram and mark the shape with a pencil. Cut buckram one-half inch outside of this mark. Next, in order to fold down this stiff crown tip, it will be necessary to cut, from this half-inch of buckram outside the pencil line, small wedge-like pieces, about one inch apart. Cut them close to the line drawn. Pin this piece on top of crown, press flaps down and sew on with stab stitch.
Crowns-
If a round crown is to be used it is advisable to buy a ten-cent separate crown or a frame with a round crown. If an entire frame is purchased, remove the crown and wire its bottom edge. After some skill has been acquired by the student of millinery, a round crown of fabric may be blocked by hand over a wire crown.
To cover round crown-
Pin material on top of crown with bias at front. Pull with the straight of the material and pin just below edge of curve. Sew one-half inch below this with stab stitch, trim material off close under this stitching. Remove pins. Fit a bias piece of material, using same method and measurements as for side crown of velvet sailor in chapter II. Sew the crown to brim before adjusting the side crown covering. Pull this bias piece over crown and pin smoothly in place. Finish top and bottom of this band by turning the edges over a wire. Use same stitch as in finishing edge of facing on brim.13-1 This makes a neat finish for a hat which will demand little trimming. If the amateur finds it too difficult to finish the bottom of a side crown in this way, the edge may be covered with a fold of material or a narrow ribbon; the top may also be finished by a narrow ribbon, but finishing neatly with a wire should be mastered if possible, as this style of finish is used in many places.
7-1 To cut wire see chapter IV.
7-2 To tie wire see chapter IV.
13-1 See chapter II.
* * *
I was four months pregnant, weighing over two hundred pounds, and my heart was failing from experimental treatments forced on me as a child. My doctor looked at me with clinical detachment and told me I was in a death sentence: if I kept the baby, I would die, and if I tried to remove it, I would die. Desperate for a lifeline, I called my father, Francis Acosta, to tell him I was sick and pregnant. I expected a father's love, but all I got was a cold, sharp blade of a voice. "Then do it quietly," he said. "Don't embarrass Candi. Her debutante ball is coming up." He didn't just reject me; he erased me. My trust fund was frozen, and I was told I was no longer an Acosta. My fiancé, Auston, had already discarded me, calling me a "bloated whale" while he looked for a thinner, wealthier replacement. I left New York on a Greyhound bus, weeping into a bag of chips, a broken woman the world considered a mistake. I couldn't understand how my own father could tell me to die "quietly" just to save face for a party. I didn't know why I had been a lab rat for my family’s pharmaceutical ambitions, or how they could sleep at night while I was left to rot in the gray drizzle of the city. Five years later, the doors of JFK International Airport slid open. I stepped onto the marble floor in red-soled stilettos, my body lean, lethal, and carved from years of blood and sweat. I wasn't the "whale" anymore; I was a ghost coming back to haunt them. With my daughter by my side and a medical reputation that terrified the global elite, I was ready to dismantle the Acosta empire piece by piece. "Tell Francis to wash his neck," I whispered to the skyline. "I'm home."
Five years of devotion ended when Brynn was left at the altar, watching Richard rush to his true love. Knowing she could never thaw his cold heart, Brynn walked away, ready to start over. After a night of drinking, she woke beside the last man she should ever cross-Nolan, her brother's arch-enemy. As she tried to escape, he caught her, murmuring, "You kissed me all night. Leaving isn't an option." The world saw Nolan as cold and distant, but with Brynn, he indulged her every desire. He even bought her a whole village and held her close, his voice low, deep, and endlessly tempting, his robe falling open to reveal his toned abs. "Want to feel it?"
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
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