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George Washington Cable was an American novelist notable for the realism of his portrayals of Creole life in his native New Orleans, Louisiana. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer."
Next morning he saw her again.
He had left his very new law office, just around in Bienville Street, and had come but a few steps down Royal, when, at the next corner below, she turned into Royal, toward him, out of Conti, coming from Bourbon.
The same nine-year-old negro boy was at her side, as spotless in broad white collar and blue jacket as on the morning before, and carrying the same droll air of consecration, awe, and responsibility. The young man envied him.
Yesterday, for the first time, at that same corner, he had encountered this fair stranger and her urchin escort, abruptly, as they were making the same turn they now repeated, and all in a flash had wondered who might be this lovely apparition. Of such patrician beauty, such elegance of form and bearing, such witchery of simple attire, and such un-Italian yet Latin type, in this antique Creole, modernly Italianized quarter--who and what, so early in the day, down here among the shops, where so meagre a remnant of the old high life clung on in these balconied upper stories--who, what, whence, whither, and wherefore?
In that flash of time she had passed, and the very liveliness of his interest, combined with the urchin's consecrated awe--not to mention his own mortifying remembrance of one or two other-day lapses from the austerities of the old street--restrained him from a backward glance until he could cross the way as if to enter the great, white, lately completed court-house. Then both she and her satellite had vanished.
He turned again, but not to enter the building. His watch read but half past eight, and his first errand of the day, unless seeing her had been his first, was to go one square farther on, for a look at the wreckers tearing down the old Hotel St. Louis. As he turned, a man neat of dress and well beyond middle age made him a suave gesture.
"Sir, if you please. You are, I think, Mr. Chester, notary public and attorney at law?"
"That is my name and trade, sir." Evidently Mr. Geoffry Chester was also an American, a Southerner.
"Pardon," said his detainer, "I have only my business card." He tendered it: "Marcel Castanado, Masques et Costumes, No. 312, rue Royale, entre Bienville et Conti."
"I diz-ire your advice," he continued, "on a very small matter neither notarial, neither of the law. Yet I must pay you for that, if you can make your charge as--as small as the matter."
The young lawyer's own matters were at a juncture where a fee was a godsend, yet he replied:
"If your matter is not of the law I can make you no charge."
The costumer shrugged: "Pardon, in that case I must seek elsewhere." He would have moved on, but Chester asked:
"What kind of advice do you want if not legal?"
"Literary."
The young man smiled: "Why, I'm not literary."
"I think yes. You know Ovide Landry? Black man? Secon'-han' books, Chartres Street, just yonder?"
"Yes, very pleasantly, for I love old books."
"Yes, and old buildings, and their histories. I know. You are now going down, as I have just been, to see again the construction of that old dome they are dim-olishing yonder, of the once state-house, previously Hotel St. Louis. I know. Twice a day you pass my shop. I am compelled to see, what Ovide also has told me, that, like me and my wife, you have a passion for the poétique and the pittoresque!"
"Yes," Chester laughed, "but that's my limit. I've never written a line for print----"
"This writing is done, since fifty years."
"I've never passed literary judgment on a written page and don't suppose I ever shall."
"The judgment is passed. The value of the article is pronounced great--by an expert amateur."
"SHE?" the youth silently asked himself. He spoke: "Why, then what advice do you still want--how to find a publisher?"
"No, any publisher will jump at that. But how to so nig-otiate that he shall not be the lion and we the lamb!"
Chester smiled again: "Why, if that's the point--" he mused. The hope came again that this unusual shopman and his wish had something to do with her.
"If that's the advice you want," he resumed, "I think we might construe it as legal, though worth at the most a mere notarial fee."
"And contingent on--?" the costumer prompted.
"Contingent, yes, on the author's success."
"Sir! I am not the author of a manuscript fifty years old!"
"Well, then, on the holder's success. You can agree to that, can't you?"
"'Tis agreed. You are my counsel. When will you see the manuscript?"
"Whenever you choose to leave it with me."
The costumer's smile was firm: "Sir, I cannot permit that to pass from my hand."
"Oh! then have a copy typed for me."
The Creole soliloquized: "That would be expensive." Then to Chester: "Sir, I will tell you; to-night come at our parlor, over the shop. I will read you that!" "Shall we be alone?" asked Chester, hoping his client would say no.
"Only excepting my"--a tender brightness--"my wife!" Then a shade of regret: "We are without children, me and my wife."
His wife. H'mm! She? That amazing one who had vanished within a few yards of his bazaar of "masques et costumes"? Though to Chester New Orleans was still new, and though fat law-books and a slim purse kept him much to himself, he was aware that, while some Creoles grew rich, many of them, women, once rich, were being driven even to stand behind counters. Yet no such plight could he imagine of that bewildering young--young luminary who, this second time, so out of time, had gleamed on him from mystery's cloud. His earlier hope came a third time: "Excepting only your wife, you say? Why not also your amateur expert?"
"I am sorry, but"--the Latin shrug--"that is--that is not possible."
"Have I ever seen your wife? She's not a tallish, slender young-----?"
"No, my wife is neither. She's never in the street or shop. She has no longer the cap-acity. She's become so extraordinarily un-slender that the only way she can come down-stair' is backward. You'll see. Well,"--he waved--"till then--ah, a word: my close bargaining--I must explain you that--in confidence. 'Tis because my wife and me we are anxious to get every picayune we can get for the owners--of that manuscript."
Chester thought to be shrewd: "Oh! is she hard up? the owner?"
"The owners are three," Castanado calmly said, "and two dip-end on the earnings of a third." He bowed himself away.
A few hours later Chester received from him a note begging indefinite postponement of the evening appointment. Mme. Castanado had fever and probably la grippe.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
True stories are not often good art. The relations and experiences of real men and women rarely fall in such symmetrical order as to make an artistic whole. Until they have had such treatment as we give stone in the quarry or gems in the rough they seldom group themselves with that harmony of values and brilliant unity of interest that result when art comes in—not so much to transcend nature as to make nature transcend herself. Yet I have learned to believe that good stories happen oftener than once I thought they did. Within the last few years there have dropped into my hands by one accident or another a number of these natural crystals, whose charms, never the same in any two, are in each and all enough at least to warn off all tampering of the fictionist. Happily, moreover, without being necessary one to another, they yet have a coherent sequence, and follow one another like the days of a week. They are mine only by right of discovery. From various necessities of the case I am sometimes the story-teller, and sometimes, in the reader's interest, have to abridge; but I add no fact and trim naught of value away. Here are no unconfessed "restorations," not one. In time, place, circumstance, in every essential feature, I give them as I got them—strange stories that truly happened, all partly, some wholly, in Louisiana.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Set in sultry New Orleans during the Civil War, Kincaid's Battery tells the story of a Confederate army artillery unit, Hilary Kincaid's Battery—or “the ladies' men," as they are more teasingly known. The men's various romances with the women of the Big Easy, among other adventures, examine themes of hope, peace, and the nature of war.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all—from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn’t return her feelings. But when Brian received news of Rachel’s terminal illness and realized she didn’t have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town’s richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. “Way to go, honey!”
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.