IN the surgical ward of the Hope Hospital at Hanaford, a nurse was bending over a young man whose bandaged right hand and arm lay stretched along the bed. His head stirred uneasily, and slipping her arm behind him she effected a professional readjustment of the pillows. "Is that better?" As she leaned over, he lifted his anxious bewildered eyes, deep-sunk under ridges of suffering. "I don't s'pose there's any kind of a show for me, is there?" he asked, pointing with his free hand--the stained seamed hand of the mechanic--to the inert bundle on the quilt. Her only immediate answer was to wipe the dampness from his forehead; then she said: "We'll talk about that to-morrow."
IN the surgical ward of the Hope Hospital at Hanaford, a nurse was bending over a young man whose bandaged right hand and arm lay stretched along the bed.
His head stirred uneasily, and slipping her arm behind him she effected a professional readjustment of the pillows. "Is that better?"
As she leaned over, he lifted his anxious bewildered eyes, deep-sunk under ridges of suffering. "I don't s'pose there's any kind of a show for me, is there?" he asked, pointing with his free hand--the stained seamed hand of the mechanic--to the inert bundle on the quilt.
Her only immediate answer was to wipe the dampness from his forehead; then she said: "We'll talk about that to-morrow."
"Why not now?"
"Because Dr. Disbrow can't tell till the inflammation goes down."
"Will it go down by to-morrow?"
"It will begin to, if you don't excite yourself and keep up the fever."
"Excite myself? I--there's four of 'em at home----"
"Well, then there are four reasons for keeping quiet," she rejoined.
She did not use, in speaking, the soothing inflection of her trade: she seemed to disdain to cajole or trick the sufferer. Her full young voice kept its cool note of authority, her sympathy revealing itself only in the expert touch of her hands and the constant vigilance of her dark steady eyes. This vigilance softened to pity as the patient turned his head away with a groan. His free left hand continued to travel the sheet, clasping and unclasping itself in contortions of feverish unrest. It was as though all the anguish of his mutilation found expression in that lonely hand, left without work in the world now that its mate was useless.
The nurse felt a touch on her shoulder, and rose to face the matron, a sharp-featured woman with a soft intonation.
"This is Mr. Amherst, Miss Brent. The assistant manager from the mills. He wishes to see Dillon."
John Amherst's step was singularly noiseless. The nurse, sensitive by nature and training to all physical characteristics, was struck at once by the contrast between his alert face and figure and the silent way in which he moved. She noticed, too, that the same contrast was repeated in the face itself, its spare energetic outline, with the high nose and compressed lips of the mover of men, being curiously modified by the veiled inward gaze of the grey eyes he turned on her. It was one of the interests of Justine Brent's crowded yet lonely life to attempt a rapid mental classification of the persons she met; but the contradictions in Amherst's face baffled her, and she murmured inwardly "I don't know" as she drew aside to let him approach the bed. He stood by her in silence, his hands clasped behind him, his eyes on the injured man, who lay motionless, as if sunk in a lethargy. The matron, at the call of another nurse, had minced away down the ward, committing Amherst with a glance to Miss Brent; and the two remained alone by the bed.
After a pause, Amherst moved toward the window beyond the empty cot adjoining Dillon's. One of the white screens used to isolate dying patients had been placed against this cot, which was the last at that end of the ward, and the space beyond formed a secluded corner, where a few words could be exchanged out of reach of the eyes in the other beds.
"Is he asleep?" Amherst asked, as Miss Brent joined him.
Miss Brent glanced at him again. His voice betokened not merely education, but something different and deeper--the familiar habit of gentle speech; and his shabby clothes--carefully brushed, but ill-cut and worn along the seams--sat on him easily, and with the same difference.
"The morphine has made him drowsy," she answered. "The wounds were dressed about an hour ago, and the doctor gave him a hypodermic."
"The wounds--how many are there?"
"Besides the hand, his arm is badly torn up to the elbow."
Amherst listened with bent head and frowning brow.
"What do you think of the case?"
She hesitated. "Dr. Disbrow hasn't said----"
"And it's not your business to?" He smiled slightly. "I know hospital etiquette. But I have a particular reason for asking." He broke off and looked at her again, his veiled gaze sharpening to a glance of concentrated attention. "You're not one of the regular nurses, are you? Your dress seems to be of a different colour."
She smiled at the "seems to be," which denoted a tardy and imperfect apprehension of the difference between dark-blue linen and white.
"No: I happened to be staying at Hanaford, and hearing that they were in want of a surgical nurse, I offered my help."
Amherst nodded. "So much the better. Is there any place where I can say two words to you?"
"I could hardly leave the ward now, unless Mrs. Ogan comes back."
"I don't care to have you call Mrs. Ogan," he interposed quickly. "When do you go off duty?"
She looked at him in surprise. "If what you want to ask about is--anything connected with the management of things here--you know we're not supposed to talk of our patients outside of the hospital."
"I know. But I am going to ask you to break through the rule--in that poor fellow's behalf."
A protest wavered on her lip, but he held her eyes steadily, with a glint of good-humour behind his determination. "When do you go off duty?"
"At six."
"I'll wait at the corner of South Street and walk a little way with you. Let me put my case, and if you're not convinced you can refuse to answer."
"Very well," she said, without farther hesitation; and Amherst, with a slight nod of farewell, passed through the door near which they had been standing.
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The Hermit and the Wild Woman and Other Stories by Edith Wharton
Summer, also set in rural New England, is often considered a companion to Ethan Frome -Wharton herself called it \u201cthe hot Ethan\u201d-in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late nineteenth-century New York City, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes. ?? All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of our greatest writers.
Edith Wharton was one of the most famous American authors of the early 20th century. Wharton's writings were known for their witty presentation on upper class society in America. This edition of The Hermit and the Wild Woman, and Other Stories includes a table of contents.
After a heated confrontation with her husband and mistress, Brianna was pushed down to stairs. She thought she would die but when she woke up again, she realized that she traveled back two years ago, when it was not late for her to correct her path. The first thing she needed to do when she was reborn was divorce that scum. She saved from the darkest time but he lied to her and murdered her in the end. This time, she would not repeat the same mistakes anymore. She would bring the glory of her family back and make those people who betrayed her pay the price! However, in the process of climbing up to the peak of her career, she met a very intimidating and handsome man who kept on messing with her head through his bold attitude. Brianna doesn't want to be involved with another man again, for she has proven to herself that they will just drag her down, but her constant incidents with him are slowly breaking the wall she built to protect her heart. Brianna will surely choose her career over a man this time, but it's possible to choose both, right? What if he hurt her too? No! She won't risk it but. "You have to run away from me, Bree. Coz I'm done running away, I'll chase you now."
Due to the plight of her family, Phoebe had no choice but to embark on the path of selling herself. In an accident, she had a tangled night with Alexander. Everything began to derail, and even if she fled to the ends of the earth, she would still be found by him and entangled... *** Phoebe screamed in frustration, "What do you want from me?" What was this supposed to be? He raised an eyebrow wickedly. "What do I want? You'll find out soon enough." With that, he hoisted her up and carried her back into the office. The door slammed shut with a kick, and he cleared the desk with a sweep of his arm before laying her down on it, his body pinning hers in place, completely trapping her in his grasp. Every cell in his body was telling him he wanted her. He wanted to claim her again. This time, there would be no escape for her-he wouldn't let her slip away. Never again. If he had suffered for five years, then this woman wouldn't get off easily either!
Ivy Rosalia Jones, a young and beautiful doctor working at a suburban hospital, is determined to marry a man she met through a blind date, even though he is paralyzed. Actually, the marriage was meant to be symbolic, with both of them intending not to interfere in each other's affairs after the wedding. However, Ivy never expected that she would end up marrying the most influential man in the world. Shawn Dyxon Tate, Ivy's husband, has no intention of letting his beautiful wife go. Once she entered his life, he made a decision to spoil her and gave her the world she never had.
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
Sheila had her back against the wall when her family tried to force her to marry an awful old man. In a fit of rage, she hired a gigolo to act as her husband. She thought the gigolo needed money and did this for a living. Little did she know that he was nothing like that. One day, he pulled off his mask and revealed himself to be the world's top magnate. This marked the beginning of their love. He showered her with everything she could ever want. They were happy. However, unexpected circumstances soon posed a threat to their love. Would Sheila and her husband make it through the storm? Find out!