Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
For lack of a better listener, Betty Gordon addressed the saucy little chipmunk that sat on the top rail of the old worn fence and stared at her with bright, unwinking eyes.
"It is the loveliest vase you ever saw," said Betty, busily sorting the tangled mass of grasses and flowers in her lap. "Heavy old colonial glass, you know, plain, but with beautiful lines."
The chipmunk continued to regard her gravely.
"I found it this morning when I was helping Mrs. Peabody clean the kitchen closet shelves," the girl went on, her slim fingers selecting and discarding slender stems with fascinating quickness. "It was on the very last shelf, and was covered with dust. I washed it, and we're going to have it on the supper table to-night with this bouquet in it. There! don't you think that's pretty?"
She held out the flowers deftly arranged and surveyed them proudly. The chipmunk cocked his brown head and seemed to be withholding his opinion.
Betty put the bouquet carefully down on the grass beside her and stretched the length of her trim, graceful self on the turf, burying her face luxuriously in the warm dry "second crop" of hay that had been raked into a thin pile under the pin oak and left there forgotten. Presently she rolled over and lay flat on her back, studying the lazy clouds that drifted across the very blue sky.
"I'd like to be up in an airplane," she murmured drowsily, her eyelids drooping. "I'd sail right into a cloud and see-What was that?"
She sat up with a jerk that sent the hitherto motionless chipmunk scurrying indignantly up the nearest tree, there to sit and shake his head angrily at her.
"Sounds like Bob!" said Betty to herself. "My goodness, that was Mr. Peabody-they must be having an awful quarrel!"
The voices and shouts came from the next field, separated from her by a brook, almost dry now, and a border of crooked young willow trees grown together in an effective windbreak.
"Anybody who'll gore a cow like that isn't fit to own a single dumb creature!" A clear young voice shaking with passion was carried by the wind to the listening girl.
"When I need a blithering, no-'count upstart to teach me my business, I'll call on you and not before," a deeper, harsh voice snarled. "When you're farming for yourself you can feed the neighbors' critters on your corn all you've a mind to!"
"Oh, dear!" Betty scrambled to her feet, forgetting the bouquet so carefully culled, and darted in the direction of the willow hedge. "I do hope Mr. Peabody hasn't been cruel to an animal. Bob is always so furious when he catches him at that!"
She crossed the puttering little brook by the simple expedient of jumping from one bank to the other and scrambled through the willow trees, emerging, flushed and anxious-eyed, to confront a boy about fourteen years old in a torn straw hat and faded overalls and a tall, lean middle-aged man with a pitchfork in his hands.
"Well?" the latter grunted, as Betty glanced fearfully at him. "What did you come for? I suppose you think two rows of corn down flat is something to snicker at?"
They stood on the edge of a flourishing field of corn, and, following the direction of Mr. Peabody's accusing finger, Betty Gordon saw that two fine rows had been partially eaten and trampled.
"Oh, that's too bad!" she said impulsively, "What did it-a stray cow?"
"Keppler's black and white heifer," answered Mr. Peabody grimly. "Bob here is finding fault with me because I didn't let it eat its head off."
"No such thing!" Bob Henderson was stung into speech. "Because the poor creature didn't get out fast enough to suit you-and you bewildered her with your shouting till she didn't know which way to turn-you jabbed her with the pitchfork. I saw the blood! And I say nobody but an out and out coward would do a thing like that to a dumb animal."
"Oh!" breathed Betty again, softly. "How could you!"
"Now I've heard about enough of that!" retorted Mr. Peabody angrily. "If you'd both attend to your own business and leave me to mind mine, we'd save a lot of time. You, Bob, go let down the bars and turn that critter into the road. Maybe Keppler will wake up and repair his fences after all his stock runs off. You'd better help him, Betty. He might step on a grub-worm if you don't go along to watch him!"
Bob strode off, kicking stones as he went, and Betty followed silently. She helped him lower the bars and drive the cow into the road, then put the bars in place again.
"Where are you going?" she ventured in surprise, as Bob moodily trudged after the animal wending an erratic way down the road.
"Going to take her home," snapped Bob, "Peabody would like to see Keppler have to get her out of the pound, but I'll save him that trouble. You can go on back and read your book."
"Just because you're mad at Mr. Peabody is no reason why you should be cross to me," said Betty with spirit. "I wasn't reading a book, and I'm coming with you. So there!"
Bob laughed and told her to "come on." He was seldom out of sorts long. Indeed, of the two, Betty had the quicker temper and cherished a grudge more enduringly.
"Just the same, Betty," Bob announced, as he skillfully persuaded the cow to forego the delights of a section of particularly sweet grass and proceed on her course, "I'm about through. I can't stand it much longer; and lately I've been afraid that in a rage I might strike Mr. Peabody with something and either kill him or hurt him badly. Of course, I wouldn't do it if I stopped to think, but when he gets me furious as he did to-day, I don't stop to think."
"Well, for mercy's sake, Bob Henderson," ejaculated Betty in an instant alarm, "don't kill him, whatever you do. Then you'd be put in prison for life!"
"All right," agreed Bob equably, "I won't kill him-just nick him in a few places-how will that do?"
"But I'm really serious," insisted Betty. "Don't let the cow turn up that lane. Think how awful you would feel if you were sent to prison, Bob."
Bob took refuge in a masculine stronghold.
"If that isn't just like a girl!" he said scornfully. "Who said I was going to prison? I merely say I don't want to lose my temper and do something rash, and you have me convicted and sentenced for life. Gee, Betty, have a little mercy!"
Betty's lips trembled.
"I can't bear to think of you going away and leaving me here," she faltered. "I'm not going to stay either, Bob, not one minute after I hear from Uncle Dick. I'm sure if the Benders knew how things were going, they would think we had a right to leave. I had the loveliest letter from Mrs. Bender this morning-but it had been opened."
Bob switched an unoffending flower head savagely.
"You come out of that!" he shouted to the perverse cow that seemed determined to turn to the left when she was plainly asked to turn to the right. "Wait a minute, Betty; here's Fred Keppler."
The half-grown boy who accosted them with "What are you doing with our cow?" grinned fatuously at Betty, showing several gaps in a row of fine teeth.
"Keep your cow at home where she belongs," directed Bob magnificently. "She's been making her dinner off our corn."
"Oh, gee," sighed the boy nervously. "I'll bet old Peabody was in a tearing fury. Look, Bob, something's tore her hide! She must have been down in the blackberry bushes along the brook."
"Well, see that it doesn't happen again," commanded Bob, gracefully withdrawing by walking backward. "Corn that's as high as ours is worth something, you know."
"You never told him about the pitchfork," said Betty accusingly, as soon as Fred Keppler and the cow were out of earshot. "You let him think it was blackberry bushes that scratched her like that."
"Well, his father will know the difference," grinned Bob cheerfully. "Why should I start an argument with Fred? Saving the cow from the pound ought to be enough, anyway. Mr. Keppler has had to buy more than one animal out before this; he will not pay attention to his fences."
Betty sat down on a broad boulder and leaned up against an old hickory tree.
"Stone in my shoe," she said briefly. "You'll have to wait just a minute, Bob."
Bob sat down on the grass and began to hunt for four leaf clovers, an occupation of which he never tired.
"Do you think Mr. Peabody opened your letter?" he asked abruptly.
Betty paused in the operation of untying her shoe.
"Who else would?" she said thoughtfully. "It wasn't even pasted together again, but slit across one end, showing that whoever did it didn't care whether I noticed it or not. I'll never mail another letter from that box. I'll walk to Glenside three times a day first!"
"Well, the only thing to do is to clear out," said Bob firmly. "You'll have to wait till you hear from your uncle, or at least till the Benders get back. We promised, you know, that we wouldn't run away without telling them, or if there wasn't time, writing to them and saying where we go. That shows, I think, that they suspected things might get too hot to be endured."
"I simply must get a letter from Uncle Dick or go crazy," sighed Betty feverishly. She put on her shoe and stood up. "I wish he would come for me himself and see how horrid everything is."
Ruth Fielding in the Great Northwest by Alice B. Emerson
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Ruth, Helen, and Tom watch a moving picture company film scenes near the Red Mill. As they watch, the starring actress, Hazel Gray, falls into the river and is swept downstream. Ruth and her friends rescue Miss Gray and take her to the Red Mill to recover. The next day, Ruth meets the producer, Mr. Hammond, who promises to read Ruth's scenario when she impulsively confides that she is planning to write one. Soon after the friends return to school, the East Dormitory burns and is a complete loss. All of the girls housed in that building, including Ruth and her friends, lose all of their possessions. It is soon learned that Dr. Tellingham allowed the insurance to lapse, and there is no money to rebuild the dormitory. In the meantime, Ruth submits her scenario to Mr. Hammond and is thrilled when he accepts it. After her scenario is accepted, Ruth gets a wonderful idea about how she can help the school raise money to rebuild the dormitory. In the Italian garden scenes, the seniors and juniors were used. Ruth calls a meeting of all of the students and suggests her idea of writing a moving picture scenario that will be filmed on the campus. The proceeds from the film would go towards rebuilding the dormitory. In this way, all of the girls would contribute to the fund, since they would be the extras in the film. This idea is met with enthusiasm, and Ruth soon gains Mr. Hammond's approval.
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Ten years ago, Elizabeth Kaiser was abandoned by her biological father, cast out of her home like a stray dog. A decade later, she returned as a decorated general of Nation A, wielding immense power and wealth beyond measure. The onlookers waited eagerly for her downfall, only to watch in shock as the elite families of Capitol City bowed before her in reverence. Elizabeth smirked coldly. "Want to chase me? Better ask my fists for permission first!"
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
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