Emerson Hough was a late 19th century American writer best known for Westerns and historical novels about America. This is one of his most popular books.
Emerson Hough was a late 19th century American writer best known for Westerns and historical novels about America. This is one of his most popular books.
The frontier! There is no word in the English language more stirring, more intimate, or more beloved. It has in it all the elan of the old French phrase, _En avant!_ It carries all of the old Saxon command, Forward!! It means all that America ever meant. It means the old hope of a real personal liberty, and yet a real human advance in character and achievement. To a genuine American it is the dearest word in all the world.
What is, or was, the frontier? Where was it? Under what stars did it lie? Because, as the vague Iliads of ancient heroes or the nebulous records of the savage gentlemen of the Middle Ages make small specific impingement on our consciousness today, so also even now begin the tales of our own old frontier to assume a haziness, an unreality, which makes them seem less history than folklore. Now the truth is that the American frontier of history has many a local habitation and many a name. And this is why it lies somewhat indefinite under the blue haze of the years, all the more alluring for its lack of definition, like some old mountain range, the softer and more beautiful for its own shadows.
The fascination of the frontier is and has ever been an undying thing. Adventure is the meat of the strong men who have built the world for those more timid. Adventure and the frontier are one and inseparable. They suggest strength, courage, hardihood-qualities beloved in men since the world began-qualities which are the very soul of the United States, itself an experiment, an adventure, a risk accepted. Take away all our history of political regimes, the story of the rise and fall of this or that partisan aggregation in our government; take away our somewhat inglorious military past; but leave us forever the tradition of the American frontier! There lies our comfort and our pride. There we never have failed. There, indeed, we always realized our ambitions. There, indeed, we were efficient, before that hateful phrase was known. There we were a melting-pot for character, before we came to know that odious appellation which classifies us as the melting-pot of the nations.
The frontier was the place and the time of the strong man, of the self-sufficient but restless individual. It was the home of the rebel, the protestant, the unreconciled, the intolerant, the ardent-and the resolute. It was not the conservative and tender man who made our history; it was the man sometimes illiterate, oftentimes uncultured, the man of coarse garb and rude weapons. But the frontiersmen were the true dreamers of the nation. They really were the possessors of a national vision. Not statesmen but riflemen and riders made America. The noblest conclusions of American history still rest upon premises which they laid.
But, in its broadest significance, the frontier knows no country. It lies also in other lands and in other times than our own. When and what was the Great Frontier? We need go back only to the time of Drake and the sea-dogs, the Elizabethan Age, when all North America was a frontier, almost wholly unknown, compellingly alluring to all bold men. That was the day of new stirrings in the human heart. Some strange impulse seemed to act upon the soul of the braver and bolder Europeans; and they moved westward, nor could have helped that had they tried. They lived largely and blithely, and died handsomely, those old Elizabethan adventurers, and they lie today in thousands of unrecorded graves upon two continents, each having found out that any place is good enough for a man to die upon, provided that he be a man.
The American frontier was Elizabethan in its quality-childlike, simple, and savage. It has not entirely passed; for both Elizabethan folk and Elizabethan customs are yet to be found in the United States. While the half-savage civilization of the farther West was roaring on its way across the continent-while the day of the keelboatman and the plainsman, of the Indian-fighter and the miner, even the day of the cowboy, was dawning and setting-there still was a frontier left far behind in the East, near the top of the mountain range which made the first great barrier across our pathway to the West. That frontier, the frontier of Boone and Kenton, of Robertson and Sevier, still exists and may be seen in the Cumberland-the only remaining part of America which is all American. There we may find trace of the Elizabethan Age-idioms lost from English literature and American speech long ago. There we may see the American home life as it went on more than a hundred years ago. We may see hanging on the wall the long muzzle-loading rifle of an earlier day. We may see the spinning-wheel and the loom. The women still make in part the clothing for their families, and the men still make their own household furniture, their own farming implements, their own boots.
This overhanging frontier of America is a true survival of the days of Drake as well as of the days of Boone. The people are at once godly and savage. They breed freely; they love their homes; they are ever ready for adventure; they are frugal, abstemious, but violent and strong. They carry on still the half-religious blood feuds of the old Scotch Highlands or the North of Ireland, whence they came. They reverence good women. They care little for material accumulations. They believe in personal ease and personal independence. With them life goes on not in the slow monotony of reiterated performance, but in ragged profile, with large exertions followed by large repose. Now that has been the fashion of the frontier in every age and every land of all the world. And so, by studying these people, we may even yet arrive at a just and comprehensive notion of what we might call the "feel" of the old frontier.
There exists, too, yet another Saxon frontier in a far-off portion of the world. In that strange country, Australia, tremendous unknown regions still remain, and the wild pastoral life of such regions bids fair to exist yet for many years. A cattle king of Queensland held at one time sixty thousand square miles of land. It is said that the average size of pastoral holdings in the northern territory of Australia is two hundred and seventy-five thousand acres. Does this not recall the old times of free range in the American West?
This strange antipodal civilization also retains a curious flavor of Elizabethan ideas. It does not plan for inordinate fortunes, the continual amassing of money, but it does deliberately plan for the use by the individual of his individual life. Australian business hours are shorter than American. Routine is less general. The individual takes upon himself a smaller load of effort. He is restive under monotony. He sets aside a great part of his life for sport. He lives in a large and young day of the world. Here we may see a remote picture of our own American West-better, as it seems to me, than that reflected in the rapid and wholly commercialized development of Western Canada, which is not flavored by any age but this.
But much of the frontier of Australia is occupied by men of means who had behind them government aid and a semi-paternal encouragement in their adventures. The same is true in part of the government-fostered settlement of Western Canada. It was not so with the American West. Here was not the place of the rich man but of the poor man, and he had no one to aid him or encourage him. Perhaps no man ever understood the American West who did not himself go there and make his living in that country, as did the men who found it and held it first. Each life on our old frontier was a personal adventure. The individual had no government behind him and he lacked even the protection of any law.
Our frontier crawled west from the first seaport settlements, afoot, on horseback, in barges, or with slow wagon-trains. It crawled across the Alleghanies, down the great river valleys and up them yet again; and at last, in days of new transportation, it leaped across divides, from one river valley to another. Its history, at first so halting, came to be very swift-so swift that it worked great elisions in its own story.
In our own day, however, the Old West generally means the old cow country of the West-the high plains and the lower foothills running from the Rio Grande to the northern boundary. The still more ancient cattle-range of the lower Pacific Slope will never come into acceptance as the Old West. Always, when we use these words, we think of buffalo plains and of Indians, and of their passing before the footmen and riders who carried the phantom flag of Drake and the Virgin Queen from the Appalachians to the Rockies-before the men who eventually made good that glorious and vaunting vision of the Virginia cavaliers, whose party turned back from the Rockfish Gap after laying claim in the name of King George on all the country lying west of them, as far as the South Sea!
The American cow country may with very good logic arrogate to itself the title of the real and typical frontier of all the world. We call the spirit of the frontier Elizabethan, and so it was; but even as the Elizabethan Age was marked by its contact with the Spanish civilization in Europe, on the high seas, and in both the Americas, so the last frontier of the American West also was affected, and largely, deeply, by Spanish influence and Spanish customs. The very phraseology of range work bears proof of this. Scores of Spanish words are written indelibly in the language of the Plains. The frontier of the cow-range never was Saxon alone.
It is a curious fact also, seldom if ever noted, that this Old West of the Plains was very largely Southern and not Northern on its Saxon side. No States so much as Kentucky and Tennessee and, later, Missouri-daughters of Old Virginia in her glory-contributed to the forces of the frontiersmen. Texas, farther to the south, put her stamp indelibly upon the entire cattle industry of the West. Visionary, impractical, restless, adventurous, these later Elizabethan heroes-bowing to no yoke, insisting on their own rights and scorning often the laws of others, yet careful to retain the best and most advantageous customs of any conquered country-naturally came from those nearest Elizabethan countries which lay abandoned behind them.
If the atmosphere of the Elizabethan Age still may be found in the forgotten Cumberlands, let us lay claim to kinship with yonder roystering heroes of a gallant day; for this was ever the atmosphere of our own frontier. To feel again the following breezes of the Golden Hind, or see again, floating high in the cloudless skies, the sails of the Great Armada, was the privilege of Americans for a double decade within the memory of men yet living, in that country, so unfailingly beloved, which we call the Old West of America.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Serena gave everything to the man she loved-her trust, her devotion, her future. But betrayal shattered it all. Pregnant and full of hope, she walked in on her husband tangled in bed with another woman. What followed was worse: the slow, agonizing loss of her baby... and then her own life, bleeding out on an operating table, heartbroken and alone. But fate wasn't finished with her. Reborn with every memory intact, Serena wakes in the past-stronger, colder, and no longer naive. This time, she's ready to rewrite her story. This time, she'll make them pay. Because the girl they destroyed... came back for revenge. And maybe, just maybe, she'll find something worth living for too.
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
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