Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Three weeks and three days before the ball Denry Machin was seated one Monday alone in Mr Duncalf's private offices in Duck Square (where he carried on his practice as a solicitor), when in stepped a tall and pretty young woman, dressed very smartly but soberly in dark green. On the desk in front of Denry were several wide sheets of "abstract" paper, concealed by a copy of that morning's Athletic News. Before Denry could even think of reversing the positions of the abstract paper and the Athletic News the young woman said "Good-morning!" in a very friendly style.
She had a shrill voice and an efficient smile.
"Good-morning, madam," said Denry.
"Mr Duncalf in?" asked the young woman brightly.
(Why should Denry have slipped off his stool? It is utterly against etiquette for solicitors' clerks to slip off their stools while answering inquiries.)
"No, madam; he's across at the Town Hall," said Denry.
The young lady shook her head playfully, with a faint smile.
"I've just been there," she said. "They said he was here."
"I daresay I could find him, madam-if you would--"
She now smiled broadly. "Conservative Club, I suppose?" she said, with an air deliciously confidential.
He, too, smiled.
"Oh, no," she said, after a little pause; "just tell him I've called."
"Certainly, madam. Nothing I can do?"
She was already turning away, but she turned back and scrutinised his face, as Denry thought, roguishly.
"You might just give him this list," she said, taking a paper from her satchel and spreading it. She had come to the desk; their elbows touched. "He isn't to take any notice of the crossings-out in red ink- you understand? Of course, I'm relying on him for the other lists, and I expect all the invitations to be out on Wednesday. Good-morning."
She was gone. He sprang to the grimy window. Outside, in the snow, were a brougham, twin horses, twin men in yellow, and a little crowd of youngsters and oldsters. She flashed across the footpath, and vanished; the door of the carriage banged, one of the twins in yellow leaped up to his brother, and the whole affair dashed dangerously away. The face of the leaping twin was familiar to Denry. The man had, indeed, once inhabited Brougham Street, being known to the street as Jock, and his mother had for long years been a friend of Mrs Machin's.
It was the first time Denry had seen the Countess, save at a distance. Assuredly she was finer even than her photographs. Entirely different from what one would have expected! So easy to talk to! (Yet what had he said to her? Nothing-and everything.)
He nodded his head and murmured, "No mistake about that lot!" Meaning, presumably, that all that one had read about the brilliance of the aristocracy was true, and more than true.
"She's the finest woman that ever came into this town," he murmured.
The truth was that she surpassed his dreams of womanhood. At two o'clock she had been a name to him. At five minutes past two he was in love with her. He felt profoundly thankful that, for a church tea-meeting that evening, he happened to be wearing his best clothes.
It was while looking at her list of invitations to the ball that he first conceived the fantastic scheme of attending the ball himself. Mr Duncalf was, fussily and deferentially, managing the machinery of the ball for the Countess. He had prepared a little list of his own of people who ought to be invited. Several aldermen had been requested to do the same. There were thus about half-a-dozen lists to be combined into one. Denry did the combining. Nothing was easier than to insert the name of E.H. Machin inconspicuously towards the centre of the list! Nothing was easier than to lose the original lists, inadvertently, so that if a question arose as to any particular name, the responsibility for it could not be ascertained without inquiries too delicate to be made. On Wednesday Denry received a lovely Bristol board, stating in copper-plate that the Countess desired the pleasure of his company at the ball; and on Thursday his name was ticked off as one who had accepted.
I have received a large amount of correspondence concerning this small work, and many reviews of it — some of them nearly as long as the book itself — have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in my opinion, at all frivolous, this objection did not impress me; and had no weightier reproach been put forward I might almost have been persuaded that the volume was flawless! A more serious stricture has, however, been offered — not in the press, but by sundry obviously sincere correspondents — and I must deal with it. A reference to page 43 will show that I anticipated and feared this disapprobation. The sentence against which protests have been made is as follows:—“In the majority of instances he [the typical man] does not precisely feel a passion for his business; at best he does not dislike it. He begins his business functions with some reluctance, as late as he can, and he ends them with joy, as early as he can. And his engines, while he is engaged in his business, are seldom at their full ‘h.p.’”
The silence in St. Patrick's Cathedral wasn't peaceful; it was a physical weight on Stella's shoulders, heavier than her wedding dress. She stood alone at the altar, ready for her perfect life, when her phone vibrated with a text that shattered everything. Her fiancé, Bryce, messaged just moments before the vows: "I can't do this. Monica needs me. I'm sorry." Monica, her maid of honor, was the reason he fled. Bryce's mother then publicly shamed Stella, implying her career ambition drove him away. The betrayal of her sacrifices, her future, and her dignity ignited a white-hot rage. Stella ripped off her veil, grabbed the microphone, and exposed the groom and maid of honor's affair to the stunned guests before storming out. A furious wreck in her ruined gown, she stumbled on the cathedral steps, meeting Julian Sterling, the "Cursed Son" in a wheelchair. He offered no pity, only a detached assessment. In a defiant, adrenaline-fueled moment, Stella crouched and asked, "Are you single?" Julian, needing a strategic alliance against his family, agreed to a cold, transactional marriage of convenience. With the City Clerk's office hours ticking down, Stella tore her dress, determined to forge a new path of vengeance and desperate necessity.
After being forced out of her marriage because she could not have children, Allison's heart broke into pieces. She left for a sleepy town, hoping to find peace and mend her wounds. One day, she stumbled upon an abandoned baby boy and chose to raise him alone. Four years slipped by. One morning, a fleet of luxury cars rolled up to her modest house. A well-dressed man stepped out, holding a card. "Here's two million. Take it for raising my son." With a sly grin, the man replied, "Then both of you come home with me." Allison drew the child close. "He's my family. I will not let him go!"
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY