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The Idiot at Home by John Kendrick Bangs
The Idiot at Home by John Kendrick Bangs
"My dear," said the Idiot one morning, as he and his good wife and the two little ones, Mollie and Tommy, sat down at the breakfast-table, "now that we are finally settled in our new house I move we celebrate. Let's give a dinner to my old friends of Mrs. Smithers's; they were nice old people, and I should like to get them together again. I saw Dr. Pedagog in the city yesterday, and he inquired most affectionately, not to say anxiously, about the children."
"Why should he be anxious about the children?" asked Mrs. Idiot, placidly, as she sweetened her husband's coffee. "Does he suspect them of lacking completeness or variety?"
The Idiot tapped his forehead significantly.
"He didn't know whether they take after you or after me, but I relieved his mind on that score," he said. "I told him that they didn't take after anybody that either of us ever knew. They have started in on a line of Idiocy that is entirely their own. He seemed very much pleased when I said that, and observed that he was glad to hear it."
Mrs. Idiot laughed.
"It was very nice of the Doctor to ask about them, but I am a little afraid he wants to take a hand in their bringing up," she said.
"No doubt of it," said the Idiot. "Pedagog always was anxious to experiment. Many a time I have suspected him of having designs even on me."
"Mrs. Pedagog told me last year that he had devised an entirely new system of home training," observed Mrs. Idiot, "and they both regretted that they had no children of their own to try it on."
"And of course you offered to lend Tommy to them?" said the Idiot, with a sly glance at his son, who was stowing away his oatmeal at a rate that bade fair to create a famine.
"Of course," said Mrs. Idiot. "He's got to get raw material somewhere, and I thought Tommy would be just the thing."
"Well, I ain't a-goin'," said Tommy, helping himself liberally and for the third time to the oatmeal.
"My son," said the Idiot, with a mock show of sternness, "if your mother chooses to lend you to any one it is not for you to say that you 'ain't a-goin'. It may be that I shall interfere to the extent of demanding to know what security for your safe return is offered, but otherwise neither you nor I shall intervene. What your mother says is law for you as well as for me. Please understand that, Thomas."
"All right, pa," said Tommy; and then he added in an undertone, presumably to the butter, "But I ain't a-goin', just the same."
"I'll go," said Mollie, who rather liked the idea of being lent to somebody, since it involved a visit to some strange and therefore fascinating spot away from home. "Lend me to somebody, will you, mamma?"
"Yes, ma, lend Mollie to 'em," said Tommy, with, a certain dry enthusiasm, "and then maybe you can borrow a boy from somebody else for me to play with. I don't see why you don't swap her off for a boy, anyhow. I like her well enough, but what you ever wanted to buy her for in the beginning I don't know. Girls isn't any good."
"Thomas," said the Idiot, "you talk too much, and, what is more, you say vain things which some day you will regret. When you get older you will recall this dictum of yours, that 'girls isn't any good,' with a blush of shame, and remember that your mother was once a girl."
"Well, she's outgrown it," said Tommy; and then reverting to his father's choice of words, he added, "What is dictums, anyhow?"
"Pooh!" cried the little girl. "Smarty don't know what dictums is!"
"Suppose you two young persons subside for a few minutes!" interrupted the Idiot. "I wish to talk to your mother, and I haven't got all day. You'll be wanting some bread and butter to-morrow, and I must go to town and earn it."
"All right, pa," said Tommy. "I ain't got anything to say that I can't say to myself. I'd rather talk to myself, anyhow. You can be as sassy-"
"Thomas!" said the Idiot, severely.
"All right, pa," said Tommy; and with a side remark to the cream-jug, that he still thought Mollie ought to be swapped off for something, it didn't matter what as long as it wasn't another girl, the boy lapsed into a deep though merely temporary silence.
"You said you'd like to give a dinner to Mr. and Mrs. Pedagog and the others," said Mrs. Idiot. "I quite approve."
"I think it would be nice," returned the Idiot. "It has been more than six years since we were all together."
"You wouldn't prefer having them at breakfast, would you?" asked Mrs. Idiot, with a smile. "I remember hearing you say once that breakfast was your best time."
"How long is six years, pa?" asked Tommy.
"Really, Thomas," replied the Idiot, severely, "you are the most absurd creature. How long is six years!"
"I meant in inches," said Tommy, unabashed. "You always told me to ask you when I wanted to know things. Of course, if you don't know-"
"It's more'n a mile, I guess," observed Mollie, with some superiority of manner. "Ain't it, pa?"
The Idiot glanced at his wife in despair.
"I don't think, my dear, that I am as strong at breakfast as I used to be," said he. "There was a time when I could hold my own, but things seem to have changed. Make it dinner; and, Tommy, when you have deep problems to solve, like how long is six years in inches, try to work them out for yourself. It will fix the results more firmly in your mind."
"All right, pa," replied Tommy; "I thought maybe you knew. I thought you said you knew everything."
"POSSESSED A LIBRARY OF FIRST EDITIONS"
In accordance with the Idiot's suggestion the invitations were sent out. It was a most agreeable proposition as far as his wife was concerned, for the Idiot's old associates, his fellow-boarders at Mrs. Smithers-Pedagog's "High-Class Home for Single Gentlemen," had proved to be the stanchest of his friends. They had, as time passed on, gone their several ways. The Poet had made himself so famous that even his bad things got into print; the Bibliomaniac, by an unexpected stroke of fortune, had come into possession of his own again, and now possessed a library of first editions that auctioneers looked upon with envious eyes, and which aroused the hatred of many another collector. The Doctor had prospered equally, and was now one of the most successful operators for appendicitis; in fact, could now afford to refuse all other practice than that involved in that delicate and popular line of work. The genial gentleman who occasionally imbibed had not wholly reformed, but, as the Idiot put it, had developed into one who occasionally did not imbibe. Mr. Brief had become an assistant district attorney, and was prominently mentioned for a judgeship, and Mr. and Mrs. Pedagog lived placidly along together, never for an instant regretting the inspiration which led them to economize by making two into one. In short, time and fortune had dealt kindly with all, even with Mary, the housemaid, who was now general manager of the nursery in the Idiot's household.
The home life of "Mr. and Mrs. Idiot" had been all that either of the young people could have wished for, and prosperity had waited upon them in all things. The Idiot had become a partner in the business of his father-in-law, and even in bad times had managed to save something, until now, with two children, aged five and six, he found himself the possessor of his own home in a suburban city. It had been finished only a month when the proposed dinner was first mentioned, and the natural pride of its master and mistress was delightful to look upon.
"Why, do you know, my dear," said the Idiot one evening, on his return from town, "they are talking of asking me to resign from the club because they say I am offensive about this place, and Watson says my conversation has become a bore to everybody because the burden of my song yesterday was pots and pans and kettles and things like that?"
"I suppose clubmen are not interested in pots and pans and kettles and things," Mrs. Idiot observed. "Some people aren't, you know."
"Not interested?" echoed the Idiot. "What kind of people can they be not to be interested in pots and pans and kettles and things? I guess it's because of their dense ignorance."
"'THEY NEVER HAD THE FUN OF BUYING THEM'"
"They never had the fun of buying them, perhaps," suggested Mrs. Idiot.
"Possibly," assented the Idiot. "And I'll tell you one thing, Pollie, dear," he added, "if they had had that fun just once, instead of squandering their savings on clothes and the theatre, and on horses, you'd find every blessed one of those chaps thronging the hardware shops all day and spending their money there. Why, do you know I even enjoyed getting the clothes-pins, and what is more, it was instructive. I never knew before what countless varieties of clothes-pins there were. There's the plain kind of commerce that look like a pair of legs with a polo-cap on. I was brought up on those, and I used to steal them when I was a small boy, to act as understudies for Noah and Shem and Ham and Japheth in my Noah's ark. Then there's the patent kind with a spring to it that is guaranteed to hang onto a garment in a gale if it has to let go of the rope. Very few people realize the infinite variety of the clothes-pin, and when I try to tell these chaps at the club about it they yawn and try to change the subject to things like German opera and impressionism and international complications."
"'GUARANTEED TO HANG ONTO A GARMENT IN A GALE'"
"How foolish of them!" laughed Mrs. Idiot. "The idea of preferring to talk of Wagner when one can discourse upon clothes-pins!"
"I am afraid you are sarcastic," rejoined the Idiot. "But you needn't be; if you'd only reason it out you'd see at once that my view is correct. Anybody can talk about Wagner. Any person who knows a picture from a cable-car can talk with seeming intelligence on art, and even a member of Congress can talk about international complications off-hand for hours; but how many of these people know about clothes-pins?"
"Very few," said Mrs. Idiot, meekly.
"Very few, indeed," observed the Idiot. "And the same way with egg-beaters. I'll bet you a laundry-stove that if I should write to the Recorder to-morrow morning, and ask a question about Wagner, the musical editor would give me an answer within twenty-four hours; but with reference to egg-beaters it would take 'em a week to find out. And that's just the trouble. The newspapers are filled up with stuff that everybody knows about, but they don't know a thing about other things on the subject of which the public is ignorant."
"I think," said Mrs. Idiot, reflectively, "that that is probably due to the fact that they consider Wagner more important than an egg-beater."
"'AND SOME PEOPLE SAY WAGNER IS MORE IMPORTANT THAN THAT'"
"Well, then, they don't know, that's all," rejoined the Idiot, rising and walking out into the kitchen and taking the fascinating object over which he was waxing so enthusiastic from the dresser drawer. "Just look at that!" he cried, turning the cog-wheel which set the three intersecting metal loops whizzing like a squirrel in its wheel-cage. "Just look at that! It's beautiful, and some people say Wagner is more important than that."
"Well, I must say, my dear," said Mrs. Idiot, "that I have a leaning that way myself. Of course, I admit the charm of the egg-beater, but-"
"Tell me one thing," demanded the Idiot. "Can you get along without Wagner?"
"Why, yes," Mrs. Idiot replied, "if I have to."
"And can you get along without an egg-beater?" he cried, triumphantly.
The evidence was overwhelming, and Mrs. Idiot, with an appreciative ebullition of mirth, acknowledged herself defeated, and so charmingly withal, that the next day when her husband returned home he brought her two tickets for the opera of Siegfried as a reward for her graceful submission.
"I could have bought ten dozen muffin-rings for the same money," said he, as he gave them to her, "but people who know when to give in, and do give in as amiably as you do, my dear, deserve to be rewarded; and, on the whole, when you use these tickets, if you'll ask me, I think I'll escort you to Siegfried myself."
Stuart Harley, despite his authorship of many novels, still considered himself a realist. He affected to say that he did not write his books; that he merely transcribed them from life as he saw it, and he insisted always that he saw life as it was.
If you prefer your ghost stories to have a stout dose of rollicking wit, add Toppleton's Client to your must-read list. A lawyer moves into a new office and soon discovers it is haunted—and worse yet, the lingering spirit wants to engage the lawyer's services to oust another supernatural being that is squatting, so to speak, in his physical body.
What happens when a brilliant but eccentric tinkerer sets his mind on improving the conditions of mankind through the power of science? John Kendrick Bangs' follow-up to The Idiot details this one-of-a-kind inventor's ideas -- some brilliant, some batty -- in this eminently readable romp.
Having recently passed into what my great-grandson Shem calls my Anecdotage, it has occurred to me that perhaps some of the recollections of a more or less extended existence upon this globular[1] mass of dust and water that we are pleased to call the earth, may prove of interest to posterity, and I have accordingly, at [2]the earnest solicitation of my grandson, Noah, and his sons, Shem, Ham and Japhet, consented to put them into permanent literary form.
Elisa watched as the most important people in her life showered the evil imposter-The fake heiress, with love. Elisa, the lost daughter of one of the most wealthiest family was found 18 years later and was brought back to her rightful home. However, someone had already taken her place. A fake heiress, the pampered little princess. Her coy acting and innocent façade made Elisa's real mother love her more than Elisa, her real daughter. That made Elisa, though, the true daughter end up as an adopted child. "Elisa, could you try not to appear in front of her too much as it could trigger her insecurities." Her parents had told her because of the fake heiress. "Elisa, You've taken everything away from her. Why can't you give her a little more?" Her fiancé had ordered her. Because of an unfortunate accident plotted by Isabelle-The fake heiress, Elisa was sent to prison and her family cut ties with her without a second thought. Four years, after much torture which led to her being crippled and blind on one eye, she was released, but got hit by a truck. While laying on the pool of her blood, she wanted to question, Why? Why had they all treated her so cruelly, while they love Isabelle unconditionally? She badly wanted to rip off Isabelle's mask of innocence, to reveal the fake, manipulative woman beneath. She was full of hatred. But after her death, she woke up back to when she was 18 years like all that happened were all nightmare. She was elated. She was reborn to re-live all that had happened in her last life, but now, her mission was to reveal mask beneath that woman and make everyone that made her suffer in her past life pay. It was her time for revenge! And definitely, she won't mess this up!
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Livia Shelby, 19, is forced into marriage with Damian Alexander - a ruthless CEO with a cold heart. Hate simmers beneath the surface, and sometimes it blurs the line between resentment and desire. But what happens when the love that grows between them is bound by a contract... and forbidden to be spoken? Author's Note: This book has been previously published on several platforms. This version is a revised and improved edition.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
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