The Open Boat and Other Stories

PLOT: After being admonished by his father, Dr. Ned Trescott, for damaging a peony while playing in his family's yard, young Jimmie Trescott visits his family's coachman, Henry Johnson. Henry, who is described as "a very handsome negro," "known to be a light, a weight, and an eminence in the suburb of the town,"[20] is friendly toward Jimmie. Later that evening Henry dresses smartly and saunters through town-inciting catcalls from friends and ridicule from the local white men-on his way to call on the young Bella Farragut, who is extremely taken with him. That same evening, a large crowd gathers in the park to hear a band play. Suddenly, the nearby factory whistle blows to alert the townspeople of a fire in the second district of the town; men gather hose-carts and head toward the blaze that is quickly spreading throughout Dr. Trescott's house. Mrs. Trescott is saved by a neighbor, but cannot locate Jimmie, who is trapped inside. Henry appears from the crowd and rushes into the house in search of the boy, finding him unharmed in his bedroom. Unable to retreat the way he came, Henry carries Jimmie, wrapped in a blanket, to the doctor's laboratory and the hidden stairway that leads outside. He discovers the fire has blocked this way out as well and collapses beside Dr. Trescott's desk. A row of nearby jars shatters from the heat, spilling molten chemicals upon Henry's upturned face.....

Men, Women, and Boats by Stephen Crane

\"Run, Jimmie, run! Dey'll get yehs,\" screamed a retreating Rum Alley child. \"Naw,\" responded Jimmie with a valiant roar, \"dese micks can't make me run.\" Howls of renewed wrath went up from Devil's Row throats. Tattered gamins on the right made a furious assault on the gravel heap. On their small, convulsed faces there shone the grins of true assassins. As they charged, they threw stones and cursed in shrill chorus. The little champion of Rum Alley stumbled precipitately down the other side. His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head. His wan features wore a look of a tiny, insane demon. On the ground, children from Devil's Row closed in on their antagonist. He crooked his left arm defensively about his head and fought with cursing fury. The little boys ran to and fro, dodging, hurling stones and swearing in barbaric trebles.

Last Words by Stephen Crane

The Red Badge of Courage is a war novel by American author Stephen Crane (1871–1900). Ranks among the foremost literary achievements of the modern era. Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer. Although Crane was born after the war, and had not at the time experienced battle first-hand, the novel is known for its realism. The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him.

The engine bellowed its way up the slanting, winding valley. Grey crags, and trees with roots fastened cleverly to the steeps looked down at the struggles of the black monster. When the train finally released its passengers they burst forth with the enthusiasm of escaping convicts. A great bustle ensued on the platform of the little mountain station. The idlers and philosophers from the village were present to examine the consignment of people from the city. These latter, loaded with bundles and children, thronged at the stage drivers. The stage drivers thronged at the people from the city...

I sat on the cold tile floor of our Upper East Side penthouse, staring at the two pink lines until my vision blurred. After ten years of loving Julian Sterling and three years of a hollow marriage, I finally had the one thing that could bridge the distance between us. I was pregnant. But Julian didn't come home with flowers for our anniversary. He tossed a thick manila envelope onto the marble coffee table with a heavy thud. Fiona, the woman he'd truly loved for years, was back in New York, and he told me our "business deal" was officially over. "Sign it," He said, his voice flat and devoid of emotion. He looked at me with the cold detachment of a man selling a piece of unwanted furniture. When I hesitated, he told me to add a zero to the alimony if the money wasn't enough. I realized in that moment that if he knew about the baby, he wouldn't love me; he would simply take my child and give it to Fiona to raise. I shoved the pregnancy test into my pocket, signed the papers with a shaking hand, and lied through my teeth. When my morning sickness hit, I slumped to the floor to hide the truth. "It's just cramps," I gasped, watching him recoil as if I were contagious. To make him stay away, I invented a man named Jack-a fake boyfriend who supposedly gave me the kindness Julian never could. Suddenly, the man who wanted me gone became a monster of possessiveness. He threatened to "bury" a man who didn't exist while leaving me humiliated at his family's dinner to rush to Fiona's side. I was so broken that I even ate a cake I was deathly allergic to, then had to refuse life-saving steroids at the hospital because they would harm the fetus. Julian thinks he's stalling the divorce for two months to protect the family's reputation for his father's Jubilee. He thinks he's keeping his "property" on a short leash until the press dies down. He has no idea I'm using those sixty days to build a fortress for my child. By the time he realizes the truth, I'll be gone, and the Sterling heir will be far beyond his reach.

My husband, Ethan Vance, made me his trophy wife. My best friend, Susanna Thorne, helped me pick out my wedding dress. Together, they made me a fool. For three years, I was Mrs. Ethan Vance, a decorative silence in his billion-dollar world, living a quiet routine until a forgotten phone charger led me to his office. The low, feminine laugh from behind his door was a gut-punch; inside, I found Ethan and Susanna, my "best friend" and his CMO, tangled on his sofa, his only reaction irritation. My divorce declaration brought immediate scorn and threats. I was fired, my accounts frozen, and publicly smeared as an unstable gold-digger. Even my own family disowned me for my last cent, only for me to be framed for assault and served a restraining order. Broke, injured, and utterly demonized, they believed I was broken, too ashamed to fight. But their audacious betrayal and relentless cruelty only forged a cold, unyielding resolve. Slumped alone, a restraining order in hand, I remembered my hidden journal: a log of Ethan's insider trading secrets. They wanted a monster? I would show them one.

I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.

Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.

I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.

After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."