Last Words by Stephen Crane
Last Words by Stephen Crane
Two men sat by the sea waves.
"Well, I know I'm not handsome," said one gloomily. He was poking holes in the sand with a discontented cane.
The companion was watching the waves play. He seemed overcome with perspiring discomfort as a man who is resolved to set another man right.
Suddenly his mouth turned into a straight line. "To be sure you are not," he cried vehemently. "You look like thunder. I do not desire to be unpleasant, but I must assure you that your freckled skin continually reminds spectators of white wall paper with gilt roses on it. The top of your head looks like a little wooden plate. And your figure-heavens!"
For a time they were silent. They stared at the waves that purred near their feet like sleepy sea-kittens.
Finally the first man spoke.
"Well," said he, defiantly, "what of it?"
"What of it," exploded the other. "Why, it means that you'd look like blazes in a bathing-suit."
They were again silent. The freckled man seemed ashamed. His tall companion glowered at the scenery.
"I am decided," said the freckled man suddenly. He got boldly up from the sand and strode away. The tall man followed, walking sarcastically and glaring down at the round, resolute figure before him.
A bath-clerk was looking at the world with superior eyes through a hole in a board. To him the freckled man made application, waving his hands over his person in illustration of a snug fit. The bath-clerk thought profoundly. Eventually, he handed out a blue bundle with an air of having phenomenally solved the freckled man's dimensions.
The latter resumed his resolute stride.
"See here," said the tall man, following him, "I bet you've got a regular toga, you know. That fellow couldn't tell-"
"Yes, he could," interrupted the freckled man, "I saw correct mathematics in his eyes."
"Well, supposin' he has missed your size. Supposin'-"
"Tom," again interrupted the other, "produce your proud clothes and we'll go in."
The tall man swore bitterly. He went to one of a row of little wooden boxes and shut himself in it. His companion repaired to a similar box.
At first he felt like an opulent monk in a too-small cell, and he turned round two or three times to see if he could. He arrived finally into his bathing-dress. Immediately he dropped gasping upon a three-cornered bench. The suit fell in folds about his reclining form. There was silence, save for the caressing calls of the waves without.
Then he heard two shoes drop on the floor in one of the little coops. He began to clamour at the boards like a penitent at an unforgiving door.
"Tom," called he, "Tom-"
A voice of wrath, muffled by cloth, came through the walls. "You go t' blazes!"
The freckled man began to groan, taking the occupants of the entire row of coops into his confidence.
"Stop your noise," angrily cried the tall man from his hidden den. "You rented the bathing-suit, didn't you? Then-"
"It ain't a bathing-suit," shouted the freckled man at the boards. "It's an auditorium, a ballroom, or something. It ain't a bathing-suit."
The tall man came out of his box. His suit looked like blue skin. He walked with grandeur down the alley between the rows of coops. Stopping in front of his friend's door, he rapped on it with passionate knuckles.
"Come out of there, y' ol' fool," said he, in an enraged whisper. "It's only your accursed vanity. Wear it anyhow. What difference does it make? I never saw such a vain ol' idiot!"
As he was storming the door opened, and his friend confronted him. The tall man's legs gave way, and he fell against the opposite door.
The freckled man regarded him sternly.
"You're an ass," he said.
His back curved in scorn. He walked majestically down the alley. There was pride in the way his chubby feet patted the boards. The tall man followed, weakly, his eyes riveted upon the figure ahead.
As a disguise the freckled man had adopted the stomach of importance. He moved with an air of some sort of procession, across a board walk, down some steps, and out upon the sand.
There was a pug dog and three old women on a bench, a man and a maid with a book and a parasol, a seagull drifting high in the wind, and a distant, tremendous meeting of sea and sky. Down on the wet sand stood a girl being wooed by the breakers.
The freckled man moved with stately tread along the beach. The tall man, numb with amazement, came in the rear. They neared the girl.
Suddenly the tall man was seized with convulsions. He laughed, and the girl turned her head.
She perceived the freckled man in the bathing-suit. An expression of wonderment overspread her charming face. It changed in a moment to a pearly smile.
This smile seemed to smite the freckled man. He obviously tried to swell and fit his suit. Then he turned a shrivelling glance upon his companion, and fled up the beach. The tall man ran after him, pursuing with mocking cries that tingled his flesh like stings of insects. He seemed to be trying to lead the way out of the world. But at last he stopped and faced about.
"Tom Sharp," said he, between his clenched teeth, "you are an unutterable wretch! I could grind your bones under my heel."
The tall man was in a trance, with glazed eyes fixed on the bathing-dress. He seemed to be murmuring: "Oh, good Lord! Oh, good Lord! I never saw such a suit!"
The freckled man made the gesture of an assassin.
"Tom Sharp, you-"
The other was still murmuring: "Oh, good Lord! I never saw such a suit! I never-"
The freckled man ran down into the sea.
PLOT: After being admonished by his father, Dr. Ned Trescott, for damaging a peony while playing in his family's yard, young Jimmie Trescott visits his family's coachman, Henry Johnson. Henry, who is described as "a very handsome negro," "known to be a light, a weight, and an eminence in the suburb of the town,"[20] is friendly toward Jimmie. Later that evening Henry dresses smartly and saunters through town-inciting catcalls from friends and ridicule from the local white men-on his way to call on the young Bella Farragut, who is extremely taken with him. That same evening, a large crowd gathers in the park to hear a band play. Suddenly, the nearby factory whistle blows to alert the townspeople of a fire in the second district of the town; men gather hose-carts and head toward the blaze that is quickly spreading throughout Dr. Trescott's house. Mrs. Trescott is saved by a neighbor, but cannot locate Jimmie, who is trapped inside. Henry appears from the crowd and rushes into the house in search of the boy, finding him unharmed in his bedroom. Unable to retreat the way he came, Henry carries Jimmie, wrapped in a blanket, to the doctor's laboratory and the hidden stairway that leads outside. He discovers the fire has blocked this way out as well and collapses beside Dr. Trescott's desk. A row of nearby jars shatters from the heat, spilling molten chemicals upon Henry's upturned face.....
\"Run, Jimmie, run! Dey'll get yehs,\" screamed a retreating Rum Alley child. \"Naw,\" responded Jimmie with a valiant roar, \"dese micks can't make me run.\" Howls of renewed wrath went up from Devil's Row throats. Tattered gamins on the right made a furious assault on the gravel heap. On their small, convulsed faces there shone the grins of true assassins. As they charged, they threw stones and cursed in shrill chorus. The little champion of Rum Alley stumbled precipitately down the other side. His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head. His wan features wore a look of a tiny, insane demon. On the ground, children from Devil's Row closed in on their antagonist. He crooked his left arm defensively about his head and fought with cursing fury. The little boys ran to and fro, dodging, hurling stones and swearing in barbaric trebles.
The Open Boat and Other Stories is a classic collection of short tales from Stephen Crane.
The Red Badge of Courage is a war novel by American author Stephen Crane (1871–1900). Ranks among the foremost literary achievements of the modern era. Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer. Although Crane was born after the war, and had not at the time experienced battle first-hand, the novel is known for its realism. The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him.
The engine bellowed its way up the slanting, winding valley. Grey crags, and trees with roots fastened cleverly to the steeps looked down at the struggles of the black monster. When the train finally released its passengers they burst forth with the enthusiasm of escaping convicts. A great bustle ensued on the platform of the little mountain station. The idlers and philosophers from the village were present to examine the consignment of people from the city. These latter, loaded with bundles and children, thronged at the stage drivers. The stage drivers thronged at the people from the city...
My stepmother sold me like a piece of inventory to a man known for breaking people just to plug the financial crater my father left behind. I was delivered to the Morton estate in the middle of a freezing storm, stripped of my phone, and told that if I didn't make myself useful, my senile grandfather would be evicted from his care facility by noon. The master of the house, Adonis Morton IV, was a monster living in a silent mausoleum, driven to the brink of madness by a sensory condition that turned every sound into a physical assault. When I was forced into his suite to serve him, he didn't see a human being; he saw a source of agony. In a fit of animalistic rage, he pinned me to the wall and nearly strangled me to death just for the sound of a shattering teacup. I only survived by using my grandfather’s secret herbal blends and pressure-point therapy to force his overactive nervous system into a drugged sleep. But saving him was my greatest mistake. Instead of letting me go, Adonis moved me into a guest suite connected to his own bedroom by a hidden door. He didn't just want me as a servant; he needed me as a human white-noise machine to drown out the demons in his head. The nightmare deepened when he took the promissory note that defined my freedom and tore it into confetti. By destroying the debt, he destroyed my exit strategy. He replaced my maid’s uniform with a silver silk dress that clung to my skin but did nothing to hide the dark, ugly bruises his fingers had left on my neck. He branded me as his "primary care associate," a title that was nothing more than a gilded cage. I felt a sickening sense of injustice as he forced me to sign a contract that banned me from contacting other men and required me to sleep wherever he slept. He looked at me with a possessive heat, calling me his "medication" rather than a woman. My family had sold my body, but Adonis Morton was intent on owning my very presence, using my grandfather’s medical bills as a leash to keep me within twenty feet of him at all times. Standing in a neglected greenhouse with mud staining my expensive silk, I realized I was no longer a victim waiting for rescue. If I was going to be his medication, I would learn how to be his cure—or his undoing. I began clearing the weeds with a cold, calculated frenzy, determined to turn this prison into my laboratory. He thinks he has trapped a helpless girl, but I am going to pry open the cracks in his stone walls until his entire world comes crashing down.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Sawyer, the world's top arms dealer, stunned everyone by falling for Maren—the worthless girl no one respected. People scoffed. Why chase a useless pretty face? But when powerful elites began gathering around her, jaws dropped. "She's not even married to him yet—already cashing in on his power?" they assumed. Curious eyes dug into Maren's past... only to find she was a scientific genius, a world-renowned medical expert, and heiress to a mafia empire. Later, Sawyer posted online. "My wife treats me like the enemy. Any advice?"
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
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