E.W. Hornung was an English author best known for writing the A.J. Raffles series about an English gentleman thief in the late 19th century.
E.W. Hornung was an English author best known for writing the A.J. Raffles series about an English gentleman thief in the late 19th century.
"And you're quite sure the place doesn't choke you off?"
"The place? Why, I'd marry you for it alone. It's just sweet!"
Of course it was nothing of the kind. There was the usual galaxy of log huts; the biggest and best of them, the one with the verandah in which the pair were sitting, was far from meriting the name of house which courtesy extended to it. These huts had the inevitable roofs of galvanised iron; these roofs duly expanded in the heat, and made the little tin thunder that dwellers beneath them grow weary of hearing, the warm world over. There were a few pine-trees between the buildings, and the white palings of a well among the pines, and in the upper spaces a broken but persistent horizon of salt-bush plains burning into the blinding blue. In the Riverina you cannot escape these features: you may have more pine-trees and less salt-bush; you may even get blue-bush and cotton-bush, and an occasional mallee forest; but the plains will recur, and the pines will mitigate the plains, and the dazzle and the scent of them shall haunt you evermore, with that sound of the hot complaining roofs, and the taste of tea from a pannikin and water from a water-bag. These rude refinements were delights still in store for Moya Bethune, who saw the bush as yet from a comfortable chair upon a cool verandah, and could sing its praises with a clear conscience. Indeed, a real enthusiasm glistened in her eyes. And the eyes of Moya happened to be her chief perfection. But for once Rigden was not looking into them, and his own were fixed in thought.
"There's the charm of novelty," he said. "That I can understand."
"If you knew how I revel in it-after Melbourne!"
"Yes, two days after!" said he. "But what about weeks, and months, and years? Years of this verandah and those few pines!"
"We could cover in part of the verandah with trellis-work and creepers. They would grow like wildfire in this heat, and I'm sure the owners wouldn't mind."
"I should have to ask them. I should like to grow them inside as well, to hide the papers."
"There are such things as pictures."
"They would make the furniture look worse."
"And there's such a thing as cretonne; and I'm promised a piano; and there isn't so much of their furniture as to leave no room for a few of our very own things. Besides, there's lots more they couldn't possibly object to. Curtains. Mantel-borders. I'm getting ideas. You won't know the place when I've had it in hand a week. Shall you mind?"
He did not hear the question.
"I don't know it as it is," he said; and indeed for Rigden it was transformation enough to see Moya Bethune there in the delicious flesh, her snowy frock glimmering coolly in the hot verandah, her fine eyes shining through the dust of it like the gems they were.
His face said as much in the better language which needs no words.
"Then what's depressing you?" asked Moya brightly.
"I dread the life for you."
"But why?"
"I've been so utterly bored by it myself."
Her hand slid into his.
"Then you never will be again," she whispered, with a touching confidence.
"No, not on my own account; of course not," said Rigden. "If only--"
And he sighed.
"If only what?"
For he had stopped short.
"If only you don't think better of all this-and of me!"
The girl withdrew her hand, and for a moment regarded Rigden critically, as he leant forward in his chair and she leant back in hers. She did not care for apologetic love-making, and she had met with more kinds than one in her day. Rigden had not apologised when he proposed to her the very week they met (last Cup-week), and, what was more to his credit, had refused to apologise to her rather formidable family for so doing. Whereupon they were engaged, and all her world wondered. No more Government House-no more parties and picnics-but "one long picnic instead," as her brother Theodore had once remarked before Moya, with that brutal frankness which lent a certain piquancy to the family life of the Bethunes. And the mere thought of her brother accounted for so much in her mind, that Moya was leaning forward again in a moment, and her firm little hand was back in its place.
"I believe it's Theodore!" she cried suspiciously.
"I-I don't understand," he said, telling the untruth badly.
"You do! He's been saying something. But you mustn't mind what Theodore says; he's not to be taken seriously. Oh, how I wish I could have come up alone!" cried Moya, with fine inconsistency, in the same breath. "But next time," she whispered, "I will!"
"Not quite alone," he answered. And his tone was satisfactory at last. And the least little wisp of a cloud between them seemed dispersed and melted for ever and a day.
For Moya was quite in love for the first time in her life, though more than once before she had been within measurable distance of that enviable state. This enabled her to appreciate her present peace of mind by comparing it with former feelings of a less convincing character. And at last there was no doubt about the matter. She had fallen a happy victim to the law of contrasts. Society favourite and city belle, satiated with the attractions of the town, and deadly sick of the same sort of young man, she had struck her flag to one who might have swum into her ken from another planet; for the real bush is as far from Toorak and Hawthorn, and The Block in Collins Street, as it is from Hyde Park Corner.
It may be that Moya saw both bush and bushman in the same rosy light. To the impartial eye Rigden was merely the brick-red, blue-eyed type of Anglo-Saxon: a transparent character, clean of body and mind, modest but independent, easy-going in most things, immovable in others. But he had been immovable about Moya, whose family at its worst had failed to frighten or to drive him back one inch. She could have loved him for that alone; as it was it settled her; for Moya was of age, and the family had forthwith to make the best of her betrothal.
This they had done with a better grace than might have been expected, for the Bethunes had fine blood in them, though some of its virtue had been strained out of this particular branch. Moya none the less continued to realise the disadvantages of belonging to a large family when one wishes to form a family of two. And this reflection inspired her next remark of any possible interest to the world.
"Do you know, dear, I'm quite glad you haven't got any people?"
Rigden smiled a little strangely.
"You know what I mean!" she cried.
"I know," he said. And the smile became his own.
"Of course I was thinking of my own people," explained Moya. "They can't see beyond Toorak-unless there's something going on at Government House. And I'm so tired of it all-wouldn't settle there now if they paid me. So we're out of touch. Of course I would have loved any one belonging to you; but they mightn't have thought so much of me."
If she was fishing it was an unsuccessful cast. Rigden had grown too grave to make pretty speeches even to his betrothed.
"I wish you had known my mother," was all he said.
"So do I, dear, and your father too."
"Ah! I never knew him myself."
"Tell me about them," she coaxed, holding his sunburnt hand in one of hers, and stroking it with the other. She was not very inquisitive on the subject herself. But she happened to have heard much of it at home, and it was disagreeable not to be in a position to satisfy the curiosity of others. She was scarcely put in that position now.
"They came out in the early days," said Rigden, "both of the colony and of their own married life. Yet already these were numbered, and I was born an orphan. But my dear mother lived to make a man of me: she was the proudest and the poorest little woman in the colony; and in point of fact (if this matters to you) she was not badly connected at home."
Moya said that it didn't matter to her one bit; and was unaware of any insincerity in the denial.
"I don't tell you what her name was," continued Rigden. "I would if you insisted. But I hate the sound of it myself, for they treated her very badly on her marriage, and we never used to mention them from one year's end to another."
Moya pressed his hand, but not the point, though she was sorely tempted to do that too. She had even a sense of irritation at his caring to hide anything from her, but she was quick to see the unworthiness of this sentiment, and quicker to feel a remorse which demanded some sort of expression in order to restore complete self-approval. Yet she would not confess what had been (and still lingered) in her mind. So she fretted about the trifle in your true lover's fashion, and was silent until she hit upon a compromise.
"You know-if only anybody could!-how I would make up to you for all that you have lost, dearest. But nobody can. And I am full of the most diabolical faults-you can't imagine!"
And now she was all sincerity. But Rigden laughed outright.
"Tell me some of them," said he.
Moya hesitated; and did not confess her innate curiosity after all. She was still much too conscious of that blemish.
"I have a horrible temper," she said at length.
"I don't believe it."
"Ask Theodore."
"I certainly shouldn't believe him."
"Then wait and see."
"I will; and when I see it I'll show you what a real temper is like."
"Then--"
"Yes?"
"Well, I suppose I've had more attention than I deserve. So I suppose you might call me unreasonable-exacting-in fact, selfish!"
This was more vital; hence the hesitation on his part.
"When I do," said Rigden, solemnly, "you may send me about my business."
"It may be too late."
"Then we won't meet our troubles half-way," cried the young man, with virile common-sense. "Come! We love each other; that's good enough to go on with. And we've got the station to ourselves; didn't I work it well? So don't let's talk through our necks!"
The bush slang made the girl smile, but excitement had overstrung her finer nerves, and neither tone nor topic could she change at will.
"Shall we always love each other, darling?"
And there was the merest film of moisture upon the lovely eyes that were fixed so frankly upon his own.
"I can only answer for myself," he said, catching her mood. "I shall love you till I die."
"Whatever I do?"
"Even if you give me up."
"That's the one thing I shall never do, dearest."
"God bless you for saying it, Moya. If I knew what I have ever done or can do to deserve you!"
"Don't, dear ... you little dream ... but you will know me by and by."
"Please Heaven!"
And he leant and kissed her with all his might.
"Meanwhile-let us promise each other-there shall be no clouds between us while I am up here this week!"
"I'll kiss the Book on that."
"No shadows!"
"My dear child, why should there be?"
"There's Theodore--"
"Bother Theodore!"
"And then there are all those faults of mine."
"I don't believe in them. But if I did it would make no difference. It's not your qualities I'm in love with, Moya. It's yourself-so there's an end of it."
And an end there was, for about Rigden there was a crisp decisiveness which had the eventual advantage of a nature only less decided than his own. But it was strange that those should have been the last words.
Still stranger was it, as they sat together in a silence happier than their happiest speech, and as the lowering sun laid long shadows at their feet, that one of these came suddenly between them, and that it was not the shadow of pine-tree or verandah-post, but of a man.
* * *
E.W. Hornung was an English author best known for writing the A.J. Raffles series about an English gentleman thief in the late 19th century.
This tightly plotted mystery from E. W. Hornung tells the tale of Mr. Cazalet. Though he appears to be a globe-trotting adventurer without a care in the world, his past holds a dark secret—and he'll go to the ends of the earth to seek revenge. But when the object of his hatred turns up dead, Cazalet drops everything to figure out the identity of the murderer.
This fast-paced page-turner from E. W. Hornung has something for every reader: a juicy murder mystery, a tender romance, charming local color, a critique of Victorian social mores, around-the-world adventures, and much more. The plot twists come at a breakneck pace, so don't blink or you might miss a crucial clue!
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
For three years, Natalie gave everything to be the perfect wife and mother, believing her love and effort could finally earn her a place in their hearts. Yet her sacrifices were met with betrayal from her husband and cold rejection from her son. In their eyes, she was nothing but a manipulator, using vulnerability to get her way. Her husband turned his back, her son misunderstood her, and she never truly belonged. Heartbroken yet determined, Natalie left her old life behind. When her family finally begged for a second chance, she looked at them and said, "It's too late."
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
Nadine reunited with her family, convinced she'd been discarded, rage simmering-only to find collapse: her mother unstable, her father poisoned; a pianist brother trapped in a sham marriage, a detective brother framed and jailed, the youngest dragged into a gang. While the fake daughter mocked and colluded, Nadine moved in secret-healing her mother, curing her father, ending the union, clearing charges, and lifting the youngest to leader. Rumors said she rode coattails, unworthy of Rhys, the unmatched magnate. Few knew she was a renowned healer, legendary assassin, mysterious tycoon... Rhys knelt. "Marry me! The entire empire is yours for the taking!"
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
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