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The Virgin in Judgment by Eden Phillpotts
The Virgin in Judgment by Eden Phillpotts
Night stirred behind the eastern hills and a desert place burnt with fading splendour in the hour before sunset. The rolling miles of Ringmoor Down lay clad at this season in a wan integument of dead grass. Colourless as water, it simulated that element and reflected the tone of dawn or evening, sky or cloud; now sulked; now shone; now marked the passage of the wind with waves of light.
Ringmoor extends near the west quarter of Dartmoor Forest like an ocean of alternate trough and mound, built by the breath of storms. This region, indeed, shares something with the restless resting-places of the sea; and one may figure it as finally frozen into its present austerity by action of western winds that aforetime laboured without ceasing here on the bosom of a plastic earth. Only the primary forces model with such splendid economy of design, or present achievements so unadorned, yet so complete. The marvel of Ringmoor demanded unnumbered centuries of elemental collaboration before it spread, consummate and accomplished, under men's eyes. Rage of solar flame and fury of floods; the systole and diastole of Earth's own mighty heart-beat; the blast of inner fires, the rigour of age-long ice-caps--all have gone to mould this incarnate simplicity. Nor can Nature's achievement yet be gauged, for man himself must ascend to subtler perception before he shall gather the meaning of this moor.
The expanse is magnificently naked, yet sufficing; it is absolutely featureless, but never poverty-stricken. To the confines of a river it extends, and ceases there; yet that sudden wild uplifting of broken hills beyond; their dark, rocky places full of story; their porphyry pinnacles and precipices haunted by the legends and the spirits of old strike not so deeply into human sense as Ringmoor's vast monochrome fading slowly at the edge of night; fading as a cloudless sky fades; as light fades on the eyes of the semi-blind; fading without one stock or stone or man or beast to break the inexorable tenor of its way.
Upon some souls this huge monotony, thus mingling with the universal at eventide, casts fear; to others it is a manifestation precious as the presence of a friend; and for those whose working life brings them here, the waste's immensities at noon or night are one; its highways are their highways, and indifferently they move upon its bosom with the other ephemeral existences that haunt it. Yet by none of these people is Ringmoor truly felt or truly seen. Cultured minds weave pathetic fallacies and so pass by; while for the native this spot is first a grazing ground and last a recurrent incident of stern spaces to be compassed and recompassed on his own pilgrimage--to the young a weariness and to the old a grief.
Now light suffered a change. There was no detail to die, but a general fleeting radiance failed swiftly to the thick pallor that precedes darkness. Each perished grass-stem, of many millions that clad the waste, reflected the sky and paled its little lamp as the heavens paled. Then sobriety of dusk eliminated even the sweep and billow of the heath, and reduced all to a spectacle of withered and waning grey, that stretched formless, vague, vast, toward boundaries unseen.
It was at this stage in the unfolding phenomenon of night that life moved upon the void; a black, amorphous smudge crawled out of the gloom and crept tardily along. At length its form, as a double star seen through a telescope, divided and revealed a brace of animals, one of which staggered slowly on four legs, while the other went on two. A man led a horse by a halter; and the horse was old and black, bent, broken-kneed and worn out; while the man was also bent and ancient of his kind. Neither could travel very fast, and one was at the end of his life's journey, while the other had a small measure of years still assured.
Death thus moved across Ringmoor and trod a familiar rut in the wilderness; because, under the darkness eastward, was a bourn for beasts that had ceased to possess any living value. Through extinction only they served their masters for the last time and made profitable this final funeral march. The horse stopped, turned and seemed to ask a question with his eyes.
"Get on!" said the man. "There ban't much further for you to go."
The brute dragged towards peace and his hind hoofs struck sometimes and sounded the dull and dreary note of his own death bell; the old man sighed because he was very weary. Then from the fringe of night sprang young life and met this forlorn procession. A tall girl appeared and three collie dogs galloped and circled about her. Noting the man, they ran up to him, barked and wagged their tails in greeting.
"Be that anybody from Ditsworthy?" asked the traveller of the female shadow.
"'Tis I--Rhoda Bowden. I thought as you might be pretty tired and came to shorten your journey--that is if you'm old Mr. Elford from Good-a-Meavy."
"I am the man, and never older than to-night."
He stopped and rubbed his leg. The girl stood over him by half a foot. She was tall and straight, but in the murk one could see no more than her outlines, her pale sun-bonnet and a pale face under it.
"Have you got the money?" said the man.
"Yes--ten shillings."
She spoke slowly, with a voice uncommon deep for a young woman.
"Not twelve?"
"No."
The ancient made a sound that indicated disappointment and annoyance.
"And the price of the halter?"
"We don't want that. One of my brothers will bring it back to you next time they be down-along."
He handed her the rope and took a coin from her. Then he brought a little leathern purse from his breeches pocket and put the money into it.
"You're sure your faither didn't say twelve?"
"No."
"He's a hard man. Good-night to you."
"'Tis the right price for a dead horse. Good-night."
The ancient had no farewell word for his beast, and the companions of twelve years parted for ever. The girl took her way with the old horse; the man turned in his tracks moodily, chattering to himself.
"Warrener did ought to have give twelve," he said again and again as he went homewards. By furze banks and waste places and the confines of woods he passed, and then he stopped where a star twinkled above the gloomy summits of spruce firs. Beneath them there peered out a thatched cottage, but no light shone from its face. The patriarch entered with his frosty news, and almost instantly a female voice, shrill and full of trouble, struck upon the night.
"It did ought to have been twelve!"
Owls cried to each other across the forest and seemed to echo the lamentation.
I remember the very evening he came to Merivale. “Nubby” Tomkins had a cold on his chest, so Mathers and I stopped in from the half-hour “kick-about” in the playground before tea, being chums of Nubby’s. Whenever he gets a cold on the chest he thinks he is going to die, and this evening, sitting by the fire in the Fifth’s class-room, he roasted chestnuts for Mathers and me, and took a very gloomy view of his future life.
Rejected by her mate, who had been her long-time crush, Jasmine felt utterly humiliated. Seeking solace, she headed to a party to drown her sorrows. But things took a turn for the worse when her friends issued a cruel dare: kiss a stranger or beg her mate for forgiveness. With no other choice, Jasmine approached a stranger and kissed him, thinking that would be the end of it. However, the stranger unexpectedly wrapped his arms around her waist and whispered in her ear, "You're mine!" He growled, his words sending shivers down her spine. And then, he offered her a solution that would change everything...
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
Audrey Wilson must marry an old, ugly man because of her father's unpaid debts. She thought her boyfriend would be her savior, but on the same day, she discovers that he has betrayed her along with her best friend. So, desperate, she has to go to a bar to look for an opportunity, and luckily, she does find it... *** Audrey feel, a strange sensation was emanating from every part of her body. She tried to clench her legs, but was prevented from doing so. Lucien spread her legs and took his c*ck and aimed it at her v*ginal entrance. Smiling, he prompted her, "I'm coming in." With that he thrust hard. "Ah-" Audrey cried out, unlike the moan she had just given. It was a scream from pain, and she felt a ripping pain coming from her bottom. Lucien sensed something was wrong and looked down to check, he saw blood. What was going on here? She really was a virgin!
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
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