Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
Just on the edge of the prairie, in western Iowa, some thirty years since, stood a cabin covering quite a little ground, but only one story high. It was humble enough as a home, but not more so than the early homes of some who have become great.
Let us enter.
The furniture was scanty, being limited to articles of prime necessity. There was a stove, a table, three chairs, a row of shelves containing a few articles of crockery and tinware, and a bed in the far corner of the room, on which rested a man. He had a ragged gray beard and hair, and a face long and thin, with preternaturally black eyes.
It was evident that he was sick unto death. His parchment-colored skin was indented with wrinkles; from time to time he coughed so violently as to rack his slight frame, and his hand, thin and wrinkled, as it rested on the quilt that covered him, shook as with palsy.
It was hard to tell how old the man was. He looked over seventy, but there were indications that he had aged prematurely.
There was one other person in the room, one whose appearance contrasted strongly with that of the old man. It was a boy of sixteen, a boy with dark brown hair, ruddy cheeks, hazel eyes, an attractive yet firm and resolute face, and an appearance of manliness and self-reliance. He was well dressed, and, though the tenant of such an humble home, would have passed muster upon the streets of a city.
"How do you feel, Uncle Peter?" he asked, as he stood by the bedside.
"I shall never feel any better, Ernest," said the old man, in a hollow voice.
"Don't say that, uncle," rejoined Ernest in a tone of concern.
There seemed little to connect him, in his strong, attractive boyhood, with the frail old man, but they had lived together for five years, and habit was powerful.
"Yes, Ernest, I shall never rise from this bed."
"Isn't there anything I can get for you, uncle?"
"Is there is there anything left in the bottle?" asked Peter, wistfully.
Ernest walked to the shelf that held the dishes, and took from a corner a large black bottle. It seemed light and might be empty. He turned out the contents into a glass, but there was only a tablespoonful of whisky left.
"It is almost all gone, Uncle Peter; will you have this much?"
"Yes," answered the old man, tremulously.
Ernest lifted the invalid into a sitting posture, and then put the glass to his mouth.
He drained it, and gave a sigh of satisfaction.
"It is good," he said briefly.
"I wish there were more."
"It goes to the right spot. It puts strength into me."
"Shall I go to the village and buy more?"
"I--I don't know--"
"I can get back very soon."
"Very well--go then, like a good boy."
"I shall have to trouble you for some money, Uncle Peter."
"Go to the trunk. You will find some."
There was a small hair trunk, in another corner. Ernest knew that this was meant, and he knelt down before it and lifted the lid.
There was a small wooden box at the left-hand side. Opening this, Ernest discovered three five-dollar gold pieces. Usually his uncle had gone to the trunk for money, but the boy knew where it was kept.
"There are but three gold pieces, uncle," he announced, looking towards the bed.
"Take one of them, Ernest."
"I wonder if that is all the money he has left?" thought Ernest.
He rose from his kneeling position and went to the door.
"I won't be gone long, uncle," he said. He followed a path which led from the door in an easterly direction to the village. It was over a mile away, and consisted only of a few scattering houses, a blacksmith's shop, and a store.
It was to the store that Ernest bent his steps. It was a one-story structure, as were most of the buildings in the village. There was a sign over the door which read:
JOE MARKS.
Groceries and Family Supplies.
Joe stood behind the counter; there were two other men in the store, one tall, gaunt, of the average Western type, with a broad-brimmed, soft felt hat on his head, and in the costume of a hunter; he looked rough, but honest and reliable, and that was more than could be said of the other. He may best be described as a tramp, a man who looked averse to labor of any kind, a man without a settled business or home, who picked up a living as he could, caring less for food than for drink, and whose mottled face indicated frequent potations of whisky.
Ernest looked at this man as he entered. He didn't remember to have met him before, nor was there anything to attract him in his appearance.
"How are you, Ernest?" said Joe Marks, cordially. "How's Uncle Peter?"
"He's pretty bad, Joe. He thinks he's going to die."
"Not so bad as that, surely."
"Yes, I guess he's right. He's very weak."
"Well, well, he's a good age. How old is he?"
"I don't know. He never told me."
"He's well on to seventy, I'm thinking. But what can I do for you?"
"You may fill this bottle, Joe; Uncle Peter is so weak he thinks it will put new life in him."
"So it will, Ernest; there's nothing like good whisky to make an old man strong, or a young man, for that matter."
It may be easy to see that Joe did not believe in total abstinence.
"I don't drink, myself!" said Ernest, replying to the last part of Joe's remark.
"There's nothing like whisky," remarked the tramp in a hoarse voice.
"You've drunk your share, I'm thinking," said Luke Robbins, the tall hunter.
"Not yet," returned the tramp. "I haven't had my share yet. There's lots of people that has drunk more'n me."
"Why haven't you drunk your share? You hadn't no objections, I reckon."
"I hadn't the money," said the tramp, sadly. "I've never had much money. I ain't lucky."
"If you had had more money, you'd maybe not be living now. You'd have drunk yourself to death."
"If I ever do commit suicide, that's the way I'd like to die," said the tramp.
Joe filled the bottle from a keg behind the counter and handed it to Ernest. The aroma of the whisky was diffused about the store, and the tramp sniffed it in eagerly. It stimulated his desire to indulge his craving for drink. As Ernest, with the bottle in his hand, prepared to leave, the tramp addressed him.
"Say, young feller, ain't you goin' to shout?"
"What do you mean?"
"Ain't you goin' to treat me and this gentleman?" indicating Luke Robbins.
"No," answered Ernest, shortly. "I don't buy it as drink, but as medicine."
"I need medicine," urged the tramp, with a smile.
"I don't," said the hunter. "Don't you bother about us, my boy. If we want whisky we can buy it ourselves."
"I can't," whined the tramp. "If I had as much money as you,"--for he had noticed that Ernest had changed a gold piece--"I'd be happy, but I'm out of luck."
Ernest paid no attention to his words, but left the store, and struck the path homeward.
"Who's that boy?" asked the tramp.
"It's Ernest Ray."
"Where'd he get that gold?"
"He lives with his uncle, a mile from the village."
"Is his uncle rich?"
"Folks think so. They call him a miser."
"Is he goin' to die?"
"That's what the boy says."
"And the boy'll get all his money?"
"It's likely."
"I'd like to be his guardian."
Joe and Luke Robbins laughed. "You'd make a pretty guardian," said Luke.
"I won't get it," said the tramp, mournfully. "I never had no luck."
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Years ago, Cathy's husband threw himself into danger to save her. Then fate cut the cord-after the accident, he remembered everyone but the woman he'd once died for. On their third anniversary, he betrayed her, and that night she signed the divorce. Freed, she dusted off her hidden brilliance: miracle healer, racing legend, elite hacker, visionary designer. When his memories roared back, regret did, too. He stormed her wedding, pleading, "Cathy, please, one more chance!" But a certain trillionaire held her close and huffed, "Honey, someone's asking for trouble."
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
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