Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
"It's most time for Paul to come home," said Mrs. Hoffman. "I must be setting the table for supper."
"I wonder how he will like my new picture," said Jimmy, a delicate boy of eight, whose refined features, thoughtful look, and high brow showed that his mind by no means shared the weakness of his body. Though only eight years of age he already manifested a remarkable taste and talent for drawing, in which he had acquired surprising skill, considering that he had never taken lessons, but had learned all he knew from copying such pictures as fell in his way.
"Let me see your picture, Jimmy," said Mrs. Hoffman. "Have you finished it?"
She came up and looked over his shoulder. He had been engaged in copying a humorous picture from the last page of Harper's Weekly. It was an ambitious attempt on the part of so young a pupil, but he had succeeded remarkably well, reproducing with close fidelity the grotesque expressions of the figures introduced in the picture.
"That is excellent, Jimmy," said his mother in warm commendation.
The little boy looked gratified.
"Do you think I will be an artist some day?" he asked.
"I have no doubt of it," said his mother, "if you can only obtain suitable instruction. However, there is plenty of time for that. You are only seven years old."
"I shall be eight to-morrow," said Jimmy, straightening up his slender form with the pride which every boy feels in advancing age.
"So you will. I had forgotten it."
"I wonder whether I can earn as much money as Paul when I get as old," said Jimmy thoughtfully. "I don't think I can. I shan't be half as strong."
"It isn't always the strongest who earn the most money," said his mother.
"But Paul is smart as well as strong."
"So are you smart. You can read unusually well for a boy of your age, and in drawing I think Paul is hardly your equal, though he is twice as old."
Jimmy laughed.
"That's true, mother," he said. "Paul tried to draw a horse the other day, and it looked more like a cow."
"You see then that we all have our different gifts. Paul has a talent for business."
"I think he'll be rich some day, mother."
"I hope he will, for I think he will make a good use of his money."
While Mrs. Hoffman was speaking she had been setting the table for supper. The meal was not a luxurious one, but there was no lack of food. Beside rolls and butter, there was a plate of cold meat, an apple pie, and a pot of steaming hot tea. The cloth was scrupulously clean, and I am sure that though the room was an humble one not one of my readers need have felt a repugnance to sitting down at Mrs. Hoffman's plain table.
For the benefit of such as may not have read "Paul the Peddler," I will explain briefly that Mrs. Hoffman, by the death of her husband two years previous, had been reduced to poverty, which compelled her to move into a tenement house and live as best she could on the earnings of her oldest son, Paul, supplemented by the pittance she obtained for sewing. Paul, a smart, enterprising boy, after trying most of the street occupations, had become a young street merchant. By a lucky chance he had obtained capital enough to buy out a necktie stand below the Astor House, where his tact and energy had enabled him to achieve a success, the details of which we will presently give. Besides his own profits, he was able to employ his mother in making neckties at a compensation considerably greater than she could have obtained from the Broadway shops for which she had hitherto worked.
Scarcely was supper placed on the table when Paul entered. He was a stout, manly boy of fifteen, who would readily have been taken for a year or two older, with a frank, handsome face, and an air of confidence and self-reliance, which he had acquired through his independent efforts to gain a livelihood. He had been thrown upon his own resources at an age when most boys have everything done for them, and though this had been a disadvantage so far as his education was concerned, it had developed in him a confidence in himself and his own ability to cope with the world not usually found in boys of his age.
"Well, mother," said he briskly, "I am glad supper is ready, for I am as hungry as a wolf."
"I think there will be enough for you," said his mother, smiling. "If not, we will send to the baker's for an extra supply."
"Is a wolf hungry, Paul?" asked Jimmy, soberly accepting Paul's simile.
"I'll draw you one after supper, Jimmy, and you can judge," answered Paul.
"Your animals all look like cows, Paul," said his little brother.
"I see you are jealous of me," said Paul, with much indignation, "because I draw better than you."
"After supper you can look at my last picture," said Jimmy. "It is copied from Harper's Weekly."
"Pass it along now, Jimmy. I don't think it will spoil my appetite."
Jimmy handed it to his brother with a look of pardonable pride.
"Excellent, Jimmy. I couldn't do it better myself," said Paul. "You are a little genius."
"I like drawing so much, Paul. I hope some time I can do something else besides copy."
"No doubt you will. I am sure you will be a famous artist some day, and make no end of money by your pictures."
"That's what I would like-to make money."
"Fie, Jimmy! I had no idea you were so fond of money."
"I would like to help mother just as you are doing, Paul. Do you think I will ever earn as much as you do?"
"A great deal more, I hope, Jimmy. Not but what I am doing well," added Paul in a tone of satisfaction. "Did you know, mother, it is six months to-day since I bought out the necktie stand?"
"Is it, Paul?" asked his mother with interest. "Have you succeeded as well as you anticipated?"
"Better, mother. It was a good idea putting in a case of knives. They help along my profits. Why, I sold four knives to-day, making on an average twenty-five cents each."
"Did you? That is indeed worth while."
"It is more than I used to average for a whole day's earnings before I went into this business."
"How many neckties did you sell, Paul?" asked Jimmy.
"I sold fourteen."
"How much profit did you make on each?"
"About fourteen cents. Can you tell how much that makes?"
"I could cipher it out on my slate."
"No matter; I'll tell you. It makes a dollar and ninety-six cents. That added to the money I made on the knives amounts to two dollars and ninety-six cents."
"Almost three dollars."
"Yes; sometimes I sell more neckties, but then I don't always sell as many knives. However, I am satisfied."
"I have made two dozen neckties to-day, Paul," said his mother.
"I am afraid you did too much, mother."
"Oh, no. There isn't much work about a necktie."
"Then I owe you a dollar and twenty cents, mother."
"I don't think you ought to pay me five cents apiece, Paul."
"That's fair enough, mother. If I get fourteen cents for selling a tie, certainly you ought to get five cents for making one."
"But your money goes to support us, Paul."
"And where does yours go, mother?"
"A part of it has gone for a new dress, Paul. I went up to Stewart's to-day and bought a dress pattern. I will show it to you after supper."
"That's right, mother. You don't buy enough new dresses. Considering that you are the mother of a successful merchant, you ought to dash out. Doesn't Jimmy want some clothes?"
"I am going to buy him a new suit to-morrow. He is eight years old to-morrow."
"Is he? What an old fellow you are getting to be, Jimmy! How many gray hairs have you got?"
"I haven't counted," said Jimmy, laughing.
"I tell you what, mother, we must celebrate Jimmy's birthday. He is the only artist in the family, and we must treat him with proper consideration. I'll tell you what, Jimmy, I'll close up my business at twelve o'clock, and give all my clerks a half-holiday. Then I'll take you and mother to Barnum's Museum, where you can see all the curiosities, and the play besides. How would you like that?"
"Ever so much, Paul," said the little boy, his eyes brightening at the prospect. "There's a giant there, isn't there? How tall is he?"
"Somewhere about eighteen feet, I believe."
"Now you are making fun, Paul."
"Well, it's either eighteen or eight, one or the other. Then there's a dwarf, two feet high, or is it inches?"
"Of course it's feet. He couldn't be so little as two inches."
"Well, Jimmy, I dare say you're right. Then it's settled that we go to the museum tomorrow. You must go with us, mother."
"Oh, yes, I will go," said Mrs. Hoffman, "and I presume I shall enjoy it nearly as much as Jimmy."
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
Today is October 14th, my birthday. I returned to New York after months away, dragging my suitcase through the biting wind, but the VIP pickup zone where my husband’s Maybach usually idled was empty. When I finally let myself into our Upper East Side penthouse, I didn’t find a cake or a "welcome home" banner. Instead, I found my husband, Caden, kneeling on the floor, helping our five-year-old daughter wrap a massive gift for my half-sister, Adalynn. Caden didn’t even look up when I walked in; he was too busy laughing with the girl who had already stolen my father’s legacy and was now moving in on my family. "Auntie Addie is a million times better than Mommy," my daughter Elara chirped, clutching a plush toy Caden had once forbidden me from buying for her. "Mommy is mean," she whispered loudly, while Caden just smirked, calling me a "drill sergeant" before whisking her off to Adalynn’s party without a second glance. Later that night, I saw a video Adalynn posted online where my husband and child laughed while mocking my "sensitive" nature, treating me like an inconvenient ghost in my own home. I had spent five years researching nutrition for Elara’s health and managing every detail of Caden’s empire, only to be discarded the moment I wasn't in the room. How could the man who set his safe combination to my birthday completely forget I even existed? The realization didn't break me; it turned me into ice. I didn't scream or beg for an explanation. I simply walked into the study, pulled out the divorce papers I’d drafted months ago, and took a black marker to the terms. I crossed out the alimony, the mansion, and even the custody clause—if they wanted a life without me, I would give them exactly what they asked for. I left my four-carat diamond ring on the console table and walked out into the rain with nothing but a heavily encrypted hard drive. The submissive Mrs. Holloway was gone, and "Ghost," the most lethal architect in the tech world, was finally back online to take back everything they thought I’d forgotten.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
She thought she was happily married - until she was diagnosed with terminal stomach cancer. Then came the truth: her "devoted" husband Lucien had been poisoning her for years, all to avenge a dead lover. On her deathbed, Calliope made a vow: If life gave her one more chance, she'd rewrite every ending-starting with his. Now reborn seven years earlier, she tears off the wedding dress and walks away from Lucien's lies. To protect her family and reclaim her stolen legacy, Calliope proposes a marriage of convenience to Conrad: a cold, enigmatic firefighter with more power-and more secrets-than anyone realizes. But Lucien is also reborn. And just as cruel. But this time, she's not the naïve bride. She's a tech genius. A business queen. A woman with nothing to lose. And Conrad? He's not just fire and steel-he's the weapon she never knew she needed. They're not here to survive. They're here to win.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
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