Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
"It's most time for Paul to come home," said Mrs. Hoffman. "I must be setting the table for supper."
"I wonder how he will like my new picture," said Jimmy, a delicate boy of eight, whose refined features, thoughtful look, and high brow showed that his mind by no means shared the weakness of his body. Though only eight years of age he already manifested a remarkable taste and talent for drawing, in which he had acquired surprising skill, considering that he had never taken lessons, but had learned all he knew from copying such pictures as fell in his way.
"Let me see your picture, Jimmy," said Mrs. Hoffman. "Have you finished it?"
She came up and looked over his shoulder. He had been engaged in copying a humorous picture from the last page of Harper's Weekly. It was an ambitious attempt on the part of so young a pupil, but he had succeeded remarkably well, reproducing with close fidelity the grotesque expressions of the figures introduced in the picture.
"That is excellent, Jimmy," said his mother in warm commendation.
The little boy looked gratified.
"Do you think I will be an artist some day?" he asked.
"I have no doubt of it," said his mother, "if you can only obtain suitable instruction. However, there is plenty of time for that. You are only seven years old."
"I shall be eight to-morrow," said Jimmy, straightening up his slender form with the pride which every boy feels in advancing age.
"So you will. I had forgotten it."
"I wonder whether I can earn as much money as Paul when I get as old," said Jimmy thoughtfully. "I don't think I can. I shan't be half as strong."
"It isn't always the strongest who earn the most money," said his mother.
"But Paul is smart as well as strong."
"So are you smart. You can read unusually well for a boy of your age, and in drawing I think Paul is hardly your equal, though he is twice as old."
Jimmy laughed.
"That's true, mother," he said. "Paul tried to draw a horse the other day, and it looked more like a cow."
"You see then that we all have our different gifts. Paul has a talent for business."
"I think he'll be rich some day, mother."
"I hope he will, for I think he will make a good use of his money."
While Mrs. Hoffman was speaking she had been setting the table for supper. The meal was not a luxurious one, but there was no lack of food. Beside rolls and butter, there was a plate of cold meat, an apple pie, and a pot of steaming hot tea. The cloth was scrupulously clean, and I am sure that though the room was an humble one not one of my readers need have felt a repugnance to sitting down at Mrs. Hoffman's plain table.
For the benefit of such as may not have read "Paul the Peddler," I will explain briefly that Mrs. Hoffman, by the death of her husband two years previous, had been reduced to poverty, which compelled her to move into a tenement house and live as best she could on the earnings of her oldest son, Paul, supplemented by the pittance she obtained for sewing. Paul, a smart, enterprising boy, after trying most of the street occupations, had become a young street merchant. By a lucky chance he had obtained capital enough to buy out a necktie stand below the Astor House, where his tact and energy had enabled him to achieve a success, the details of which we will presently give. Besides his own profits, he was able to employ his mother in making neckties at a compensation considerably greater than she could have obtained from the Broadway shops for which she had hitherto worked.
Scarcely was supper placed on the table when Paul entered. He was a stout, manly boy of fifteen, who would readily have been taken for a year or two older, with a frank, handsome face, and an air of confidence and self-reliance, which he had acquired through his independent efforts to gain a livelihood. He had been thrown upon his own resources at an age when most boys have everything done for them, and though this had been a disadvantage so far as his education was concerned, it had developed in him a confidence in himself and his own ability to cope with the world not usually found in boys of his age.
"Well, mother," said he briskly, "I am glad supper is ready, for I am as hungry as a wolf."
"I think there will be enough for you," said his mother, smiling. "If not, we will send to the baker's for an extra supply."
"Is a wolf hungry, Paul?" asked Jimmy, soberly accepting Paul's simile.
"I'll draw you one after supper, Jimmy, and you can judge," answered Paul.
"Your animals all look like cows, Paul," said his little brother.
"I see you are jealous of me," said Paul, with much indignation, "because I draw better than you."
"After supper you can look at my last picture," said Jimmy. "It is copied from Harper's Weekly."
"Pass it along now, Jimmy. I don't think it will spoil my appetite."
Jimmy handed it to his brother with a look of pardonable pride.
"Excellent, Jimmy. I couldn't do it better myself," said Paul. "You are a little genius."
"I like drawing so much, Paul. I hope some time I can do something else besides copy."
"No doubt you will. I am sure you will be a famous artist some day, and make no end of money by your pictures."
"That's what I would like-to make money."
"Fie, Jimmy! I had no idea you were so fond of money."
"I would like to help mother just as you are doing, Paul. Do you think I will ever earn as much as you do?"
"A great deal more, I hope, Jimmy. Not but what I am doing well," added Paul in a tone of satisfaction. "Did you know, mother, it is six months to-day since I bought out the necktie stand?"
"Is it, Paul?" asked his mother with interest. "Have you succeeded as well as you anticipated?"
"Better, mother. It was a good idea putting in a case of knives. They help along my profits. Why, I sold four knives to-day, making on an average twenty-five cents each."
"Did you? That is indeed worth while."
"It is more than I used to average for a whole day's earnings before I went into this business."
"How many neckties did you sell, Paul?" asked Jimmy.
"I sold fourteen."
"How much profit did you make on each?"
"About fourteen cents. Can you tell how much that makes?"
"I could cipher it out on my slate."
"No matter; I'll tell you. It makes a dollar and ninety-six cents. That added to the money I made on the knives amounts to two dollars and ninety-six cents."
"Almost three dollars."
"Yes; sometimes I sell more neckties, but then I don't always sell as many knives. However, I am satisfied."
"I have made two dozen neckties to-day, Paul," said his mother.
"I am afraid you did too much, mother."
"Oh, no. There isn't much work about a necktie."
"Then I owe you a dollar and twenty cents, mother."
"I don't think you ought to pay me five cents apiece, Paul."
"That's fair enough, mother. If I get fourteen cents for selling a tie, certainly you ought to get five cents for making one."
"But your money goes to support us, Paul."
"And where does yours go, mother?"
"A part of it has gone for a new dress, Paul. I went up to Stewart's to-day and bought a dress pattern. I will show it to you after supper."
"That's right, mother. You don't buy enough new dresses. Considering that you are the mother of a successful merchant, you ought to dash out. Doesn't Jimmy want some clothes?"
"I am going to buy him a new suit to-morrow. He is eight years old to-morrow."
"Is he? What an old fellow you are getting to be, Jimmy! How many gray hairs have you got?"
"I haven't counted," said Jimmy, laughing.
"I tell you what, mother, we must celebrate Jimmy's birthday. He is the only artist in the family, and we must treat him with proper consideration. I'll tell you what, Jimmy, I'll close up my business at twelve o'clock, and give all my clerks a half-holiday. Then I'll take you and mother to Barnum's Museum, where you can see all the curiosities, and the play besides. How would you like that?"
"Ever so much, Paul," said the little boy, his eyes brightening at the prospect. "There's a giant there, isn't there? How tall is he?"
"Somewhere about eighteen feet, I believe."
"Now you are making fun, Paul."
"Well, it's either eighteen or eight, one or the other. Then there's a dwarf, two feet high, or is it inches?"
"Of course it's feet. He couldn't be so little as two inches."
"Well, Jimmy, I dare say you're right. Then it's settled that we go to the museum tomorrow. You must go with us, mother."
"Oh, yes, I will go," said Mrs. Hoffman, "and I presume I shall enjoy it nearly as much as Jimmy."
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
Cast off to a remote village at birth, Lilah was exiled while the woman who destroyed her mother stepped into her father's life. Her half-sister tried to claim her inheritance and title. Eighteen years later, Lilah returned. The town watched, hoping to see her fail. But Lilah stunned them-she was breathtaking and talented. A master in medicine, painting, racing, music, and design, she tore down every lie. Her father and stepmother faced ruin, and her foolish brother finally met his downfall. The once-mocking crowd trembled, especially with Cayden, her gifted, powerful partner, at her side. "Anyone who crosses my wife has to answer to me!"
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
The ninety-ninth time Jax Little broke my heart was the last time. We were the golden couple of Northgate High, our future perfectly mapped out for UCLA. But in our senior year, he fell for a new girl, Catalina, and our love story became a sick, exhausting dance of his betrayals and my empty threats to leave. At a graduation party, Catalina "accidentally" pulled me into the pool with her. Jax dove in without a second's hesitation. He swam right past me as I struggled, wrapped his arms around Catalina, and pulled her to safety. As he helped her out to the cheers of his friends, he glanced back at me, my body shivering and my mascara running in black rivers. "Your life isn't my problem anymore," he said, his voice as cold as the water I was drowning in. That night, something inside me finally shattered. I went home, opened my laptop, and clicked the button that confirmed my admission. Not to UCLA with him, but to NYU, an entire country away.
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY