Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
"It's most time for Paul to come home," said Mrs. Hoffman. "I must be setting the table for supper."
"I wonder how he will like my new picture," said Jimmy, a delicate boy of eight, whose refined features, thoughtful look, and high brow showed that his mind by no means shared the weakness of his body. Though only eight years of age he already manifested a remarkable taste and talent for drawing, in which he had acquired surprising skill, considering that he had never taken lessons, but had learned all he knew from copying such pictures as fell in his way.
"Let me see your picture, Jimmy," said Mrs. Hoffman. "Have you finished it?"
She came up and looked over his shoulder. He had been engaged in copying a humorous picture from the last page of Harper's Weekly. It was an ambitious attempt on the part of so young a pupil, but he had succeeded remarkably well, reproducing with close fidelity the grotesque expressions of the figures introduced in the picture.
"That is excellent, Jimmy," said his mother in warm commendation.
The little boy looked gratified.
"Do you think I will be an artist some day?" he asked.
"I have no doubt of it," said his mother, "if you can only obtain suitable instruction. However, there is plenty of time for that. You are only seven years old."
"I shall be eight to-morrow," said Jimmy, straightening up his slender form with the pride which every boy feels in advancing age.
"So you will. I had forgotten it."
"I wonder whether I can earn as much money as Paul when I get as old," said Jimmy thoughtfully. "I don't think I can. I shan't be half as strong."
"It isn't always the strongest who earn the most money," said his mother.
"But Paul is smart as well as strong."
"So are you smart. You can read unusually well for a boy of your age, and in drawing I think Paul is hardly your equal, though he is twice as old."
Jimmy laughed.
"That's true, mother," he said. "Paul tried to draw a horse the other day, and it looked more like a cow."
"You see then that we all have our different gifts. Paul has a talent for business."
"I think he'll be rich some day, mother."
"I hope he will, for I think he will make a good use of his money."
While Mrs. Hoffman was speaking she had been setting the table for supper. The meal was not a luxurious one, but there was no lack of food. Beside rolls and butter, there was a plate of cold meat, an apple pie, and a pot of steaming hot tea. The cloth was scrupulously clean, and I am sure that though the room was an humble one not one of my readers need have felt a repugnance to sitting down at Mrs. Hoffman's plain table.
For the benefit of such as may not have read "Paul the Peddler," I will explain briefly that Mrs. Hoffman, by the death of her husband two years previous, had been reduced to poverty, which compelled her to move into a tenement house and live as best she could on the earnings of her oldest son, Paul, supplemented by the pittance she obtained for sewing. Paul, a smart, enterprising boy, after trying most of the street occupations, had become a young street merchant. By a lucky chance he had obtained capital enough to buy out a necktie stand below the Astor House, where his tact and energy had enabled him to achieve a success, the details of which we will presently give. Besides his own profits, he was able to employ his mother in making neckties at a compensation considerably greater than she could have obtained from the Broadway shops for which she had hitherto worked.
Scarcely was supper placed on the table when Paul entered. He was a stout, manly boy of fifteen, who would readily have been taken for a year or two older, with a frank, handsome face, and an air of confidence and self-reliance, which he had acquired through his independent efforts to gain a livelihood. He had been thrown upon his own resources at an age when most boys have everything done for them, and though this had been a disadvantage so far as his education was concerned, it had developed in him a confidence in himself and his own ability to cope with the world not usually found in boys of his age.
"Well, mother," said he briskly, "I am glad supper is ready, for I am as hungry as a wolf."
"I think there will be enough for you," said his mother, smiling. "If not, we will send to the baker's for an extra supply."
"Is a wolf hungry, Paul?" asked Jimmy, soberly accepting Paul's simile.
"I'll draw you one after supper, Jimmy, and you can judge," answered Paul.
"Your animals all look like cows, Paul," said his little brother.
"I see you are jealous of me," said Paul, with much indignation, "because I draw better than you."
"After supper you can look at my last picture," said Jimmy. "It is copied from Harper's Weekly."
"Pass it along now, Jimmy. I don't think it will spoil my appetite."
Jimmy handed it to his brother with a look of pardonable pride.
"Excellent, Jimmy. I couldn't do it better myself," said Paul. "You are a little genius."
"I like drawing so much, Paul. I hope some time I can do something else besides copy."
"No doubt you will. I am sure you will be a famous artist some day, and make no end of money by your pictures."
"That's what I would like-to make money."
"Fie, Jimmy! I had no idea you were so fond of money."
"I would like to help mother just as you are doing, Paul. Do you think I will ever earn as much as you do?"
"A great deal more, I hope, Jimmy. Not but what I am doing well," added Paul in a tone of satisfaction. "Did you know, mother, it is six months to-day since I bought out the necktie stand?"
"Is it, Paul?" asked his mother with interest. "Have you succeeded as well as you anticipated?"
"Better, mother. It was a good idea putting in a case of knives. They help along my profits. Why, I sold four knives to-day, making on an average twenty-five cents each."
"Did you? That is indeed worth while."
"It is more than I used to average for a whole day's earnings before I went into this business."
"How many neckties did you sell, Paul?" asked Jimmy.
"I sold fourteen."
"How much profit did you make on each?"
"About fourteen cents. Can you tell how much that makes?"
"I could cipher it out on my slate."
"No matter; I'll tell you. It makes a dollar and ninety-six cents. That added to the money I made on the knives amounts to two dollars and ninety-six cents."
"Almost three dollars."
"Yes; sometimes I sell more neckties, but then I don't always sell as many knives. However, I am satisfied."
"I have made two dozen neckties to-day, Paul," said his mother.
"I am afraid you did too much, mother."
"Oh, no. There isn't much work about a necktie."
"Then I owe you a dollar and twenty cents, mother."
"I don't think you ought to pay me five cents apiece, Paul."
"That's fair enough, mother. If I get fourteen cents for selling a tie, certainly you ought to get five cents for making one."
"But your money goes to support us, Paul."
"And where does yours go, mother?"
"A part of it has gone for a new dress, Paul. I went up to Stewart's to-day and bought a dress pattern. I will show it to you after supper."
"That's right, mother. You don't buy enough new dresses. Considering that you are the mother of a successful merchant, you ought to dash out. Doesn't Jimmy want some clothes?"
"I am going to buy him a new suit to-morrow. He is eight years old to-morrow."
"Is he? What an old fellow you are getting to be, Jimmy! How many gray hairs have you got?"
"I haven't counted," said Jimmy, laughing.
"I tell you what, mother, we must celebrate Jimmy's birthday. He is the only artist in the family, and we must treat him with proper consideration. I'll tell you what, Jimmy, I'll close up my business at twelve o'clock, and give all my clerks a half-holiday. Then I'll take you and mother to Barnum's Museum, where you can see all the curiosities, and the play besides. How would you like that?"
"Ever so much, Paul," said the little boy, his eyes brightening at the prospect. "There's a giant there, isn't there? How tall is he?"
"Somewhere about eighteen feet, I believe."
"Now you are making fun, Paul."
"Well, it's either eighteen or eight, one or the other. Then there's a dwarf, two feet high, or is it inches?"
"Of course it's feet. He couldn't be so little as two inches."
"Well, Jimmy, I dare say you're right. Then it's settled that we go to the museum tomorrow. You must go with us, mother."
"Oh, yes, I will go," said Mrs. Hoffman, "and I presume I shall enjoy it nearly as much as Jimmy."
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
"Lucien, let's get a divorce," I said in a peremptory tone that was long overdue, the most decisive farewell to this absurd marriage. We had been married for exactly three years-three years that, for me, were filled with nothing but endless loneliness and torment. For three years, the husband who should have stood by my side through every storm, Lucien Sullivan, had completely disappeared from my life as if he had never existed. He vanished without a trace, leaving me alone to endure this empty, desolate marriage. Today, I finally received his message: "I'm back. Come pick me up at the airport." When I read his words, my heart leapt with joy, and I raced to the airport, thinking that he finally understood my love and was coming back to me. But his cruelty was far worse than I could have ever imagined-he was accompanied by a pregnant woman, and that woman was Carla, my closest and most trusted friend. In that moment, all of my previous excitement, all my hope, and all of our shared laughter and tears turned into the sharpest of daggers, stabbing into my heart and leaving me gasping for air. Now, all I want is to escape from this place that has left me so broken-to lick my wounds in solitude. Even if these wounds will remain with me for the rest of my life, I refuse to have anything to do with him ever again. He should know that it was his own hand that trampled our love underfoot, that his coldness and betrayal created this irreparable situation. But when he heard those words, he desperately clung to this broken, crumbling marriage, unwilling to let it end-almost as though doing so could rewind time and return everything to how it used to be. "Aurora, come back. I regret everything!" Regret? Those simple words stirred no emotion in me-only endless sadness and fury. My heart let out a frantic, desperate scream: It's too late for any of this!
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
They don't know I'm a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land-their ruthless beast king-took an interest in the "pretty little prince." How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance-dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: "The Alpha King's Hated Slave."
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
Three years into marriage, Brett's past love returned from overseas. Without warning, Caylee received divorce papers. "I've treated you fairly, Caylee. You're too cruel to stay as my wife. Please leave," Brett said. She signed the papers and walked away, knowing her debt for Brett's help was already paid. After that, she entered high society and amazed everyone with her hidden identity. Months later, Brett called in tears, only to hear wedding music. A man replied, "My wife's pregnant. Just move on." Then Caylee's gentle voice came through. "Honey, the wedding is starting. Who is that?" He kissed her. "Just a wrong number."
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
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