efinite artistic

r. Too often the prospect resembles the key to one of those large pictures of coronations, royal weddings, parliaments, conferences, and gatherings so popular in Victorian times, in which, instead of a face, each figure bears a neat oval with its index number legibly inscribed. This burthens us with an incurable effect of unreality, and I do not see how it is altogether to be escaped. It is a disadvantage that has to be accepted. Whatever institution has existed or exists, however irrational, however preposterous, has, by virtue of its

a month of the relentless publicity of virtue planned by More. . . . No one wants to live in any community of intercourse really, save for the sake of the individualities he would meet there. The fertilising conflict of individualities is the ultimate meaning of the personal life, and all our U