Heart and Science by Wilkie Collins
Heart and Science by Wilkie Collins
You are the children of Old Mother England, on both sides of the Atlantic; you form the majority of buyers and borrowers of novels; and you judge of works of fiction by certain inbred preferences, which but slightly influence the other great public of readers on the continent of Europe.
The two qualities in fiction which hold the highest rank in your estimation are: Character and Humour. Incident and dramatic situation only occupy the second place in your favour. A novel that tells no story, or that blunders perpetually in trying to tell a story-a novel so entirely devoid of all sense of the dramatic side of human life, that not even a theatrical thief can find anything in it to steal-will nevertheless be a work that wins (and keeps) your admiration, if it has Humour which dwells on your memory, and characters which enlarge the circle of your friends.
I have myself always tried to combine the different merits of a good novel, in one and the same work; and I have never succeeded in keeping an equal balance. In the present story you will find the scales inclining, on the whole, in favour of character and Humour. This has not happened accidentally.
Advancing years, and health that stands sadly in need of improvement, warn me-if I am to vary my way of work-that I may have little time to lose. Without waiting for future opportunities, I have kept your standard of merit more constantly before my mind, in writing this book, than on some former occasions.
Still persisting in telling you a story-still refusing to get up in the pulpit and preach, or to invade the platform and lecture, or to take you by the buttonhole in confidence and make fun of my Art-it has been my chief effort to draw the characters with a vigour and breadth of treatment, derived from the nearest and truest view that I could get of the one model, Nature. Whether I shall at once succeed in adding to the circle of your friends in the world of fiction-or whether you will hurry through the narrative, and only discover on a later reading that it is the characters which have interested you in the story-remains to be seen. Either way, your sympathy will find me grateful; for, either way, my motive has been to please you.
During its periodical publication correspondents, noting certain passages in "Heart and Science," inquired how I came to think of writing this book. The question may be readily answered in better words than mine. My book has been written in harmony with opinions which have an indisputable claim to respect. Let them speak for themselves.
SHAKESPEARE'S OPINION.-"It was always yet the trick of our
English nation, if they have a good thing, to make it too common."
(King Henry IV., Part II.)
WALTER SCOTT'S OPINION-"I am no great believer in the extreme
degree of improvement to be derived from the advancement of Science; for
every study of that nature tends, when pushed to a certain extent, to
harden the heart." (Letter to Miss Edgeworth.)
FARADAY'S OPINION.-"The education of the judgment has for its
first and its last step-Humility." (Lecture on Mental Education, at
the Royal Institution.)
Having given my reasons for writing the book, let me conclude by telling you what I have kept out of the book.
It encourages me to think that we have many sympathies in common; and among them, that most of us have taken to our hearts domestic pets. Writing under this conviction, I have not forgotten my responsibility towards you, and towards my Art, in pleading the cause of the harmless and affectionate beings of God's creation. From first to last, you are purposely left in ignorance of the hideous secrets of Vivisection. The outside of the laboratory is a necessary object in my landscape-but I never once open the door and invite you to look in. I trace, in one of my characters, the result of the habitual practice of cruelty (no matter under what pretence) in fatally deteriorating the nature of man-and I leave the picture to speak for itself. My own personal feeling has throughout been held in check. Thankfully accepting the assistance rendered to me by Miss Frances Power Cobbe, by Mrs. H. M. Gordon, and by Surgeon-General Gordon, C.B., I have borne in mind (as they have borne in mind) the value of temperate advocacy to a good cause.
With this, your servant withdraws, and leaves you to the story.
Wilkie Collins was a British author best known for his mystery novels. Some of Collins' classics include The Moonstone, Armadale, and No Name. This edition of The New Magdalen includes a table of contents.
The Law and the Lady is a detective story. Valeria Brinton marries Eustace Woodville despite objections from Woodville's family leading to disquiet for Valeria's own family and friends. Just a few days after the wedding, various incidents lead Valeria to suspect her husband is hiding a dark secret in his past. Wilkie Collins (1824 – 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White, No Name, Armadale, and The Moonstone.
Looking for a short but thoroughly enjoyable read? Check out My Lady's Money by Wilkie Collins, who was a collaborator with Charles Dickens and one of the most popular storytellers of the late nineteenth century. With elements of mystery, adventure, romance, and a heroic canine companion, this engaging story is a great way to while away an afternoon.
A delightful tale of thwarted ambition and forbidden love, A Rogue’s Life follows the fortunes of an endearing young man. Proffering his own take on picaresque storytelling—and with many a grain of truth for twenty-somethings today—this is Wilkie Collins at his entertaining best. Propelled into society by his ever-hopeful father, Frank Softly is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to—until he meets Alicia Dulcifer and her inexplicably wealthy father. The author of The Woman in White and The Moonstone, Wilkie Collins is widely regarded as the originator of the detective novel.
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