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Chapter 4 No.4

Word Count: 932    |    Released on: 06/12/2017

at it was a disadvantage to send a thing from a small or unknown place, and that it doubled my insignificance to do so. I believed that if my envelope had born

on learned that the fresh things, the original things, were apt to come from such places, and not from the literary centres. One of the most interesting facts concerning the arts of all kinds is that those who wish to give their lives to them

auty. It may also suggest to that scholar- pride, that vanity of technique, which is so apt to vaunt itself in the teacher, that the best he can do, after all, is to

e acceptable young contributor from the country, the village, the small town, and he will look eagerly at

e this or correct that; he will leave him as much to himself as he can. The young contributor; on his part, will do well to realize th

ently docile, can always divine them. It behooves him to be docile at all times, for this is merely the willi

doing, and a great deal more from doing over

e of my novels, and I have always thought it the best written, or at least indefinitely better than it would have been with a single writing. As a matter of fact, nearly all of them have been rewritte

h you can feel it. If you are secure of the frame you must observe the quality and character of everything you build about it; you must touch, yo

return it to him for revision, with those suggestions which he will do well to make the most of; for when the editor onc

ical has invented for itself, and will transgress none of its unwritten laws; if he perceives that he has put artistic conscience in every general and detail, and though he has not done the best, has done the best that he can do, he will begin to liberate him

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Contents

Chapter 1 No.1 Chapter 2 No.2 Chapter 3 No.3 Chapter 4 No.4 Chapter 5 No.5 Chapter 6 No.6 Chapter 7 No.7 Chapter 8 No.8 Chapter 9 No.9 Chapter 10 No.10 Chapter 11 No.11
Chapter 12 No.12
Chapter 13 No.13
Chapter 14 No.14
Chapter 15 No.15
Chapter 16 No.16
Chapter 17 No.17
Chapter 18 No.18
Chapter 19 No.19
Chapter 20 No.20
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
Chapter 25 No.25
Chapter 26 No.26
Chapter 27 No.27
Chapter 28 No.28
Chapter 29 No.29
Chapter 30 No.30
Chapter 31 No.31
Chapter 32 No.32
Chapter 33 No.33
Chapter 34 No.34
Chapter 35 No.35
Chapter 36 No.36
Chapter 37 No.37
Chapter 38 No.38
Chapter 39 No.39
Chapter 40 No.40
Chapter 41 No.41
Chapter 42 No.42
Chapter 43 No.43
Chapter 44 No.44
Chapter 45 No.45
Chapter 46 No.46
Chapter 47 No.47
Chapter 48 No.48
Chapter 49 No.49
Chapter 50 No.50
Chapter 51 No.51
Chapter 52 No.52
Chapter 53 No.53
Chapter 54 No.54
Chapter 55 No.55
Chapter 56 No.56
Chapter 57 No.57
Chapter 58 No.58
Chapter 59 No.59
Chapter 60 No.60
Chapter 61 No.61
Chapter 62 No.62
Chapter 63 No.63
Chapter 64 No.64
Chapter 65 No.65
Chapter 66 No.66
Chapter 67 No.67
Chapter 68 No.68
Chapter 69 No.69
Chapter 70 No.70
Chapter 71 No.71
Chapter 72 No.72
Chapter 73 No.73
Chapter 74 No.74
Chapter 75 No.75
Chapter 76 No.76
Chapter 77 No.77
Chapter 78 No.78
Chapter 79 No.79
Chapter 80 No.80
Chapter 81 No.81
Chapter 82 No.82
Chapter 83 THE BOOKCASE AT HOME
Chapter 84 GOLDSMITH
Chapter 85 CERVANTES
Chapter 86 IRVING
Chapter 87 FIRST FICTION AND DRAMA
Chapter 88 LONGFELLOW'S "SPANISH STUDENT"
Chapter 89 SCOTT
Chapter 90 LIGHTER FANCIES
Chapter 91 POPE
Chapter 92 VARIOUS PREFERENCES
Chapter 93 UNCLE TOM'S CABIN
Chapter 94 OSSIAN
Chapter 95 SHAKESPEARE
Chapter 96 IK MARVEL
Chapter 97 DICKENS
Chapter 98 WORDSWORTH, LOWELL, CHAUCER
Chapter 99 MACAULAY.
Chapter 100 CRITICS AND REVIEWS.
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