The Last of the Mortimers

The House on the Moor, v. 2/3 by Mrs. Oliphant

The House on the Moor, v. 3/3 by Mrs. Oliphant

Margaret Oliphant was one of the most prolific and popular writers of her day. Her domestic novels are steeped in the broad social, political, and religious worlds of the Victorian era, and her Chronicles of Carlingford series stands as an insightful portrait of English life. 'Phoebe ,Junior', the last of this series, examines Victorian class dynamics by following the social mobility of one family and the effects of this mobility on the daughter, Phoebe.

Merkland; or, Self Sacrifice by Mrs. Oliphant

OUT of the darkest depths of life, where vice and crime and misery abound, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim Gorky. Not like the beggar, humbly imploring for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt the eye, he comes to the world,— nay, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid, self- satisfied literatures of to-day, and bring new life to pale, bloodless frames.

These words were spoken in the garden of Dinglefield Rectory on a very fine summer day a few years ago. The speaker was Mr. Damerel, the rector, a middle-aged man with very fine, somewhat worn features, a soft benignant smile, and, as everybody said who knew him, the most charming manners in the world. He was a man of very elegant mind as well as manners. He did not preach often, but when he did preach all the educated persons in his congregation felt that they had very choice fare indeed set before them. I am afraid the poor folk liked the curate best, but then the curate liked them best, and it mattered very little to any man or woman of refinement what sentiment existed between the cottagers and the curate. Mr. Damerel was perfectly kind and courteous to everybody, gentle and simple, who came in his way, but he was not fond of poor people in the abstract.