h other. It is M. Croiset's, put into tabular form. Many details in it are open to question; but to read in this order would at least be more satisfactory to any one who wishes to study Lucian serio

genuineness, it is our opinion that the objections made (not by M. Croiset, who does not discuss auth

ucian a rhetorician in Ioni

de, a rhetori

isinh

ris I

nes, a p

ism, an

y, an

er, an introd

introduct

n introduct

alogue on phil

64 A.D. After Lucia

y, a panegyric in

Portrait-stud

Court of Vowels

a short

n autobiograp

t 165 A.D.

rt criticism

dialogue on ph

es of friendsh

, a mor

story, an essay in

in time; x and xi being independent in this respect. Pieces are assigned to groups mainly according to their subjects; but some are placed in groups that do not seem at first sight the mos

bout 1

a philosop

parody of a phil

of the New C

logue satirizin

dialogue satirizing the

etaerae, a series

e of the Meni

Dead, a series of

Gods, a series of

ea-Gods, a series

alogue satiriz

logue satirizing phi

ed, a dialogue sa

dialogue ag

an essay satir

nd letters on the rela

a parody of the ol

Old Comedy writers: v

World, a dialogue on

gue on the vani

gue on the van

ue on the vanity o

Old Comedy writers: dial

eus on

Trago

ds in

Old Comedy writers:

alogue on fool

a narrative satirizin

dialogue satir

tment, an autobi

, a dialogue satir

ographic dialogue sat

.D. Introduct

odo

ux

mon

Scyt

ary Pro

ding apart from the great dialogue seri

r, an invective

ed, a literary s

literary satir

e-mecum, a personal s

After

, a bio

a satirical

In ol

ng, an

n introduct

n introduct

'The depende

of the

it in any particular, seems to us well considered in its broad lines; there are a few modifications which we should have been disposed to