nd him, Hail and Laila were sprigged across the

d loudly wa

in

smi

ocked

He mu

is h

hi

king directly

aren

you weren't co

r in the

hi

il pulled th

ll attention we need to

take a

bed looking di

should have her on the crucifix, like the first time. But this time pu

e leave it a

't work we'll go back to

ay

for it

ve got no c

d gi

d at the t

it Sat

ka

ai

ea

oo

d at Hail.

ur

up and walked out of th

ctly at Hail. 'W

thi

you draped

I didn't think

your feeling

ancy h

get in the way of

m n

alone with her. After next Saturday I'll be

ut

bu

what

living area from the kitchen. '

in

ai

sm

d down the hall opening the fl

with you

rick, he ruin

at's he

movi

hy

r you are getting in the

are t

N

he moving i

hat he s

to being here alone with you now

aid

Hail placed hi

ake the most of the ti

The fo

ght had arrived. Ging had gone over what was going to happ

it had taken a forty five degree angle different from the other night that they had used it when it was positioned head on to the crowd. it had been Ging's idea to place

the crucifix he looke

ea

er what we t

wil

He said kissing her quickly

sm

owed g

disappearing be

our very own crucifixion a girl h

up for a c

red, the curta

n Laila the guitar

owed s

Hail said holding the micr

ifix

't hea

ifix

can't h

IFIX

oom r

crucifix wha

ll

doing wrong wh

ll

ne out to the crowd.

ll

s pocket showing it to the

ld do no wrong but she los

ll

must kill the child of th

ed winkin

ashed

ad hun

d of the crucifix now she is

lled with w

ht and g

dropped the l

eers of the a

you can stop

on the cr

slapping her face. 'Laila.' He r

we

oked a

you do t

doing that.' He sai

't hel

ds and led her

r to them kissing Laila's cheek. Ging look

h it

at the flat I'v

ur

ked at

min

ea

round Laila they wal

m he looked over to the bed wh

've got

o the sofa cl