d) in Poetical Works, 6 vols., Smith, Elder and Co., 1868 (Vol. I.
t the "confession" is dramatic, and at the same time lays claim to the indulgence due to the author's youth. These two points are stated plainly in the "
cheme less extravagant and scale less impracticable than were ventured upon in this crude preliminary sketch-a sketch that, on reviewal, appears not altogether wide of some hint of th
llected edition of
s remain duly recorded against me, and I claim permission to somewhat dimin
are indeed "diminished," it is difficult not to feel
od. The difficulty is acknowledged in a curious "editor's" note, written in French, and signed "Pauline," in which Browning offered a sort of explanatory criticism of his own work. So far as we can grasp his personality, the speaker appears to us a highly-gifted and on the whole right-natured man, but possessed of a morbid self-consciousness and a limitless yet indecisive ambition. Endowed with a highly poetic nature, yet without, as it seems, adequate concentrative power; filled, at times, with a passionate yearning after God and good
e. In this earliest poem we see the germ of almost all the qualities (humour excepted) which mark Browning's mature work. Intensity of religious belief, love of music, of painting, and of the Greek classics; insight into nature, a primary interest in and intense insight into the human sou
ver morn broke
stered isles i
and white temple
ever will su
ide the naked
rehead with Pro
t perhaps in some respects be compared with Pauline. The rhythm of Browning's poem has a certain echo in it of Shelley's earlier blank verse; and the lyrically emotional descrmber one warm m
he earth, and spr
moist hills; the
e bare wood,
e were white w
side of a sorr
ening from sle
site fancy, such as thos
trees
d men watch a
it is, indeed, far from mature, but it has a superb precocity marking a certain stage of ripeness. It is lacking, certainly, as Browning himself declares, in "good draughtsmanship and right handling," but this def