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Maha-bharata by Anonymous
Maha-bharata by Anonymous
The Gathering
Wrathful sons of Dhrita-rashtra, born of Kuru's royal race!
Righteous sons of noble Pandu, god-born men of godlike grace!
Skill in arms attained these princes from a Brahman warrior bold,
Drona, priest and proud preceptor, peerless chief of days of old!
Out spake Drona to the monarch in Hastina's royal hall,
Spake to Bhishma and to Kripa, spake to lords and courtiers all:
"Mark the gallant princes, monarch, trained in arms and warlike art,
Let them prove their skill and valour, rein the steed and throw the dart."
Answered then the ancient monarch, joyful was his royal heart,
"Best of Brahmans and of warriors, nobly hast thou done thy part!
Name the place and fix the moment, hold a royal tournament,
Publish wide the laws of combat, publish far thy king's consent.
Sightless roll these orbs of vision, dark to me is noonday light,
Happier men will mark the tourney and the peerless princes' fight.
Let the good and wise Vidura serve thy mandate and behest,
Let a father's pride and gladness fill this old and cheerless breast."
Then the good and wise Vidura unto his duties bound,
Drona, blessed with skill and wisdom, measured out the tourney ground,
Clear of jungle was the meadow, by a crystal fountain graced,
Drona on the lighted altar holy gifts and offerings placed,
Holy was the star auspicious, and the hour was calm and bright,
Men from distant town and hamlet came to view the sacred rite.
Then arose white stately mansions, built by architects of fame,
Decked with arms for Kuru's monarch and for every royal dame,
And the people built their stages circling round the listed green,
And the nobles with their white tents graced the fair and festive scene.
Brightly dawned the festal morning, and the monarch left his hall,
Bhishma and the pious Kripa with the lords and courtiers all,
And they came unto the mansions, gay and glittering, gold-encased,
Decked with gems and rich baidurya, and with strings of pearls be-laced.
Fair Gandhari, queen of Kuru, Pritha, Pandu's widowed dame,
Ladies in their gorgeous garments, maids of beauty and of fame,
Mounted on their glittering mansions where the tints harmonious blend,
As, on Meru's golden mountain, queens of heavenly gods ascend!
And the people of the city, Brahmans, Vaisyas, Kshatras bold,
Men from stall and loom and anvil gathered thick, the young and old,
And arose the sound of trumpet and the surging people's cry,
Like the voice of angry ocean, tempest-lashed, sublime and high!
Came the saintly white-robed Drona, white his sacrificial thread,
White his sandal-mark and garlands, white the locks that crowned his head,
With his son renowned for valour walked forth Drona, radiant, high,
So the Moon with Mars conjoinéd walks upon the cloudless sky!
Offerings to the gods immortal then the priestly warrior made,
Brahmans with their chanted mantra worship and obeisance paid,
And the festive note of sankha mingled with the trumpet's sound,
Throngs of warriors, various-arméd, came unto the listed ground.
A complete study of escapements in watchmaking, as well as a short account of the history and development of the escapement in horology. With helpful diagrams and a wealth of fascinating information, this volume is highly recommended for those with an interest in clockmaking and horology in general. Contents include: "The Detaches Lever Escapement," "The Cylinder Escapement," "The Chronometer Escapement," "History of Escapements," and "Putting in a New Cylinder." Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. First published in 1904.
Aristotle's Masterpiece, also known as The Works of Aristotle, the Famous Philosopher, is a sex manual and a midwifery book that was popular in England from the early modern period through to the 19th century. It was first published in 1684 and written by an unknown author who falsely claimed to be Aristotle. As a consequence the author is now described as a Pseudo-Aristotle, the collective name for unidentified authors who masqueraded as Aristotle. It is claimed that the book was banned in Britain until the 1960s, although there was no provision in the UK for "banning" books as such. However reputable publishers and booksellers might have been cautious about vending Aristotle's Masterpiece, at least in the wake of the 1857 Obscene Publications Act. After Nicholas Culpeper's Directory for Midwives had been published in 1651, other writers and booksellers sought to emulate its great success. Aristotle's Masterpiece was among the two dozen works in the genre which were published in the following decades. This was in sharp contrast to the three titles which had been published on the subject in the previous century. Through the seventeenth and eighteenth century, the work was published in three different versions in 9, 20 and 78 editions respectively. It was probably the most widely reprinted book on a medical subject in the eighteenth and early nineteenth century. The first version borrowed most of its content from two earlier works, the Secret Miracles of Nature by Levinus Lemnius and the anonymous Complete Midwives Practice Enlarged. The latter had been a successful work by itself, coming second only to Culpeper's Directory for Midwives in number of seventeenth century editions.[1] A second version was released by publisher Benjamin Harris in 1697. The first half contained most of the first version and the second half was borrowed from John Sadler's A Sick Women's Private Looking-Glas, which was published in 1636. The third version was published around 1710 was more different from the previous versions, but again copied material from other works on the subject. These included the Directory for Midwives, John Pechey's 1698 version of the Compleate Midwive's Practice Enlarged and other popular books on sex and reproduction available at the time.[The third version was still printed and sold to a general audience in the early twentieth century. It remained unchanged from the eighteenth century editions because scientifically superior information on sexuality had not yet become available. Because the book was still based on the ancient theory of humorism it provided some misinformation, in particular on the home remedies it prescribed. Nevertheless, it was in fact more accurate and less harmful than some popular works on sexuality dating from the late nineteenth century. The title of the work was possibly chosen because Aristotle was seen as a sex expert in early modern England. Another popular pseudo-Aristotelian text which covered sex and reproduction, Aristotle's Problems (1595), had been responsible for this reputation. The real Aristotle had also written works about the reproduction of animals (such as History of Animals and Generation of Animals) and was considered an authority on scientific matters in general. The third version is divided in two parts. The first part covers anatomy, sexual intercourse and marriage. The second part was intended for married women and explains pregnancy and midwifery. The first part starts with a description of the male and female sex organs in the first chapter. The second chapter advocates sexual intercourse in monogamous relationships and warns against polygamy and adultery because it is forbidden by Christian doctrine. It finishes with an explanation of when the reproductive age begins and ends. The third chapter explores virginity. It correctly states that a torn hymen does not mean a woman is not a virgin
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins—a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. “It's time to reveal your true identity, darling.”
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
Katherine spent five years at Vincent's side-model secretary by day, compliant lover by night. When she heard of his arranged marriage, she stifled her pain and planned a quiet exit. That resolve cracked the moment she met his fiancée, daughter of the woman who'd wrecked her own family. Rage replaced obedience; Katherine resolved to claim Vincent. Yet he kept tossing her loyalty tips like she was only a plaything. Heart stung, she walked away with her last scrap of pride. Four years later they crossed paths again, a child gripping her hand. "I don't care who's the father," Vincent pleaded. "Come back, please!"
"Tell me, my sweet Mila, do you want me to stop?" "No!" I gasp. "Good, because no matter what, no matter who walks in, I won't," He promised. Killian Knight was many things, dangerous, a certified killer, devastatingly handsome, my father's business partner and married. He was not just off limits, he was forbidden, he was a sin and I was tempted enough to risk the hell fire. He was everything that could ruin me and my body, my mind and my soul; everything was ready for it. Mila Anderson's life takes an unexpected turn when she succumbs to the magnetic allure of her father's enigmatic and dangerous mafia associate. What she doesn't know is that Killian Knight has the power to unravel everything she's carefully built. One secret revealed could bring it all crashing down. For Killian, one night with Mila changes everything. She's everything he desires, yet she comes with her own web of secrets-and he's determined to uncover every single one.
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