Pan by Knut Hamsun
Pan by Knut Hamsun
These last few days I have been thinking and thinking of the Nordland summer, with its endless day. Sitting here thinking of that, and of a hut I lived in, and of the woods behind the hut. And writing things down, by way of passing the time; to amuse myself, no more. The time goes very slowly; I cannot get it to pass as quickly as I would, though I have nothing to sorrow for, and live as pleasantly as could be. I am well content withal, and my thirty years are no age to speak of.
A few days back someone sent me two feathers. Two bird's feathers in a sheet of note-paper with a coronet, and fastened with a seal. Sent from a place a long way off; from one who need not have sent them back at all. That amused me too, those devilish green feathers.
And for the rest I have no troubles, unless for a touch of gout now and again in my left foot, from an old bullet-wound, healed long since.
Two years ago, I remember, the time passed quickly-beyond all comparison more quickly than time now. A summer was gone before I knew. Two years ago it was, in 1855. I will write of it just to amuse myself-of something that happened to me, or something I dreamed. Now, I have forgotten many things belonging to that time, by having scarcely thought of them since. But I remember that the nights were very light. And many things seemed curious and unnatural. Twelve months to the year-but night was like day, and never a star to be seen in the sky. And the people I met were strange, and of a different nature from those I had known before; sometimes a single night was enough to make them blossom out from childhood into the full of their glory, ripe and fully grown. No witchery in this; only I had never seen the like before. No.
In a white, roomy home down by the sea I met with one who busied my thoughts for a little time. I do not always think of her now; not any more. No; I have forgotten her. But I think of all the other things: the cry of the sea-birds, my hunting in the woods, my nights, and all the warm hours of that summer. After all, it was only by the merest accident I happened to meet her; save for that, she would never have been in my thoughts for a day.
From the hut where I lived, I could see a confusion of rocks and reefs and islets, and a little of the sea, and a bluish mountain peak or so; behind the hut was the forest. A huge forest it was; and I was glad and grateful beyond measure for the scent of roots and leaves, the thick smell of the fir-sap, that is like the smell of marrow. Only the forest could bring all things to calm within me; my mind was strong and at ease. Day after day I tramped over the wooded hills with ?sop at my side, and asked no more than leave to keep on going there day after day, though most of the ground was covered still with snow and soft slush. I had no company but ?sop; now it is Cora, but at that time it was ?sop, my dog that I afterwards shot.
Often in the evening, when I came back to the hut after being out shooting all day, I could feel that kindly, homely feeling trickling through me from head to foot-a pleasant little inward shivering. And I would talk to ?sop about it, saying how comfortable we were. "There, now we'll get a fire going, and roast a bird on the hearth," I would say; "what do you say to that?" And when it was done, and we had both fed, ?sop would slip away to his place behind the hearth, while I lit a pipe and lay down on the bench for a while, listening to the dead soughing of the trees. There was a slight breeze bearing down towards the hut, and I could hear quite clearly the clutter of a grouse far away on the ridge behind. Save for that, all was still.
And many a time I fell asleep there as I lay, just as I was, fully dressed and all, and did not wake till the seabirds began calling. And then, looking out of the window, I could see the big white buildings of the trading station, the landing stage at Girilund, the store where I used to get my bread. And I would lie there a while, wondering how I came to be there, in a hut on the fringe of a forest, away up in Nordland.
Then ?sop over by the hearth would shake out his long, slender body, rattling his collar, and yawning and wagging his tail, and I would jump up, after those three or four hours of sleep, fully rested and full of joy in everything ... everything.
Many a night passed just that way.
* * *
The Wanderer, which consists of two closely related novels, Under the Autumn Star and On Muted Strings, has been acclaimed as one of Knut Hamsun's finest works. The narrator, Knut Pedersen (Hamsun's real name), is an unsimple character in search of the simple life, which he hopes to attain by wandering round the Norwegian countryside doing such work as he can find. His quest is continually frustrated, not least by his susceptibility to the wives and daughters of successive employers. In Under the Autumn Star he joins forces first with Grindhusen, a man blessed with the faith that "something will turn up"; later with Lars Falkenberg, whose dubious talents include the tuning of pianos. Knut and Lars end up as workmen on the estate of a certain Captain Falkenberg (no relation), with whose wife each falls in love. In due course, Knut is laid off and, in futile pursuit of the woman with whom by now he is helplessly infatuated, eventually finds himself sucked back into the city he once fled. "A wanderer plays on muted strings," explains Knut, now six years older, "when he reaches the age of two score years and ten." Among this sequel's qualities is the poignancy with which it conveys that sense of aging. Both novels show Hamsun at the height of his powers: lyrical and passionate, ironic yet deeply humane, master of one of the most original prose styles in modern literature, brilliantly translated here by Oliver and Gunnvor Stallybrass.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
"You'll be my wife on paper only. You'll have everything-except my heart. You'll never be Marina." For five years, Lily lived as David's secret wife-his poised secretary by day, his invisible stand-in by night. Every cold touch reminded her she was just a replacement. Every whispered "Marina" cut deeper than the last. Their marriage was born from an accidental night-a mistake he turned into a contract. He wanted nothing but an image and a convenience, yet she foolishly gave him her whole heart. So when the real Marina returns, Lily knows her time as the placeholder is up. David's actions make it clear: she was only ever a convenient replacement. Without a fight, she signs the divorce papers and walks away, surrendering the position he always wanted to give to another. But why is it that the man who once swore he'd never love her... now refuses to let her go? David doesn't understand why Lily's absence haunts him. Why her quiet strength burns him in ways Marina never did. All he knows is that he's determined to get her back. By any means necessary. Even if it meant breaking her all over again. She paid the price for loving him once. Now, he'd pay for losing her forever.
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
I was four months pregnant, weighing over two hundred pounds, and my heart was failing from experimental treatments forced on me as a child. My doctor looked at me with clinical detachment and told me I was in a death sentence: if I kept the baby, I would die, and if I tried to remove it, I would die. Desperate for a lifeline, I called my father, Francis Acosta, to tell him I was sick and pregnant. I expected a father's love, but all I got was a cold, sharp blade of a voice. "Then do it quietly," he said. "Don't embarrass Candi. Her debutante ball is coming up." He didn't just reject me; he erased me. My trust fund was frozen, and I was told I was no longer an Acosta. My fiancé, Auston, had already discarded me, calling me a "bloated whale" while he looked for a thinner, wealthier replacement. I left New York on a Greyhound bus, weeping into a bag of chips, a broken woman the world considered a mistake. I couldn't understand how my own father could tell me to die "quietly" just to save face for a party. I didn't know why I had been a lab rat for my family’s pharmaceutical ambitions, or how they could sleep at night while I was left to rot in the gray drizzle of the city. Five years later, the doors of JFK International Airport slid open. I stepped onto the marble floor in red-soled stilettos, my body lean, lethal, and carved from years of blood and sweat. I wasn't the "whale" anymore; I was a ghost coming back to haunt them. With my daughter by my side and a medical reputation that terrified the global elite, I was ready to dismantle the Acosta empire piece by piece. "Tell Francis to wash his neck," I whispered to the skyline. "I'm home."
For four years, I traced the bullet scar on Chace’s chest, believing it was proof he would bleed to keep me safe. On our anniversary, he told me to wear white because "tonight changes everything." I walked into the gala thinking I was getting a ring. Instead, I stood frozen in the center of the ballroom, drowning in silk, watching him slide his mother's sapphire onto another woman's finger. Karyn Warren. The daughter of a rival family. When I begged him with my eyes to claim me, to save me from the public humiliation, he didn't flinch. He just leaned toward his Underboss, his voice amplified by the silence. "Karyn is for power. Ember is for pleasure. Don't confuse the assets." My heart didn't just break; it incinerated. He expected me to stay as his mistress, threatening to dig up my dead mother’s grave if I refused to play the obedient pet. He thought I was trapped. He thought I had nowhere to go because of my father’s massive gambling debts. He was wrong. With shaking hands, I pulled out my phone and texted the one name I was never supposed to use. Keith Mosley. The Don. The monster under Chace's bed. *I am invoking the Blood Oath. My father’s debt. I am ready to pay it.* His reply came three seconds later, buzzing against my palm like a warning. *The price is marriage. You belong to me. Yes or No?* I looked up at Chace, who was laughing with his new fiancée, thinking he owned me. I looked down and typed three letters. *Yes.*
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