Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The long, long road over the moors and up into the forest-who trod it into being first of all? Man, a human being, the first that came here. There was no path before he came. Afterward, some beast or other, following the faint tracks over marsh and moorland, wearing them deeper; after these again some Lapp gained scent of the path, and took that way from field to field, looking to his reindeer. Thus was made the road through the great Almenning-the common tracts without an owner; no-man's-land.
The man comes, walking toward the north. He bears a sack, the first sack, carrying food and some few implements. A strong, coarse fellow, with a red iron beard, and little scars on face and hands; sites of old wounds-were they gained in toil or fight? Maybe the man has been in prison, and is looking for a place to hide; or a philosopher, maybe, in search of peace. This or that, he comes; the figure of a man in this great solitude. He trudges on; bird and beast are silent all about him; now and again he utters a word or two; speaking to himself. "Eyah-well, well...."-so he speaks to himself. Here and there, where the moors give place to a kindlier spot, an open space in the midst of the forest, he lays down the sack and goes exploring; after a while he returns, heaves the sack to his shoulder again, and trudges on. So through the day, noting time by the sun; night falls, and he throws himself down on the heather, resting on one arm.
A few hours' rest, and he is on the move again: "Eyah, well...."-moving northward again, noting time by the sun; a meal of barley cakes and goats' milk cheese, a drink of water from the stream, and on again. This day too he journeys, for there are many kindly spots in the woods to be explored. What is he seeking? A place, a patch of ground? An emigrant, maybe, from the homestead tracts; he keeps his eyes alert, looking out; now and again he climbs to the top of a hill, looking out. The sun goes down once more.
He moves along the western side of a valley; wooded ground, with leafy trees among the spruce and pine, and grass beneath. Hours of this, and twilight is falling, but his ear catches the faint purl of running water, and it heartens him like the voice of a living thing. He climbs the slope, and sees the valley half in darkness below; beyond, the sky to the south. He lies down to rest.
The morning shows him a range of pasture and woodland. He moves down, and there is a green hillside; far below, a glimpse of the stream, and a hare bounding across. The man nods his head, as it were approvingly-the stream is not so broad but that a hare may cross it at a bound. A white grouse sitting close upon its nest starts up at his feet with an angry hiss, and he nods again: feathered game and fur-a good spot this. Heather, bilberry, and cloudberry cover the ground; there are tiny ferns, and the seven-pointed star flowers of the winter-green. Here and there he stops to dig with an iron tool, and finds good mould, or peaty soil, manured with the rotted wood and fallen leaves of a thousand years. He nods, to say that he has found himself a place to stay and live: ay, he will stay here and live. Two days he goes exploring the country round, returning each evening to the hillside. He sleeps at night on a bed of stacked pine; already he feels at home here, with a bed of pine beneath an overhanging rock.
The worst of his task had been to find the place; this no-man's place, but his. Now, there was work to fill his days. He started at once, stripping birch bark in the woods farther off, while the sap was still in the trees. The bark he pressed and dried, and when he had gathered a heavy load, carried it all the miles back to the village, to be sold for building. Then back to the hillside, with new sacks of food and implements; flour and pork, a cooking-pot, a spade-out and back along the way he had come, carrying loads all the time. A born carrier of loads, a lumbering barge of a man in the forest-oh, as if he loved his calling, tramping long roads and carrying heavy burdens; as if life without a load upon one's shoulders were a miserable thing, no life for him.
One day he came up with more than the load he bore; came leading three goats in a leash. He was proud of his goats as if they had been horned cattle, and tended them kindly. Then came the first stranger passing, a nomad Lapp; at sight of the goats, he knew that this was a man who had come to stay, and spoke to him.
"You going to live here for good?"
"Ay," said the man.
"What's your name?"
"Isak. You don't know of a woman body anywhere'd come and help?"
"No. But I'll say a word of it to all I meet."
"Ay, do that. Say I've creatures here, and none to look to them."
The Lapp went on his way. Isak-ay, he would say a word of that. The man on the hillside was no runaway; he had told his name. A runaway? He would have been found. Only a worker, and a hardy one. He set about cutting winter fodder for his goats, clearing the ground, digging a field, shifting stones, making a wall of stones. By the autumn he had built a house for himself, a hut of turf, sound and strong and warm; storms could not shake it, and nothing could burn it down. Here was a home; he could go inside and shut the door, and stay there; could stand outside on the door-slab, the owner of that house, if any should pass by. There were two rooms in the hut; for himself at the one end, and for his beasts at the other. Farthest in, against the wall of rock, was the hayloft. Everything was there.
Two more Lapps come by, father and son. They stand resting with both hands on their long staves, taking stock of the hut and the clearing, noting the sound of the goat-bells up on the hillside.
"Goddag" say the Lapps. "And here's fine folk come to live." Lapps talk that way, with flattering words.
"You don't know of any woman hereabouts to help?" says Isak, thinking always of but one thing.
"Woman to help? No. But we'll say a word of it."
"Ay, if you'd be so good. That I've a house and a bit of ground here, and goats, but no woman to help. Say that."
Oh, he had sought about for a woman to help each time he had been down to the village with his loads of bark, but there was none to be found. They would look at him, a widow or an old unmarried one or so, but all afraid to offer, whatever might be in their minds. Isak couldn't tell why. Couldn't tell why? Who would go as help to live with a man in the wilds, ever so many miles away-a whole day's journey to the nearest neighbour? And the man himself was no way charming or pleasant by his looks, far from it; and when he spoke it was no tenor with eyes to heaven, but a coarse voice, something like a beast's.
Well, he would have to manage alone.
In winter, he made great wooden troughs, and sold them in the village, carrying sacks of food and tools back through the snow; hard days when he was tied to a load. There were the goats, and none to look to them; he could not be away for long. And what did he do? Need made him wise; his brain was strong and little used; he trained it up to ever more and more. His first way was to let the goats loose before starting off himself, so that they could get a full feed among the undergrowth in the woods. But he found another plan. He took a bucket, a great vessel, and hung it up by the river so that a single drop fell in at a time, taking fourteen hours to fill it. When it was full to the brim, the weight was right; the bucket sank, and in doing so, pulled a line connected with the hayloft; a trap-door opened, and three bundles of fodder came through-the goats were fed.
That was his way.
A bright idea; an inspiration, maybe, sent from God. The man had none to help him but himself. It served his need until late in the autumn; then came the first snow, then rain, then snow again, snowing all the time. And his machine went wrong; the bucket was filled from above, opening the trap too soon. He fixed a cover over, and all went well again for a time; then came winter, the drop of water froze to an icicle, and stopped the machine for good.
The goats must do as their master-learn to do without.
Hard times-the man had need of help, and there was none, yet still he found a way. He worked and worked at his home; he made a window in the hut with two panes of real glass, and that was a bright and wonderful day in his life. No need of lighting fires to see; he could sit indoors and work at his wooden troughs by daylight. Better days, brighter days ... eyah!
He read no books, but his thoughts were often with God; it was natural, coming of simplicity and awe. The stars in the sky, the wind in the trees, the solitude and the wide-spreading snow, the might of earth and over earth filled him many times a day with a deep earnestness. He was a sinner and feared God; on Sundays he washed himself out of reverence for the holy day, but worked none the less as through the week.
Spring came; he worked on his patch of ground, and planted potatoes. His livestock multiplied; the two she-goats had each had twins, making seven in all about the place. He made a bigger shed for them, ready for further increase, and put a couple of glass panes in there too. Ay, 'twas lighter and brighter now in every way.
And then at last came help; the woman he needed. She tacked about for a long time, this way and that across the hillside, before venturing near; it was evening before she could bring herself to come down. And then she came-a big, brown-eyed girl, full-built and coarse, with good, heavy hands, and rough hide brogues on her feet as if she had been a Lapp, and a calfskin bag slung from her shoulders. Not altogether young; speaking politely; somewhere nearing thirty.
There was nothing to fear; but she gave him greeting and said hastily:
"I was going cross the hills, and took this way, that was all."
"Ho," said the man. He could barely take her meaning, for she spoke in a slovenly way, also, she kept her face turned aside.
"Ay," said she, "'tis a long way to come."
"Ay, it's that," says the man. "Cross the hills, you said?"
"Yes."
"And what for?"
"I've my people there."
"Eh, so you've your people there? And what's your name?"
"Inger. And what's yours?"
"Isak."
"Isak? H'm. D'you live here yourself, maybe?"
"Ay, here, such as it is."
"Why, 'tis none so bad," said she to please him.
Now he had grown something clever to think out the way of things, and it struck him then she'd come for that very business and no other; had started out two days back just to come here. Maybe she had heard of his wanting a woman to help.
"Go inside a bit and rest your feet," said he.
They went into the hut and took a bit of the food she had brought, and some of his goats' milk to drink; then they made coffee, that she had brought with her in a bladder. Settled down comfortably over their coffee until bedtime. And in the night, he lay wanting her, and she was willing.
She did not go away next morning; all that day she did not go, but helped about the place; milked the goats, and scoured pots and things with fine sand, and got them clean. She did not go away at all. Inger was her name. And Isak was his name.
And now it was another life for the solitary man. True, this wife of his had a curious slovenly way of speech, and always turning her face aside, by reason of a hare-lip that she had, but that was no matter. Save that her mouth was disfigured, she would hardly have come to him at all; he might well be grateful for that she was marked with a hare-lip. And as to that, he himself was no beauty. Isak with the iron beard and rugged body, a grim and surly figure of a man; ay, as a man seen through a flaw in the window-pane. His look was not a gentle one; as if Barabbas might break loose at any minute. It was a wonder Inger herself did not run away.
She did not run away. When he had been out, and came home again, there was Inger at the hut; the two were one, the woman and the hut.
It was another mouth for him to feed, but no loss in that; he had more freedom now, and could go and stay as he needed. And there were matters to be looked to away from home. There was the river; pleasant to look at, and deep and swift besides; a river not to be despised; it must come from some big water up in the hills. He got himself some fishing gear and went exploring; in the evening he came back with a basket of trout and char. This was a great thing to Inger, and a marvel; she was overwhelmed, being no way used to fine dishes. She clapped her hands and cried out: "Why! Wherever...." And she was not slow to see how he was pleased at her surprise, and proud of it, for she said more in the same strain-oh, she had never seen the like, and how had he ever managed to find such things!
Inger was a blessing, too, in other ways. No clever head nor great in wit, maybe-but she had two lambing ewes with some of her kinsfolk, and brought them down. It was the best they could have wished for at the hut; sheep with wool and lambs four new head to their stock about the place; it was growing, getting bigger; a wonder and a marvel how their stock was grown. And Inger brought more; clothes, and little trifles of her own, a looking-glass and a string of pretty glass beads, a spinning-wheel, and carding-combs. Why, if she went on that gait the hut would soon be filled from floor to roof and no room for more! Isak was astonished in his turn at all this wealth of goods, but being a silent man and slow to speak, he said nothing, only shambled out to the door-slab and looked at the weather, and shambled in again. Ay, he had been lucky indeed; he felt himself more and more in love, or drawn towards her, or whatever it might be.
"You've no call to fetch along all such stuff," said he. "Tis more than's needed."
"I've more if I like to fetch it. And there's uncle Sivert besides-you've heard of him?" "No."
"Why, he's a rich man, and district treasurer besides."
Love makes a fool of the wise. Isak felt he must do something grand himself, and overdid it. "What I was going to say; you've no need to bother with hoeing potatoes. I'll do it myself the evening, when I come home."
And he took his ax and went off to the woods.
She heard him felling in the woods, not so far off; she could hear from the crash that he was felling big timber. She listened for a while, and then went out to the potato field and set to work hoeing. Love makes fools wise.
Isak came home in the evening, hauling a huge trunk by a rope. Oh, that simple and innocent Isak, he made all the noise he could with his tree-trunk, and coughed and hemmed, all for her to come out and wonder at him. And sure enough:
"Why, you're out of your senses," said Inger when she came out. "Is that work for a man single-handed?" He made no answer; wouldn't have said a word for anything. To do a little more than was work for a man single-handed was nothing to speak of-nothing at all. A stick of timber-huh! "And what are you going to do with it?" she asked.
"Oh, we'll see," he answered carelessly, as if scarcely heeding she was there.
But when he saw that she had hoed the potatoes after all he was not pleased. It was as if she had done almost as much as he; and that was not to his liking. He slipped the rope from the tree-trunk and went off with it once more.
"What, haven't you done yet?"
"No," said he gruffly.
And he came back with another stick like the last, only with no noise nor sign of being out of breath; hauled it up to the hut like an ox, and left it there.
That summer he felled a mass of timber, and brought it to the hut.
The Wanderer, which consists of two closely related novels, Under the Autumn Star and On Muted Strings, has been acclaimed as one of Knut Hamsun's finest works. The narrator, Knut Pedersen (Hamsun's real name), is an unsimple character in search of the simple life, which he hopes to attain by wandering round the Norwegian countryside doing such work as he can find. His quest is continually frustrated, not least by his susceptibility to the wives and daughters of successive employers. In Under the Autumn Star he joins forces first with Grindhusen, a man blessed with the faith that "something will turn up"; later with Lars Falkenberg, whose dubious talents include the tuning of pianos. Knut and Lars end up as workmen on the estate of a certain Captain Falkenberg (no relation), with whose wife each falls in love. In due course, Knut is laid off and, in futile pursuit of the woman with whom by now he is helplessly infatuated, eventually finds himself sucked back into the city he once fled. "A wanderer plays on muted strings," explains Knut, now six years older, "when he reaches the age of two score years and ten." Among this sequel's qualities is the poignancy with which it conveys that sense of aging. Both novels show Hamsun at the height of his powers: lyrical and passionate, ironic yet deeply humane, master of one of the most original prose styles in modern literature, brilliantly translated here by Oliver and Gunnvor Stallybrass.
For three years, Jessica endured a loveless marriage while her husband pretended to be impotent. His lies unraveled when a pregnant mistress surfaced. After six months of secretly collecting proof, Jessica threw him out and built her own billion-dollar empire. After the divorce, she transformed into an irresistible figure, attracting admirers. As she left her office one day, she met Kevan, her ex-husband's brother. He stepped in, confronting her. "Was I just a tool to you?" Jessica's lips curled into a calm smile. "How much compensation do you want?" Kevan's voice softened. "All I want is you."
Marrying her best friend was a dream come true for Kelly, but everything truly has a limitation. Pierce is Kelly’s first love, but as his best friend, she knew well there was always another woman deep in his heart. Lexi Gilbert. The woman Pierce could never forget even if he had already been arranged to marry Kelly. *** Kelly finally realized their happy marriage of the last three years was just a beautiful dream when Pierce asked for a divorce just because Lexi returned. She could only be his best friend even if she was carrying his baby. *** Since their friendship had become a cage, Kelly chose to set him free, as well as the miserable herself. But why then, it was Pierce who became the one who refused to move on? To make matters worse, her devil stepbrother also domineeringly stepped in at the same time, asking her to be his. *** Her Prince Charming vs. Her Devil Stepbrother? How could Kelly save her heart in this battle of love and hate?
I am the most talented doctor, the genius artist, the most famous jeweler designer, and I am going to be the richest one, making Conor, the king of a super powerful family, lose his crown… Conor was hunt down me for six years because I raped him. No, because he raped me. It didn't matter anyway. Since be selling by my father, I was gonna be Conor's fake wife. The noble people thought I would be a disgrace to their family since I was the mentally handicapped. What fuck! When I was going to be gotten rid of as rubbish, a baby boy showed up and called me mom. Conor gaped at baby boy since the baby boy just looked like child version of him. Conor sheathed in my body, moaning, “Don’t hide from me. Tell me everything, sweetheart.” I blinked, grinning, “Our baby girl also misses her daddy.” Conor, "…"
Sophia Drake braced herself for the worst when she was forced to move across the country in the middle of her junior year. Desperate to escape her shattered home as soon as she turns eighteen, her plans are disrupted by the enigmatic and captivating Ashford twins. Sophia can't fathom the intense attraction she feels for the twins and tries to avoid them at every turn. As she's thrust into an unfamiliar world, her past demons resurface, making her question her true identity. Will Sophia flee from her past's secrets, or will she embrace her destiny and take control of her future?
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
Renea was trying the wedding dress, when suddenly the man rushed in the dressing room and held her neck tightly... “Bitch! Are you still trying to pretend innocent!” Jasper said as he tightened his grip on her neck and choked her harder. Then he used his other hand and took out the phone from his suit pocket and played the video of two people having sex in front of Renea… However, what was even more shocking, was that the woman in the video was, Renea Morris, however, the man in the video was not Jasper. Renea struggled to take a phone away from Jasper’s hand and tried to explain, “Jasper, it was not what you think… I… I can…” Jasper looked at Renea with his eyes full of disgust, as he said, “Let’s call of the wedding. I can’t marry a woman like you.” After saying that Jasper walked out of the shop Renea chase after Jasper... But then she sees Jasper passionately kissing her sister Kailey. And she hears everything, that her sleeping with strange men was all a plan of the vipers of the last two days, and that their goal was to get out of this stupid marriage. Even her adopted parents were also involved in this matter... They all do this with her because of the inheritance left by her grandfather... Renea heart was filled with anger and she wanted to expose their true colors to the public... However before she could do anything, Kailey had pushed her in front of the car and she got killed... However, when Renea open her eyes, she found herself sitting in the car with Kailey... She realized that she was reborn and went at the time when everything started... Renea looked at the people who had hurt her in her previous life and her lips curled up in a cold smile... She was back... However, this time... she was back for revenge...