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The Beach of Dreams by H. De Vere Stacpoole
The fo'c'sle, lit by a teapot lamp, shewed the port watch in their bunks, snoring, all but Harbutt and Raft seated on a chest, Harbutt patching a pair of trousers, Raft smoking.
Raft was a big red-headed man with eyes that seemed always roving over great distances as though in search of something. He was thirty-two years of age and he had used the sea since twelve-twenty years. His past was a long succession of fo'c'sles, bar-rooms, blazing suns, storms and sea happenings so run together that all sequence was lost. Beyond them lay a dismal blotch, his childhood. He had entered the world and literally and figuratively had been laid at the door of a workhouse; of his childhood he remembered little, of his parentage he knew nothing. In drink he was quiet, but most dangerous under certain provocations.
It was as though deep in his being lay a blazing hatred born of injustice through ages and only coming to light when upborne by balloon-juice. On these occasions a saloon bar with its glitter and phantom show of mirth and prosperity sometimes called on him to dispense and destroy it, the passion to fight the crowd seized him, a passion that has its origin, perhaps, in sources other than alcohol.
He was talking now to Harbutt, scarcely lowering his voice on account of the fellows in the bunks. Snoring and drugged with ozone a kick would only have made them curse and turn on the other side, and as he talked his voice made part of that procession of noises inseparable from the fo'c'sle of a ship under sail against a head sea. He had been holding forth on the food and general conditions of this ship compared with the food and conditions of his last, when Harbutt cut in.
"There's not a pin to choose between owners, and ships is owners as far as a sailorman's concerned.-Blast them."
"I was in a hooker once," said Raft, "and the Old Man came across a lot of cheap sugar, served it out to save the m'lasses. It was lead, most of it, and the chaps that swallowed it their teeth came out."
"What happened to them then?"
"They croaked. I joined at Bombay, after the business, or I'd have croaked too."
"What ship was that?" asked Harbutt.
"I've forgot her name, it was a good bit back-but it's the truth."
"Of course it's the truth," replied the other, "who's doubtin' you, any dog's trick played on a sailorman's the truth, you can lay to that. I've had four years of sea and I oughta know."
"What's this you were?" asked Raft.
"Oh, I was a lot o' things," replied Harbutt. "Wished I'd never left them to join this b-y business, but it's the same ashore, owners all the time stuffin' themselves and gettin' rich, workers starvin'."
Raft belonged to the old time labour world dating from Pelagon, he grumbled, but had no grudge against owners in general, it was only in drink that Pelagon rose in him. Harbutt was an atom of the new voice that is heard everywhere now, even in fo'c'sles. He had failed in everything on land and a'board ship he was a slacker. You cannot be a voice and an A.B. at the same time.
"What was your last job ashore?" went on Raft with the persistence of a child, always wanting to know.
"Cleanin' out pig sties," said Harbutt viciously. "Drove to it. I tell you when a chap's down he's down, the chaps that has money tramples on the chaps that hasn't. I've been through it and I know. It's the rich man does it."
"Well," said Raft, "I don't even remember seeing one."
"Haven't you ever been in no cities?"
"I've been in cities right enough, but most by the water-side."
"Well, you've seen chaps in plug hats and chaps drivin' in carriages, that's the sort that keeps us down, that's the sort we've got to make an end of."
Raft did not quite see. He had a respect for Harbutt mixed with a contempt for him as a sailor. Harbutt knew a lot-but he could not see how the chaps in plug hats kept other people down; the few he had seen had always seemed to him away and beyond his world, soft folk, and always busy about their own affairs-and how were they to be made an end of?
"Do you mean killing them?" he asked.
"Oh, there's other ways than killin'," replied Harbutt. "It's not them, it's their money does the trick."
He finished his patch and turned in. Raft finished his pipe and turned in also and the fo'c'sle was given over to the noises of the sea and the straining timbers of the ship.
Now that the figures of the two sailors had vanished its personality took fuller life, grim, dark, close, like the interior of a grimy hand clutching the lives of all those sleepers. The beams shewed like the curved fingers, and the heel of the bowsprit like the point of the in-turned thumb, a faint soul-killing rock of kerosene filled it, intensifying, after the fashion of ambergris, all the other perfumes, without losing in power. Bilge, tobacco and humanity, you cannot know what these things are till they are married with the reek of kerosene, with the grunts and snores of weary men, with lamplight dimmed with smoke haze; with the heave and fall of the sea; the groaning of timbers and the boom of the waves. This is the fo'c'sle whose great, great, great grandmother was the lower deck of the trireme where slaves chained to benches laboured till they died, just as they labour to-day.
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
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The sun was breaking above the sea line, and the Pacific, heaving to the swell, lay all to the eastward in meadows of gold.
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