The Man Who Lost Himself by H. De Vere Stacpoole
The Man Who Lost Himself by H. De Vere Stacpoole
It was the first of June, and Victor Jones of Philadelphia was seated in the lounge of the Savoy Hotel, London, defeated in his first really great battle with the thing we call life.
Though of Philadelphia, Jones was not an American, nor had he anything of the American accent. Australian born, he had started life in a bank at Melbourne, gone to India for a trading house, started for himself, failed, and become a rolling stone. Philadelphia was his last halt.
With no financial foundation, Victor and a Philadelphia gentleman had competed for a contract to supply the British Government with Harveyised steel struts, bolts, and girders; he had come over to London to press the business; he had interviewed men in brass hats, slow moving men who had turned him over to slower moving men. The Stringer Company, for so he dubbed himself and Aaron Stringer, who had financed him for the journey, had wasted three weeks on the business, and this morning their tender had been rejected. Hardmans', the Pittsburg people, had got the order.
It was a nasty blow. If he and Stringer could have secured the contract, they could have carried it through all right, Stringer would have put the thing in the hands of Laurenson of Philadelphia, and their commission would have been enormous, a stroke of the British Government's pen would have filled their pockets; failing that they were bankrupt. At least Jones was.
And justifiably you will say, considering that the whole business was a gigantic piece of bluff-well, maybe, yet on behalf of this bluffer I would put it forward that he had risked everything on one deal, and that this was no little failure of his, but a disaster, naked and complete.
He had less than ten pounds in his pocket and he owed money at the Savoy. You see he had reckoned on doing all his business in a week, and if it failed-an idea which he scarcely entertained-on getting back third class to the States. He had not reckoned on the terrible expenses of London, or the three weeks delay.
Yesterday he had sent a cable to Stringer for funds, and had got as a reply: "Am waiting news of contract."
Stringer was that sort of man.
He was thinking about Stringer now, as he sat watching the guests of the Savoy, Americans and English, well to do people with no money worries, so he fancied. He was thinking about Stringer and his own position, with less than ten pounds in his pocket, an hotel bill unreceipted, and three thousand miles of deep water between himself and Philadelphia.
Jones was twenty-four years of age. He looked thirty. A serious faced, cadaverous individual, whom, given three guesses you would have judged to be a Scotch free kirk minister in mufti; an actor in the melodramatic line; a food crank. These being the three most serious occupations in the world.
In reality, he had started life, as before said, in a bank, educated himself in mathematics and higher commercial methods, by correspondence, and, aiming to be a millionaire, had left the bank and struck out for himself in the great tumbling ocean of business.
He had glimpsed the truth. Seen the fact that the art of life is not so much to work oneself as to make other people work for one, to convert by one's own mental energy, the bodily energy of others into products or actions. Had this Government contract come off, he would have, and to his own profit, set a thousand hammers swinging, a dozen steel mills rolling, twenty ships lading, hammers, mills and ships he had never seen, never would see.
That is the magic of business, and when you behold roaring towns and humming wharves, when you read of raging battles, you see and read of the work of a comparatively small number of men, gentlemen who wear frock coats, who have never handled a bale, or carried a gun, or steered a ship with their own hands. Magicians!
He ordered a whisky and soda from a passing attendant, to help him think some more about Stringer and his own awful position, and was taking the glass from the salver when a very well dressed man of his own age and build who had entered by the passage leading up from the American bar drew his attention.
This man's face seemed quite familiar to him, so much so that he started in his chair as though about to rise and greet him. The stranger, also, seemed for a second under the same obsession, but only for a second; he made a half pause and then passed on, becoming lost to sight beyond the palm trees at the entrance. Jones leaned back in his chair.
"Now, where did I see that guy before?" asked he of himself. "Where on earth have I met him? and he recognised me-where in the-where in the-where in the-?"
His memory vaguely and vainly searching for the name to go with that face was at fault. He finished his whisky and soda and rose, and then strolled off not heeding much in what direction, till he reached the book and newspaper stand where he paused to inspect the wares, turning over the pages of the latest best seller without imbibing a word of the text.
Then he found himself downstairs in the American bar, with a champagne cocktail before him.
Jones was an abstemious man, as a rule, but he had a highly strung nervous system and it had been worked up. The unaccustomed whiskey and soda had taken him in its charge, comforting him and conducting his steps, and now the bar keeper, a cheery person, combined with the champagne cocktail, the cheeriest of drinks, so raised his spirits and warmed his optimism, that, having finished his glass he pushed it across the counter and said, "Give me another."
At this moment a gentleman who had just entered the bar came up to the counter, placed half a crown upon it and was served by the assistant bar keeper with a glass of sherry.
Jones, turning, found himself face to face with the stranger whom he had seen in the lounge, the stranger whose face he knew but whose name he could not remember in the least.
Jones was a direct person, used to travel and the forming of chance acquaintanceships. He did not hang back.
"'Scuse me," said he. "I saw you in the lounge and I'm sure I've met you somewhere or another, but I can't place you."
* * *
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
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