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The sun was setting over Paris, a blood-red and violent-looking sun, like the face of a bully staring in at the window of a vast chill room.
The bank of cloud above the west, corrugated by the wind, seemed not unlike the lowermost slats of a Venetian blind; one might have fancied that a great finger had tilted them up whilst the red, callous, cruel face took a last peep at the frost-bitten city, the frost-bound country-Montmartre and its windows, winking and bloodshot; Bercy and its barges; Notre Dame, where icicles, large as carrots, hung from the lips of the gargoyles, and the Seine clipping the cité and flowing to the clean but distant sea.
It was the fourth of January and the last day of Félix Thénard's post-graduate course of lectures at the Beaujon Hospital.
Post-graduate lectures are intended not for students, using the word in its limited sense, but for fully fledged men who wish for extra training in some special subject, and Thénard, the famous neurologist of the Beaujon, had a class which practically represented the whole continent of Europe and half the world. Men from Vienna and Madrid, Germany and Japan, London and New York, crowded the benches of his lecture room. Even the Republic of Liberia was represented by a large gentleman, who seemed carved from solid night and polished with palm oil.
Dr. Paul Quincy Adams, one of the representatives of America at the lectures of Thénard, was just reaching the entrance of the Beaujon as the last rays of sunset were touching the heights of Montmartre and the first lamps of Paris were springing alight.
He had walked all the way from his rooms in the Rue Dijon, for omnibuses were slow and uncomfortable, cabs were dear, and money was, just at present, the most unpleasant thing that money can convert itself into-an object.
Adams was six feet two, a Vermonter, an American gentleman whose chest measurements were big, almost, as his instincts were fine. He had fought his way up, literally from the soil, putting in terms as seaside café waiter to help to pay his college fees; putting aside everything but honour in his grand struggle to freedom and individual existence, and finishing his college career with a travelling scholarship which brought him to Paris.
Individualism, the thing that lends something of greatness to each American, but which does not tend to the greatness of the nation, was the mainspring of this big man whom Nature had undoubtedly designed with her eye on the vast plains, virgin forests, and unfordable rivers, and across whose shoulder one half divined the invisible axe of the pioneer.
He was just twenty-three years of age, yet he looked thirty: plain enough as far as features go, his face was a face to remember in time of trouble. It was of the American type that approximates to the Red Indian, and you guessed the power that lay behind it by the set of the cheek-bones, the breadth of the chin and the restfulness of the eyes. Like the Red Indian, Paul Quincy Adams was slow of speech. A silent man with his tongue.
He entered the hospital and passed down a long corridor to the cloakroom, where he left his overcoat and from there, by another corridor, he found his way to the swing-door of the lecture theatre. It wanted five minutes to the hour. He peeped over the muffing of the glass; the place was nearly full, so he went in and took his seat, choosing one at the right hand end of the first row of the stalls-students' vernacular for the lowest row of the theatre benches.
The theatre was lit with gas. It had whitewashed walls bare as the walls of a barn; a permanent blackboard faced the audience, and the air was suffocatingly hot after the crisp, cold air of the streets. It would be like this till about the middle of the lecture, when Alphonse the porter would pull the rope of the skylight and ventilate the place with an arctic blast.
This room, which had once been an anatomical theatre, and always a lecture room, had known the erect form of Lisfranc; the stooping shoulders of Majendie had cast their shadow on its walls; Flourens had lectured here on that subject of which he had so profound a knowledge-the brain; the echoes of this room had heard the foundations of Medicine shift and change, the rank heresies of yesterday voiced as the facts of to-day-and vice versa.
Adams, having opened his notebook and sharpened his pencil, sat listening to the gas sizzling above his head; then he turned for a moment and glanced at the men behind him: the doctor from Vienna in a broadly braided frock-coat with satin facings, betraying himself to all men by the end of the clinical thermometer protruding from his waistcoat pocket; the two Japanese gentlemen-brown, incurious, and inscrutable-men from another world, come to look on; the republican from Liberia, and the rest. Then he turned his head, for the door on the floor of the theatre had opened, giving entrance to Thénard.
Thénard was a smallish man in a rather shabby frock-coat; his beard was scant, pointed, and gray-tinged; he had a depressed expression, the general air of a second-rate tradesman on the verge of bankruptcy; and as he entered and crossed to the estrade where the lecture table stood and the glass of water, he shouted some words vehemently and harshly to Alphonse, the theatre attendant, who, it seemed, had forgotten to place the box of coloured chalks on the table-the sacred chalks which the lecturer used for colouring his diagrams on the blackboard.
One instantly took a dislike to this shabby-looking bourgeois, with the harsh, irritable voice, but after awhile, as the lecture went on, one forgot him. It was not the profundity of the man's knowledge, great though it was, that impressed one; or the subtlety of his reasoning or the lucidity of his expression, but his earnestness, his obvious disregard for everything earthly but Truth.
This was borne in on one by every expression of his face, every gesture of his body, every word and every tone and inflection of his voice.
This was the twelfth and last lecture of the course. It was on the "Brain Conceived as a Machine Pure and Simple."
It was a cold and pitiless lecture, striking at the root of poetry and romance, speaking of religions, not religion, and utterly ignoring the idea which stands poised like a white-winged Victory over all other ideas-the Soul.
It was pitiless because it did these things, and it was terrible because it was spoken by Thénard, for he was just standing there, a little, oldish man, terribly convincing in his simplicity, absolutely without prejudice, as ready to acknowledge the soul and its attributes as to refuse them, standing there twiddling his horsehair watch-chain, and speaking from the profundity of his knowledge with, at his elbow, a huge army of facts, instances, and cases, not one of which did not support his logical deductions.
I wish I could print his lecture in full. I can only give some few sentences taken at haphazard from the peroration.
"The fundamental basis of all morality can be expressed by the words Left-or Right. 'Shall I take the path to the right, when my child is being threatened with death by a pterodactyl, or shall I take the path to the left when a mastodon is threatening to put a foot on my dinner?'
"The prehistoric man asking himself that question in the dawn of time laid the foundation of the world's morality. Do we know how he answered it? Yes-undoubtedly he saved his dinner.
"The prehistoric woman crouching in the ferns, wakened from sleep by the cries of her child on the left and the shouting of her man on the right, found herself face to face with the question, 'Shall I court self-destruction in attempting to save It, or shall I seek safety with Him?' Do we know how she answered that question? Undoubtedly she took the path to the left.
"The woman's Right was the man's Left, and she took it not from any motive of goodness but just because her child appealed to her as powerfully as his dinner appealed to the man. And which was the nobler instinct? In prehistoric times, gentlemen, they were both equally noble, for the instinct of the man was as essential to the fact that you and I are here gathered together in enlightened Paris, as the instinct of the woman.
"Right or Left? That is still the essence of morals-all the rest is embroidery. Whilst I am talking to you now, service is being held at the Madeleine, the Bourse is closed (looking at his watch), but other gaming houses are opening. The Café de Paris is filling, the Little Sisters of the Poor are visiting the sick.
"We feel keenly that some people are doing good and some people are doing evil. We wonder at the origin of it all, and the answer comes from the prehistoric forest.
"'I am Determination. I can choose the Right or I can choose the Left. Whilst dwelling in the man's heart my choice lies that way, in the woman's heart that way.
"'I am not religion, but between the man and the woman I have created an essential antagonism of motive which will be the basis of all future religions and systems of ethics. I have already dimly demarcated a line between ferocity and greed, and a thing which has yet no name, but which will in future ages be called Love.
"'I am a constant quantity, but the dim plan I have traced in the plastic brain will be used by the ever-building years; spires and domes shall fret the skies, priests unroll their scrolls of papyri, infinite developments of the simple basic Right and Left laid down by me shall combine to build a Pantheon of a million shrines to a million gods-who are yet only three: the tramp of the mastodon, the cry of the child in the pterodactyl's grip, and myself, who in future years shall be the only surviving god of the three-Determination.'
* * *
"The Pineal Gland had no known function, so Descartes declared it to be the seat of the soul. 'There is nothing in here. Let us put something in,' and he put in the idea of the soul. That was the old method.
"Morphology teaches us now that the Pineal Gland is the last vestige of an eye which once belonged to a reptile long extinct. That is the new method; the results are not so pretty, but they are more exact."
* * *
"You have finished your post-graduate work, and I suppose you are about to leave Paris like the others. Have you any plans?"
The lecture was over, the audience was pouring out of the theatre, and Adams was talking to Thénard, whom he knew personally.
"Well, no," said Adams. "None very fixed just at present. Of course I shall practise in my own country, but I can't quite see the opening yet."
* * *
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
He was an orphan blessed with a small competency. His income, to use his own formula, consisted of a hundred a year and an uncle. During the first four months or so of the year he spent the hundred pounds, during the rest of the year he squandered his uncle; that is to say he would have squandered him only for the fact that Mr James Hancock, of the firm of Hancock & Hancock, solicitors, was a person most difficult to "negotiate."
The sun was breaking above the sea line, and the Pacific, heaving to the swell, lay all to the eastward in meadows of gold.
The sea lay blue to the far horizon. Blue—Ah, blue is but a name till you have seen the sea that breaks around the Bahamas and gives anchorage to the tall ships at Port Royal; that great sheet of blue water stretching from Cape Catoche to the Windward Islands, and from Yucatan to beyond the Bahamas, studded with banks and keys and reefs, the old sea of the Buccaneers shot over with the doings of Kidd and Singleton and Horne.
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There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
Lucia Balstone thought she had chosen the right man to spend the rest of her life with, but he was the one who ended her life. Their ten-year marriage seemed like a joke when her husband stabbed her with a dagger. Fortunately, God is never blind to people's tears. Lucia got a second chance. She was reborn at the age of 22, before all the terrible things had happened. This time, she was determined to avenge herself and let those who hurt her pay! She made an elaborate list of her goals, and the first thing on her list was to marry her ex-husband's enemy, Alonso Callen!
After three secretive years of marriage, Eliana never met her enigmatic husband until she was served with divorce papers and learned of his extravagant pursuit of another. She snapped back to reality and secured a divorce. Thereafter, Eliana unveiled her various personas: an esteemed doctor, legendary secret agent, master hacker, celebrated designer, adept race car driver, and distinguished scientist. As her diverse talents became known, her ex-husband was consumed by remorse. Desperately, he pleaded, "Eliana, give me another chance! All my properties, even my life, are yours."
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?