The History of Mr. Polly by H. G. Wells
The History of Mr. Polly by H. G. Wells
"Hole!" said Mr. Polly, and then for a change, and with greatly increased emphasis: "'Ole!" He paused, and then broke out with one of his private and peculiar idioms. "Oh! Beastly Silly Wheeze of a Hole!"
He was sitting on a stile between two threadbare looking fields, and suffering acutely from indigestion.
He suffered from indigestion now nearly every afternoon in his life, but as he lacked introspection he projected the associated discomfort upon the world. Every afternoon he discovered afresh that life as a whole and every aspect of life that presented itself was "beastly." And this afternoon, lured by the delusive blueness of a sky that was blue because the wind was in the east, he had come out in the hope of snatching something of the joyousness of spring. The mysterious alchemy of mind and body refused, however, to permit any joyousness whatever in the spring.
He had had a little difficulty in finding his cap before he came out. He wanted his cap-the new golf cap-and Mrs. Polly must needs fish out his old soft brown felt hat. "'Ere's your 'at," she said in a tone of insincere encouragement.
He had been routing among the piled newspapers under the kitchen dresser, and had turned quite hopefully and taken the thing. He put it on. But it didn't feel right. Nothing felt right. He put a trembling hand upon the crown of the thing and pressed it on his head, and tried it askew to the right and then askew to the left.
Then the full sense of the indignity offered him came home to him. The hat masked the upper sinister quarter of his face, and he spoke with a wrathful eye regarding his wife from under the brim. In a voice thick with fury he said: "I s'pose you'd like me to wear that silly Mud Pie for ever, eh? I tell you I won't. I'm sick of it. I'm pretty near sick of everything, comes to that.... Hat!"
He clutched it with quivering fingers. "Hat!" he repeated. Then he flung it to the ground, and kicked it with extraordinary fury across the kitchen. It flew up against the door and dropped to the ground with its ribbon band half off.
"Shan't go out!" he said, and sticking his hands into his jacket pockets discovered the missing cap in the right one.
There was nothing for it but to go straight upstairs without a word, and out, slamming the shop door hard.
"Beauty!" said Mrs. Polly at last to a tremendous silence, picking up and dusting the rejected headdress. "Tantrums," she added. "I 'aven't patience." And moving with the slow reluctance of a deeply offended woman, she began to pile together the simple apparatus of their recent meal, for transportation to the scullery sink.
The repast she had prepared for him did not seem to her to justify his ingratitude. There had been the cold pork from Sunday and some nice cold potatoes, and Rashdall's Mixed Pickles, of which he was inordinately fond. He had eaten three gherkins, two onions, a small cauliflower head and several capers with every appearance of appetite, and indeed with avidity; and then there had been cold suet pudding to follow, with treacle, and then a nice bit of cheese. It was the pale, hard sort of cheese he liked; red cheese he declared was indigestible. He had also had three big slices of greyish baker's bread, and had drunk the best part of the jugful of beer.... But there seems to be no pleasing some people.
"Tantrums!" said Mrs. Polly at the sink, struggling with the mustard on his plate and expressing the only solution of the problem that occurred to her.
And Mr. Polly sat on the stile and hated the whole scheme of life-which was at once excessive and inadequate as a solution. He hated Foxbourne, he hated Foxbourne High Street, he hated his shop and his wife and his neighbours-every blessed neighbour-and with indescribable bitterness he hated himself.
"Why did I ever get in this silly Hole?" he said. "Why did I ever?"
He sat on the stile, and looked with eyes that seemed blurred with impalpable flaws at a world in which even the spring buds were wilted, the sunlight metallic and the shadows mixed with blue-black ink.
To the moralist I know he might have served as a figure of sinful discontent, but that is because it is the habit of moralists to ignore material circumstances,-if indeed one may speak of a recent meal as a circumstance,-with Mr. Polly circum. Drink, indeed, our teachers will criticise nowadays both as regards quantity and quality, but neither church nor state nor school will raise a warning finger between a man and his hunger and his wife's catering. So on nearly every day in his life Mr. Polly fell into a violent rage and hatred against the outer world in the afternoon, and never suspected that it was this inner world to which I am with such masterly delicacy alluding, that was thus reflecting its sinister disorder upon the things without. It is a pity that some human beings are not more transparent. If Mr. Polly, for example, had been transparent or even passably translucent, then perhaps he might have realised from the Laocoon struggle he would have glimpsed, that indeed he was not so much a human being as a civil war.
Wonderful things must have been going on inside Mr. Polly. Oh! wonderful things. It must have been like a badly managed industrial city during a period of depression; agitators, acts of violence, strikes, the forces of law and order doing their best, rushings to and fro, upheavals, the Marseillaise, tumbrils, the rumble and the thunder of the tumbrils....
I do not know why the east wind aggravates life to unhealthy people. It made Mr. Polly's teeth seem loose in his head, and his skin feel like a misfit, and his hair a dry, stringy exasperation....
Why cannot doctors give us an antidote to the east wind?
"Never have the sense to get your hair cut till it's too long," said Mr. Polly catching sight of his shadow, "you blighted, degenerated Paintbrush! Ugh!" and he flattened down the projecting tails with an urgent hand.
From the book:One afternoon, at low water, Mr. Isbister, a young artist lodging at Boscastle, walked from that place to the picturesque cove of Pentargen, desiring to examine the caves there. Halfway down the precipitous path to the Pentargen beach he came suddenly upon a man sitting in an attitude of profound distress beneath a projecting mass of rock. The hands of this man hung limply over his knees, his eyes were red and staring before him, and his face was wet with tears. He glanced round at Isbister's footfall. Both men were disconcerted, Isbister the more so, and, to override the awkwardness of his involuntary pause, he remarked, with an air of mature conviction, that the weather was hot for the time of year. "Very," answered the stranger shortly, hesitated a second, and added in a colourless tone, "I can't sleep."
Philosophically minded science fiction fans will rejoice in this novel from H.G. Wells, the author regarded as one of the originators of the genre who wrote classic gems such as The War of the Worlds, The Time Machine, The Invisible Man, and The Island of Doctor Moreau. Though more grounded in realism than some of his other works, Tono-Bungay offers an interesting look into the morality of scientific discovery.
THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956.Noteworthy for its depiction of fictional ''atomic bombs'' which eerily prefigure the development of real nuclear weapons.
Bert Smallways is the unlikely protagonist, a kind of Edwardian Mod, not interested in a steady career, always looking for a good time, riding his proto-scooter down to Brighton at the weekends. When Bert is accidentally scooped up by a German fleet, on its way to launch a surprise attack on the United States, he finds himself with a front row seat to the greatest war that has ever been – the war in the air! This new war is to be a different sort of war than all the wars that came before it, unprecedented in its ferocity and destructiveness. The art of war has completely changed with the coming of airplanes, which the author very eloquently brings out. „The War in the Air" is a story of the awful devastation following a conflict between two first-class powers with the resources of the air at their command. It is one of the most brilliant and successful of Mr. Wells's studies in futurity.
A radical reinvention of Victorian invasion fiction, and a blueprint for the alien invasion stories that have captured the minds of science fiction readers and writers for over a century. The unnamed narrator recounts the circumstances of a Martian invasion of earth, and their subsequent behaviour once England has been laid to ruin and brought under their control, all while trying desperately to reunite with his wife. The War of the Worlds has been adapted for other media numerous times, the most famous of which is the 1938 Orson Welles radio broadcast. Keeping with the factual presentation of the novel, the broadcast was initially framed as a news bulletin, leading numerous listeners to believe the events recounted were actually happening. More recently, Steven Spielberg adapted the novel to film, with Tom Cruise in the leading role. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
The New Machiavelli is written in the first person by its protagonist, Dick Remington, who has a lifelong passion for statecraft and who dreams of recasting the social and political form of the English nation. Remington is a brilliant student at Cambridge, writes several books on political themes, marries a wealthy heiress, and enters parliament as a Liberal influenced by the socialism of a couple easily recognizable as the Webbs, only to go over to the Conservatives.
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
Every she-wolf in the Blackwood Pack envied me. Olivia Klein, the lowest-ranked Omega who married the most powerful Alpha, Dominic Blackwood. Yet none knew the truth of my torment. The Phoenix mark on my neck made me Dominic Blackwood's Luna-but it never made me his choice. For five years, I endured his hatred, the pack's scorn, and the crushing weight of a prophecy no one believed. And when the car crash nearly stole our unborn child from me, my desperate calls went unanswered. Instead, Dominic moved his ex into our bedroom. That's when I understood: prophecies lie. Marks fade. And some battles? Aren't worth fighting. For the sake of my child, I was resolved to leave. But tell me, why did that callous, heartless Alpha suddenly have regrets?
Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
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