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Extrait : "En mer, aux environs de deux heures du matin, par une nuit calme, sous un ciel plein d'étoiles. Yves se tenait sur la passerelle auprès de moi, et nous causions du pays, absolument nouveau pour nous deux, où nous conduisaient cette fois les hasards de notre destinée. C'était le lendemain que nous devions atterrir ; cette attente nous amusait et nous formions mille projets."
By three o'clock in the afternoon all these far-off objects were close to us, so close that they overshadowed us with their rocky masses and deep green thickets.
We entered a shady channel between two high ranges of mountains, oddly symmetrical-like stage scenery, very pretty, though unlike nature. It seemed as if Japan were opened to our view through an enchanted fissure, allowing us to penetrate into her very heart.
Nagasaki, as yet unseen, must be at the extremity of this long and peculiar bay. All around us was exquisitely green. The strong sea-breeze had suddenly fallen, and was succeeded by a calm; the atmosphere, now very warm, was laden with the perfume of flowers. In the valley resounded the ceaseless whirr of the cicalas, answering one another from shore to shore; the mountains reechoed with innumerable sounds; the whole country seemed to vibrate like crystal. We passed among myriads of Japanese junks, gliding softly, wafted by imperceptible breezes on the smooth water; their motion could hardly be heard, and their white sails, stretched out on yards, fell languidly in a thousand horizontal folds like window-blinds, their strangely contorted poops, rising up castle-like in the air, reminding one of the towering ships of the Middle Ages. In the midst of the verdure of this wall of mountains, they stood out with a snowy whiteness.
What a country of verdure and shade is Japan; what an unlooked-for Eden!
Beyond us, at sea, it must have been full daylight; but here, in the depths of the valley, we already felt the impression of evening; beneath the summits in full sunlight, the base of the mountains and all the thickly wooded parts near the water's edge were steeped in twilight.
The passing junks, gleaming white against the background of dark foliage, were silently and dexterously manoeuvred by small, yellow, naked men, with long hair piled up on their heads in feminine fashion. Gradually, as we advanced farther up the green channel, the perfumes became more penetrating, and the monotonous chirp of the cicalas swelled out like an orchestral crescendo. Above us, against the luminous sky, sharply delineated between the mountains, a kind of hawk hovered, screaming out, with a deep, human voice, "Ha! Ha! Ha!" its melancholy call prolonged by the echoes.
All this fresh and luxuriant nature was of a peculiar Japanese type, which seemed to impress itself even on the mountain-tops, and produced the effect of a too artificial prettiness. The trees were grouped in clusters, with the pretentious grace shown on lacquered trays. Large rocks sprang up in exaggerated shapes, side by side with rounded, lawn-like hillocks; all the incongruous elements of landscape were grouped together as if artificially created.
When we looked intently, here and there we saw, often built in counterscarp on the very brink of an abyss, some old, tiny, mysterious pagoda, half hidden in the foliage of the overhanging trees, bringing to the minds of new arrivals, like ourselves, a sense of unfamiliarity and strangeness, and the feeling that in this country the spirits, the sylvan gods, the antique symbols, faithful guardians of the woods and forests, were unknown and incomprehensible.
When Nagasaki appeared, the view was rather disappointing. Situated at the foot of green overhanging mountains, it looked like any other ordinary town. In front of it lay a tangled mass of vessels, flying all the flags of the world; steamboats, just as in any other port, with dark funnels and black smoke, and behind them quays covered with warehouses and factories; nothing was wanting in the way of ordinary, trivial, every-day objects.
Some time, when man shall have made all things alike, the earth will be a dull, tedious dwelling-place, and we shall have even to give up travelling and seeking for a change which can no longer be found.
About six o'clock we dropped anchor noisily amid the mass of vessels already in the harbor, and were immediately invaded.
We were visited by a mercantile, bustling, comical Japan, which rushed upon us in full boat-loads, in waves, like a rising sea. Little men and little women came in a continuous, uninterrupted stream, but without cries, without squabbles, noiselessly, each one making so smiling a bow that it was impossible to be angry with them, so that by reflex action we smiled and bowed also. They carried on their backs little baskets, tiny boxes, receptacles of every shape, fitting into one another in the most ingenious manner, each containing several others, and multiplying till they filled up everything, in endless number. From these they drew forth all manner of curious and unexpected things: folding screens, slippers, soap, lanterns, sleeve-links, live cicalas chirping in little cages, jewelry, tame white mice turning little cardboard mills, quaint photographs, hot soups and stews in bowls, ready to be served out in rations to the crew;-china, a legion of vases, teapots, cups, little pots and plates. In one moment, all this was unpacked, spread out with astounding rapidity and a certain talent for arrangement; each seller squatting monkey-like, hands touching feet, behind his fancy ware-always smiling, bending low with the most engaging bows. Under the mass of these many-colored things, the deck presented the appearance of an immense bazaar; the sailors, very much amused and full of fun, walked among the heaped-up piles, taking the little women by the chin, buying anything and everything; throwing broadcast their white dollars. But how ugly, mean, and grotesque all those folk were! I began to feel singularly uneasy and disenchanted regarding my possible marriage.
Yves and I were on duty till the next morning, and after the first bustle, which always takes place on board when settling down in harbor-boats to lower, booms to swing out, running rigging to make taut-we had nothing more to do but look on. We said to each other: "Where are we in reality?-In the United States?-In some English colony in Australia, or in New Zealand?"
Consular residences, custom-house offices, manufactories; a dry dock in which a Russian frigate was lying; on the heights the large European concession, sprinkled with villas, and on the quays, American bars for the sailors. Farther off, it is true, far away behind these commonplace objects, in the very depths of the vast green valley, peered thousands upon thousands of tiny black houses, a tangled mass of curious appearance, from which here and there emerged some higher, dark red, painted roofs, probably the true old Japanese Nagasaki, which still exists. And in those quarters-who knows?-there may be, lurking behind a paper screen, some affected, cat's-eyed little woman, whom perhaps in two or three days (having no time to lose) I shall marry! But no, the picture painted by my fancy has faded. I can no longer see this little creature in my mind's eye; the sellers of the white mice have blurred her image; I fear now, lest she should be like them.
At nightfall the decks were suddenly cleared as by enchantment; in a second they had shut up their boxes, folded their sliding screens and their trick fans, and, humbly bowing to each of us, the little men and little women disappeared.
Slowly, as the shades of night closed around us, mingling all things in the bluish darkness, Japan became once more, little by little, a fairy-like and enchanted country. The great mountains, now black, were mirrored and doubled in the still water at their feet, reflecting therein their sharply reversed outlines, and presenting the mirage of fearful precipices, over which we seemed to hang. The stars also were reversed in their order, making, in the depths of the imaginary abyss, a sprinkling of tiny phosphorescent lights.
Then all Nagasaki became profusely illuminated, sparkling with multitudes of lanterns: the smallest suburb, the smallest village was lighted up; the tiniest but perched up among the trees, which in the daytime was invisible, threw out its little glowworm glimmer. Soon there were innumerable lights all over the country on all the shores of the bay, from top to bottom of the mountains; myriads of glowing fires shone out in the darkness, conveying the impression of a vast capital rising around us in one bewildering amphitheatre. Beneath, in the silent waters, another town, also illuminated, seemed to descend into the depths of the abyss. The night was balmy, pure, delicious; the atmosphere laden with the perfume of flowers came wafted to us from the mountains. From the tea-houses and other nocturnal resorts, the sound of guitars reached our ears, seeming in the distance the sweetest of music. And the whirr of the cicalas-which, in Japan, is one of the continuous noises of life, and which in a few days we shall no longer even be aware of, so completely is it the background and foundation of all other terrestrial sounds-was sonorous, incessant, softly monotonous, like the murmur of a waterfall.
Au Maroc est un reportage fort intéressant que Pierre Loti a écrit pendant sa mission dans ce pays, à la suite d'une délégation guidée par le ministre plénipotentiaire Patenôtre, invité par le Sultan de Fès. Nous sommes en pleine époque coloniale, mais l'écrivain, de par sa nature cosmopolite, était déjà arabophile, et de plus marocophile, et n'avait aucun préjugé à l'égard de l'Islam. Il produit ainsi un essai passionnant qui décrit les paysages, les villes, les villages, les gens, avec amour et passion, sans toutefois jamais céder à la banalité de la « carte postale », et, d'ailleurs, il décrit les inévitables misères avec un réalisme sans pitié. Un livre précieux à la fois pour ceux qui veulent revivre les atmosphères romantiques de l'exotisme de l'époque et ceux qui veulent comprendre une importante partie du monde arabe dans ses transformations complexes.
There is to-day a widely spread new interest in child life, a desire to get nearer to children and understand them. To be sure child study is not new; every wise parent and every sympathetic teacher has ever been a student of children; but there is now an effort to do more consciously and systematically what has always been done in some way.
The first appearance of Pierre Loti's works, twenty years ago, causeda sensation throughout those circles wherein the creations ofintellect and imagination are felt, studied, and discussed. The authorwas one who, with a power which no one had wielded before him, carriedoff his readers into exotic lands, and whose art, in appearance mostsimple, proved a genuine enchantment for the imagination. It was thetime when M. Zola and his school stood at the head of the literarymovement. There breathed forth from Loti's writings an all-penetratingfragrance of poesy, which liberated French literary ideals from theheavy and oppressive yoke of the Naturalistic school. Truth now soaredon unhampered pinions, and the reading world was completely won by theunsurpassed intensity and faithful accuracy with which he depicted thealluring charms of far-off scenes, and painted the naive soul of theraces that seem to endure in the isles of the Pacific as survivingrepresentatives of the world's infancy.
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.
As a simple assistant, messaging the CEO in the dead of night to request shares of adult films was a bold move. Bethany, unsurprisingly, didn't receive any films. However, the CEO responded that, while he had no films to share, he could offer a live demonstration. After a night filled with passion, Bethany was certain she'd lose her job. But instead, her boss proposed, "Marry me. Please consider it." "Mr. Bates, you're kidding me, right?"
For three years, Shane and Yvonne were wed, sharing heated nights, while his devotion clung to his ex. Yvonne strove to be a dutiful wife, yet their marriage felt hollow, built on desire rather than real warmth. All changed when she became pregnant, only for Shane to thrust her onto the operating table, warning, “Either you or the baby survives!” Broken by his cruelty, she vanished in grief and later returned, radiantly accomplished, leaving everyone awestruck. Haunted by remorse, Shane begged for another chance, but Yvonne only smiled and replied, “I’m sorry, men no longer interest me.”
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Madison had always believed that she would marry Colten. She spent her youth admiring him from afar, dreaming of their future life together. But Colten was always indifferent to her, and when he abandoned her at a time when she needed him most, she finally realized that he never loved her. With renewed resolve and a thirst for revenge, Madison left. Endless possibilities lay ahead, but Colten was no longer part of her plans. Colten rushed to her place in a panic. "Madison, please come back to me. I’ll give you everything!" It was his powerful uncle who answered the door. "She's my woman now."
To the public, Arabella was Owen's trusty secretary who catered to all his needs and served as the primary blood donor of his beloved, who was in a coma. Behind closed doors, she was Owen's submissive wife. Arabella was quiet and obedient, and she endured every humiliation without a word of protest. Rumored to be a neat freak, Owen had tossed the last woman who had dared to kiss him into the river. Yet he pinned Arabella against the wall and demanded, "Give me a child, and I’ll let you go!" Arabella pushed him away and flashed him a cold smile. "You are not worthy!"