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William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of Steve Yeager includes a table of contents.
Steve Yeager held his bronco to a Spanish trot. Somewhere in front of him, among the brown hill swells that rose and fell like waves of the sea, lay Los Robles and breakfast. One solitary silver dollar, too lonesome even to jingle, lay in his flatulent trouser pocket. After he and Four Bits had eaten, two quarters would take the place of the big cartwheel. Then would come dinner, a second transfer of capital, and his pocket would be empty as a cow's stomach after a long drive.
Being dead broke, according to the viewpoint of S. Yeager, is right and fitting after a jaunt to town when one has a good job back in the hills. But it happened he had no more job than a rabbit. Wherefore, to keep up his spirits he chanted the endless metrical version of the adventures of Sam Bass, who
"... started out to Texas a cowboy for to be,
And a kinder-hearted fellow you scarcely ever'd see."
Steve had not quit his job. It had quit him. A few years earlier the Lone Star Cattle Company had reigned supreme in Dry Sandy Valley and the territory tributary thereto. Its riders had been kings of the range. That was before the tide of settlement had spilled into the valley, before nesters had driven in their prairie schooners, homesteaded the water-holes, and strung barb-wire fences across the range. Line-riders and dry farmers and irrigators had pushed the cowpuncher to one side. Sheep had come bleating across the desert to wage war upon the cattle. Finally Uncle Sam had sliced off most of the acreage still left and called it a forest reserve.
Wherefore the Lone Star outfit had thrown up its hands, sold its holdings, and moved to Los Angeles to live. Wherefore also Steve Yeager, who did not know Darwin from a carburetor, had by process of evolution been squeezed out of the occupation he had followed all of his twenty-three years since he could hang on to a saddle-horn. He had mournfully foreseen the end when the schoolhouse was built on Pine Knob and little folks went down the road with their arms twined around the waist of teacher. After grizzled Tim Sawyer made bowlegged tracks straight for that schoolmarm and matrimony, his friends realized that the joyous whoop of the puncher would not much longer be heard in the land. The range-rider must dwindle to a farmer or get off the earth. Steve was getting off the earth.
Since Steve was of the sunburnt State, still a boy, and by temperament incurably optimistic, he sang cheerfully. He wanted to forget that he had eaten neither supper nor breakfast. So he carried Mr. Bass through many adventures till that genial bandit
"... sold out at Custer City and there got on a spree,
And a tougher lot of cowboys you never'd hope to see."
Four Bits had topped a rise and followed the road down in its winding descent. After the nomadic fashion of Arizona the trail circled around a tongue of a foothill which here jutted out. Voices from just beyond the bend startled Yeager. One of them was raised impatiently.
"Won't do, Harrison. Be rougher. Throw her on her knees and tie her hands."
The itinerant road brought Steve in another moment within view. He saw a girl picking poppies. Two men rode up and swung from their saddles. They talked with her threateningly. She shrank back in fear. One of them seized her wrists and threw her down.
"Lively, now. Into the pit with her. Get the stuff across," urged a short fat man with a cigar in his mouth who was standing ten or fifteen yards back from the scene of action.
Steve had put his horse at a gallop the moment the girl had been seized. It struck him there was something queer about the affair,-something not quite natural to which he could not put a name. But he did not stop to reason out the situation. Dragging his pony to a slithering halt, he leaped to the ground.
"Get busy, Jackson. You ain't in a restaurant waiting for a meal," the little fat man reminded one of his tools irritably. Then, as he caught sight of Steve, "What the hell!"
Yeager's left shot forward, all the weight and muscle of one hundred and seventy pounds of live cowpuncher behind it. Villain Number One went to the ground as if a battering-ram had hit him between the eyes.
"Lay hands on a lady, will you?"
Steve turned to Villain Number Two, who backed away rapidly in alarm.
"What's eatin' you? We ain't hurtin' her any, you mutt."
The girl, still crouched on the ground, turned with a nervous little laugh to the man who had been directing operations:-
"What d'you know about that, Billie? The rube swallowed it all. You gotta raise my salary."
The cowpuncher felt in the pit of his stomach the same sensation he had known when an elevator in Denver had dropped beneath his feet too suddenly. The young woman was rouged and painted to the ears. Never in its palmiest days had the 'Dobe Dollar's mirrors reflected a costume more gaudy than the one she was wearing. The men too were painted and dolled up extravagantly in vaqueros' costumes that were the limit of absurdity. Had they all escaped from a madhouse? Or was he, Steve Yeager, in a pipe-dream?
From a near grove of cottonwoods half a dozen men in chaps came running. Assured of their proximity, the fat little fellow pawed the air with rage.
"Ever see such rotten luck? Spoiled the whole scene. Say, you Rip Van Winkle, think we came out here for the ozone?"
One of the men joined the young woman, who was assisting the villain Yeager had knocked out. The others crowded around him in excitement, all expostulating at once. They were dressed wonderfully and amazingly as cowpunchers, but they were painted frauds in spite of the careful ostentation of their costumes. Steve's shiny leathers and dusty hat missed the picturesque, but he looked indigenous and they did not. He was at his restful ease, this slender, brown man, negligent, careless, eyes twinkling but alert. The brand of the West was stamped indelibly on him.
"I ce'tainly must 'a' spilled the beans. Looks like I done barked up the wrong tree," he drawled amiably.
A man who had been standing on a box behind some kind of a masked battery jumped down and joined the group.
"Gee! I've got a bully picture of our anxious friend laying out Harrison. Nothing phony about that, Threewit. Won't go in this reel, but she'll make a humdinger in some other. Say, didn't Harrison hit the dust fine! Funny you lads can't ever pull off a fall like that."
An annoyed voice, both raucous and sneering, interrupted his enthusiasm. "Just stick around, Mr. Camera Man, and you'll get a chance to do another bit of real life that ain't faked. I'm goin' to hammer the head off Buttinski presently."
The camera man, an alert, boyish fellow as thin as a lath, turned and grinned. Harrison was sitting up a little unsteadily. Burning black eyes, set in sockets of extraordinary depths, blazed from a face sinister enough to justify Steve's impression of him as a villain. The shoulders of the man were very broad and set with the gorilla hunch; he was deep-chested and lean-loined. His eyes shifted with a quick, furtive menace. His companions might be imitation cowpunchers, but if Yeager was any judge this was no imitation bad man.
"Going to eat him alive, are you?" the camera man wanted to know pleasantly.
Steve pushed through to Harrison. A whimsical little smile of apology crinkled the boyish face.
"It's on me, compadre. I'm a rube, and anything else you like. And I sure am sorry for going off half-cocked."
A wintry frost was in the jet bead eyes that looked up at the puncher. The sitting man did not recognize the extended hand.
"You'll be a heap sorrier before I'm through with you," he growled. "I'm goin' to beat your head off and learn you to mind your own business."
"Interesting if true," retorted Steve lightly. "And maybeso you're right. A man can't always most likely tell. Take a watermelon now. You can't tell how good it is till you thump it. Same way with a man, I've heard say."
He turned to the young woman, whose bright brown eyes were lingering upon him curiously. This was no novel experience to him. He wore his splendid youth so jauntily and yet so casually that the gaze of a girl was likely to be drawn in his direction a second and a third time. In spite of his youthfulness there was in his face a certain sun-and-wind-bitten maturity, a steadiness of the quiet eye that promised efficiency. The film actress sensed the same competent strength in the brown, untorn hand that assisted her to rise to her feet. His friendly smile showed the flash of white, regular teeth.
"The rube apologizes, ma'am. He's just in from Cactus Center and never did see one of those moving-picture outfits before. Thirty-eleven things were in sight as I happened round that bend, but the only one I glimmed was you being mistreated. Corking chance for a grandstand play. So I sailed in pronto. 'Course I should've known better, but I didn't."
Maisie Winters was the name of the young woman. She played the leads in one of the Southwest companies of the Lunar Film Manufacturers. Her charming face was known and liked on the screens of several continents. Now it broke into lines of mischievous amusement.
"I don't mind if Mr. Harrison doesn't." She flashed a gay, inquiring look toward that discomfited villain, who was leaning for support on his accomplice Jackson and glaring at Yeager. Impudently she tilted her chin back toward the puncher. "Are you always so-so impetuous? If so, there's a fortune waiting for you in the moving-picture field."
Yeager did not object to having so attractive a young woman as this one poke fun at him. He grinned joyfully.
"Me! I'm open to an engagement, ma'am."
The short fat man whom Maisie Winters had called Billie looked sharply at the cowpuncher out of shrewd gray eyes.
"Where you been working?" he demanded abruptly.
"With the Lone Star outfit."
"Get fired?"
"Company gone out of business-country getting too popular, what with homesteaders, forest rangers, and Mary's little lamb," explained Steve.
"Hm! Can you ride a bucker?"
"I can pull leather and kinder stick on."
"I'll try you out for a week at two-fifty a day if you like."
"You've hired Steve Yeager," promptly announced the owner of that name.
* * *
Tangled Trails A Western Detective Story by William MacLeod Raine
William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of A Daughter of Raasay includes a table of contents.
William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of The Highgrader includes a table of contents.
William MacLeod Raine was an American author who wrote classic adventure novels about the Wild West.
William MacLeod Raine was an American author who wrote classic adventure novels about the Wild West.
Maria took her sister’s place and was engaged to Anthony, a disabled man who had lost his status as the family heir. At first, they were just a nominal couple. However, things changed when things about Maria were gradually exposed. It turned out she was a professional hacker, a mysterious composer, and the sole successor to an international jade sculpting master… The more that was revealed about her, the less Anthony could rest easy. A famous singer, an award-winning actor, an heir of a rich family—so many excellent men were chasing after his fiancee, Maria. What should Anthony do?
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
"Is it considered betrayal to develop feelings for your best friend's boyfriend? What about when fate intervenes, and he turns out to be your destined mate? You might think it's luck and thank the moon goddess for such a twist of fate. That's what I believed until the love of my life uttered those dreaded words: 'I want a divorce!' As I stared at the pregnancy test in my hands, I realized it was better to keep my secret to myself. My name is Violet, and this is my story."
Veronica is an eighteen-year-old omega who falls into an emotional breakdown when her Mate, who was soon to be the Alpha of the Sun crest pack, turns against her, hurls hurtful words at her, and rejects her on the night of the full moon festival because he and everyone in the pack, including her, thinks she is an omega. As if the pain of rejection, helplessness, and worthlessness wasn't enough, she lost her best and only friend to the cold hands of death when rogue wolves attacked their pack. Right in the presence of her mate, she was tagged as someone who always attracted problems and calamities anywhere she went and he turned a blind eye and watched as she was banished from the pack. With hatred for her life, she runs deep into the woods that were off-limits and jumps off to end her life, but in a turn of events, something else happens. What would her mate do when he finds out that Veronica is not who he thinks she is? Will she be able to forgive him? What fate lies ahead for them?
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
"I've warned you from the beginning. Don't marry him, but you won't listen." Darcy stood close to me and smiled with concern. "You're not a woman worthy of a man as handsome, rich, smart, and virile as Blaze." My whole body trembled at her words. "Have you no shame?" I asked. "Take a good look at yourself, Heather." She stared at me in the mirror. "You can't even glance at your ugly face. Do you think Blaze can endure a lifetime of gazing at that scar?" Heather Bailey got a surprise from her husband: a divorce agreement. After a year of marriage and facing ups and downs, she couldn't believe Blaze intended to divorce her. She was devastated when she saw him gazing lovingly at another woman. After signing the divorce papers, shockwaves caught her up. Her flower shop was burned to the ground. Her father's company collapsed, and her parents blamed her. She struggled to rebuild her life from the ground up and became more successful than ever. Having many customers from influential families, she started her revenge on Blaze. She won the very thing he wanted, but that was just the beginning.