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Chapter 9 FROM PICKERING TO RIEVAULX ABBEY

Word Count: 2140    |    Released on: 06/12/2017

n exploring. The level pastures, where cattle graze and cornfields abound, seem to suggest that we are separated from the heather by many le

all the royal folk are wearing ermine. The coronation of the Virgin, the martyrdom of St. Thomas a Becket, and the martyrdom of St. Edmund, who is perforated with arrows, complete the series on the north side. Along the south wall the paintings show the story of St. Catherine of Alexandria and the seven Corporal Acts of Mercy. Further on come scenes from the life of our Lord. There seems little doubt that all the paintings, including a number of others in the transepts and elsewhere that are now destroyed, were whitewashed over at the time of the Reformation, and it was during some restoration work carried out in 1851 that ind

the great Bruce family, who had a house at Pickering called Bruce's Hall, and whose ascendency at Guisborough has already been mentioned, was buried here, for the figure of a knight in chain-mail by the lectern p

p and Rosamund's Tower, as well as the ruins of some of the others, are still to be seen on the outer walls, so that from some points of view the ruins are dignified and picturesque. The area enclosed was large, and in early times the castle must have been almost impregnable. But during the Civil War it was much damaged by the soldiers qua

sides being architecturally one of the most interesting in the county, is perhaps unique in having at one time had a curate whose wife kept a publ

rge, and, as many of the people were obliged to come 'from ten to fifteen miles' to church, it seemed possible that some profit might be made by serving refreshments to the parishioners. Mrs. Carter superintended this department, and it seems that the meals between the services soon became popular. But the story of 'a parson-publican' was soon conveyed to the Archdeacon of the diocese, who at the next visitation endeavoured to find out the truth of the matter. Mr. Carter explained the circumstances, and showed that, far from being a source of disorder, his wife's public-house w

crypt. The writings of the Venerable Bede give a special interest to Lastingham, for he tells us how King Oidilward requested Bishop Cedd to build a monastery there. The Saxon buildings that appeared at that time have gone, so that the present church cannot be associated with the s

d picturesque valley surrounded by moors

ained a place in history as the scene of the death of the notorious George Villiers, second Duke of Buckingham, on April 17, 1687. The house in which he died is on the south side of the King's Head, and in one of the parish r

32 October xi

, which had survived under a layer of plaster, and was also protected by the porch. A translation of the inscription reads: 'Orm, the son of Gamal, bought St. Gregory's Minster when it was all broken and fallen, and he caused it to be made anew from the

ugh these stone-built houses, with leaded casements, give little scope for ornament. But the Helmsley folk have realized the importance of white paint, and the window-frames, and even the strips of lead that hold the glass together, are picked out in this cheerful fashion. In the broad market-square the houses are large, but their gray respectability is broken by creepers and some pleasant spots of colour. The corner nearest to the ch

re. Like Scarborough, this stronghold was held for the King during the Civil War. After the Battle of Marston Moor and the fall of York, Fairfax came to Helmsley and invested the castle. He received a wound in the shoulder during the siege; but the garrison having surrendered on ho

sides are clothed with luxuriant woods; we see the Rye flowing past broad green meadows; and beneath the tree-covered precipice below our feet appear the solemn, roofless remains of one of the first Cistercian monasteries established in this country. There is nothing to disturb the peace that broods here, for the village con

rown débris, are now exposed to view. The richly-draped hill-sides appear as a succession of beautiful pictures framed by the columns and arches on each side of the choir. As they stand exposed to the weath

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