Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia (1905) has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability.
This book is in all probability the last of a series of writings, of which - disregarding certain earlier disconnected essays - my Anticipations was the beginning. Originally I intended Anticipations to be my sole digression from my art or trade (or what you will) of an imaginative writer. I wrote that book in order to clear up the muddle in my own mind about innumerable social and political questions, questions I could not keep out of my work, which it distressed me to touch upon in a stupid haphazard way, and which no one, so far as I knew, had handled in a manner to satisfy my needs.
But Anticipations did not achieve its end. I have a slow constructive hesitating sort of mind, and when I emerged from that undertaking I found I had still most of my questions to state and solve. In Mankind in the Making, therefore, I tried to review the social organisation in a different way, to consider it as an educational process instead of dealing with it as a thing with a future history, and if I made this second book even less satisfactory from a literary standpoint than the former (and this is my opinion), I blundered, I think, more edifyingly - at least from the point of view of my own instruction. I ventured upon several themes with a greater frankness than I had used in Anticipations, and came out of that second effort guilty of much rash writing, but with a considerable development of formed opinion. In many matters I had shaped out at last a certain personal certitude, upon which I feel I shall go for the rest of my days. In this present book I have tried to settle accounts with a number of issues left over or opened up by its two predecessors, to correct them in some particulars, and to give the general picture of a Utopia that has grown up in my mind during the course of these speculations as a state of affairs at once possible and more desirable than the world in which I live. But this book has brought me back to imaginative writing again. In its two predecessors the treatment of social organisation had been purely objective; here my intention has been a little wider and deeper, in that I have tried to present not simply an ideal, but an ideal in reaction with two personalities. Moreover, since this may be the last book of the kind I shall ever publish, I have written into it as well as I can the heretical metaphysical scepticism upon which all my thinking rests, and I have inserted certain sections reflecting upon the established methods of sociological and economic science. . . .
The last four words will not attract the butterfly reader, I know. I have done my best to make the whole of this book as lucid and entertaining as its matter permits, because I want it read by as many people as possible, but I do not promise anything but rage and confusion to him who proposes to glance through my pages just to see if I agree with him, or to begin in the middle, or to read without a constantly alert attention. If you are not already a little interested and open-minded with regard to social and political questions, and a little exercised in self-examination, you will find neither interest nor pleasure here. If your mind is "made up" upon such issues your time will be wasted on these pages. And even if you are a willing reader you may require a little patience for the peculiar method I have this time adopted.
That method assumes an air of haphazard, but it is not so careless as it seems. I believe it to be - even now that I am through with the book - the best way to a sort of lucid vagueness which has always been my intention in this matter. I tried over several beginnings of a Utopian book before I adopted this. I rejected from the outset the form of the argumentative essay, the form which appeals most readily to what is called the "serious" reader, the reader who is often no more than the solemnly impatient parasite of great questions. He likes everything in hard, heavy lines, black and white, yes and no, because he does not understand how much there is that cannot be presented at all in that way; wherever there is any effect of obliquity, of incommensurables, wherever there is any levity or humour or difficulty of multiplex presentation, he refuses attention. Mentally he seems to be built up upon an invincible assumption that the Spirit of Creation cannot count beyond two, he deals only in alternatives. Such readers I have resolved not to attempt to please here. Even if I presented all my tri-clinic crystals as systems of cubes --! Indeed I felt it would not be worth doing. But having rejected the "serious" essay as a form, I was still greatly exercised, I spent some vacillating months, over the scheme of this book. I tried first a recognised method of viewing questions from divergent points that has always attracted me and which I have never succeeded in using, the discussion novel, after the fashion of Peacock's (and Mr. Mallock's) development of the ancient dialogue; but this encumbered me with unnecessary characters and the inevitable complication of intrigue among them, and I abandoned it. After that I tried to cast the thing into a shape resembling a little the double personality of Boswell's Johnson, a sort of interplay between monologue and commentator; but that too, although it got nearer to the quality I sought, finally failed. Then I hesitated over what one might call "hard narrative." It will be evident to the experienced reader that by omitting certain speculative and metaphysical elements and by elaborating incident, this book might have been reduced to a straightforward story. But I did not want to omit as much on this occasion. I do not see why I should always pander to the vulgar appetite for stark stories. And in short, I made it this. I explain all this in order to make it clear to the reader that, however queer this book appears at the first examination, it is the outcome of trial and deliberation, it is intended to be as it is. I am aiming throughout at a sort of shot-silk texture between philosophical discussion on the one hand and imaginative narrative on the other.
World War I forever altered the course of human history, and thinkers and activists around the globe were galvanized by the goal of developing ideas and means by which to avoid future conflicts. In What Is Coming?, science fiction luminary H. G. Wells throws his hat in the ring, imagining a future in which the spread of socialism and other progressive ideals help to pave the way for world peace.
Het voedsel der Goden en hoe het op Aarde kwam by H. G. Wells
Of the more than one hundred books that H. G. Wells published in his lifetime, this is one of the most ambitious. Spanning the origins of the Earth to the outcome of World War I, A Short History of the World is an engrossing account of the evolution of life and the development of the human race. Wells brings his monumental learning and penetrating historical insight to bear on the Neolithic era, the rise of Judaism, the Golden Age of Athens, the life of Christ, the rise of Islam, the discovery of America, the Industrial Revolution, and a host of other subjects. Breathtaking in scope, this thought-provoking masterwork remains one of the most readable and rewarding of its kind.
Three years ago, the Moore family opposed Charles Moore's choice to marry his beloved woman and selected Scarlett Riley as his bride. Charles didn't love her. In fact, he hated her. Not long after they got married, Scarlett received an offer from her dream university and jumped on it. Three years later, Charles's beloved woman fell terribly ill. In order to fulfill her last wish, he called Scarlett back and presented her with a divorce agreement. Scarlett was deeply hurt by Charles's abrupt decision, but she chose to let him go and agreed to sign the divorce papers. However, Charles seemed to delay the process deliberately, leaving Scarlett confused and frustrated. Now, Scarlett was trapped between the consequences of Charles's indecision. Would she be able to break free from him? Would Charles eventually come to his senses and face his true feelings?
Rumors claimed that Fernanda, newly back with her family, was nothing more than a violent country bumpkin. Fernanda just flashed a casual, dismissive grin in response. Another rumor suggested that the usually rational Cristian had lost all sense, madly in love with Fernanda. This frustrated her. She could tolerate gossip about herself, but slander against her beloved crossed the line! Gradually, as Fernanda's multiple identities as a celebrated designer, a savvy gamer, an acclaimed painter, and a successful business magnate came to light, everyone realized they were the ones who had been fooled.
For three years, I waited to become the perfect Luna for my pack, to give the Alpha an heir. Three years of lies, of being the outsider in someone else's love story. Three years of grieving the loss of my baby and plotting revenge against the man who disfigured my face and ruined my womb. I had two choices: die at the hands of my own pack or escape and survive. I chose to hide and live. The Lycan King, Fenrir Lycros-the most bloodthirsty, ruthless ruler to ever lead the werewolves with an iron fist-made me his personal maid. It was the most dangerous role I could have, where even the slightest mistake could cost me my life. But no one from my past would think to look for me here. "Always be submissive, don't speak unless spoken to, don't listen, don't see anything, don't disturb the Lycan or you will die," were the simple rules I followed. I thought I was doing well-until one day, the King made me an offer I couldn't refuse. "Do you want me to save those people? Then give yourself to me tonight. Be my woman. I desire you, and I know you feel the same. Just once, Raven, only once..." But it wasn't just once. Passion turned into something deeper, something neither of us could deny. That cold, untamable man had somehow conquered my heart as well. However, when the past returned to haunt me and the truth about my birth came to light, I faced another choice: run from the Lycan King or wait for his mercy. "I'm sorry, but this time, I won't lose my pups again-not even for you, Fenrir Lycros."
"I, Sophia Addison, of the Crescent Moon Pack, deny your rejection, Jacob Carter." I smiled triumphantly at him and he just glared at me. I can hear loud gasps and whispers throughout the place. They cannot believe that their goody-two-shoes of a senior year president is rejecting me in front of everybody. What goody-two-shoes? More like a two faced jerk! That is why, here I am, denying his rejection. Oh well, I refuse to suffer alone. So...let us both suffer together my dear mate.
"Then let's get a divorce!" With courage, Leora left her husband's house, after being accused of poisoning his mistress. Her in-laws and sister-in-law had planned various ways to kick her out of Peter's house and in the end Leora gave in. However, no one expected that things would turn 180 degrees after the divorce. When everyone who had hurt her was happy with each other's lies, Leora returned. This time, she was no longer the poor orphan girl from the orphanage. She has changed and not only that, she also carries a big secret that will make everyone turn to worship her feet.
" Don't say anymore word than you already have, don't..." I stuck a finger out at him, sauntering away on my heels when a hand wrapped itself around my arm. Breathlessly he whispered, "You know that I do love you and...fine, what exactly was I supposed to do?" "Protect me and stand up for me. That is what you do for someone who you claim you love!" ************ Out to spite her ex-boyfriend after he had broken up with her on her birthday, Daphne slept with a stranger who turned out to be his uncle while trying to rebuff his words that she was unwanted by others. Was she ready for the wild chase that followed when he found out years later that she had been pregnant with his heirs and that she had been hiding the truth all this while? Faced with the ruthless CEO, known as the beast, who wasn't ready to back down, Daphne does everything possible to make sure her kids wouldn't be taken from her, but what happens when love gets in the mix of it all? Would she be able to conquer these weird feelings and give in her all amidst her scars? And with how deadly he turned out to be? And faced with her ex who still wants her back, what choice is she going to make?