Cinderella Jane by Marjorie Benton Cooke
Cinderella Jane by Marjorie Benton Cooke
It was the Pageant of the Prophets which gave Jerry Paxton his first chance. There were several links in the primrose chain of fortune which led him from the first opportunity to the last. The first and most important may be said to have been Mrs. Abercrombie Brendon, who opened her house for a portrait exhibition. She had an eye for men as well as for art, so when handsome Jerry appeared, she annexed him. The second link was Jerry's sense of dramatic values, which made him play up to this somewhat elderly siren. The third was the gods, who had ever smiled on Jerry Paxton.
It was a season when all the society clubs and leagues were spending themselves and their money in lavish spectacles of all kinds. There were Balls of the Gods and Pagan Routs, Persian Ballets and Greek Friezes, personified by the very best people, and some of the second best.
Mrs. Abercrombie Brendon, who was socially elect, headed an eager and earnest group of ladies of her set, who desired to outdo all previous efforts in a mammoth affair, which would provide woollen underwear for the Belgians, or something equally practical and unpoetic. She happened to mention her dilemma to Jerry, as they sat at tea in Mrs. Brendon's drawing-room a week or so after their first meeting.
"We can't seem to think of anything which has not been done," she complained. "We have people to be in the thing, people to produce it, people to come to see it, and all we need is--"
"Brains," said Jerry daringly.
"Have you any?"
"I have a couple of lobes."
"Have you them with you?"
"There is at least one in good working order, and at your disposal," he laughed.
"Think of something new for us to do."
"If I supply the idea, will you make me director?"
"We'll make you prime minister, court chamberlain, anything you like!"
"Good. The thing will be called the 'Pageant of the Prophets.'"
"What prophets?"
"The old Biblical ones, but we'll draw on the entire Bible for our characters. We will build a palace throne room, Pontius Pilate's perhaps, or King Herod's, very gorgeous and beautiful. We can have groups, and friezes, and scenes; the costuming has infinite possibilities. We can have music and singing pilgrims. We can have dancing Salome, with her dripping head. Oh! it will be one magnificent spectacle!"
"You are a genius!" cried Mrs. Brendon.
"Granted. Then what?"
"We will have you do it all. You shall design the whole thing, and direct it. Draw your plans and submit your terms. You are elected right now."
"You are in earnest?"
"Never more so."
"Then accept my services as a poor return for your excellent tea."
"Nonsense. That is a pretty speech, but you have to earn your own living, don't you?"
"Alas, yes."
"Then there is no reason why you should donate time and brains for nothing. This is a business proposition. Will you take it?"
"With both hands and a grateful heart."
"You'll have to use both lobes of that boasted brain," she laughed. "What shall I be?"
"Herodias, beautiful wife of King Herod," said Jerry without hesitation. "We'll give you a costume that will dazzle 'em!"
"You shall paint me in it."
"Delighted."
"This has certainly been a lucky day for me. I'll call the directors in the morning, Mr. Paxton. We'll make our plans while you work out yours. Then we'll meet with you, and appoint our committees at once. Can you begin right away?"
"If I can postpone some portrait sittings. I shall do my best."
"If they are women sitters put them in the pageant, that will keep them busy. We must have you at once."
"That's an idea. Au revoir. You have given me an eventful afternoon. My thanks."
As he walked down the avenue toward his studio, Jerry's mind was in a whirl. The tap of his feet on the sidewalk made a time: "If I put this through, I've arrived. If I put this through, I've arrived." It was dusk when he climbed to his quarters and he hummed as he went. He threw open the door and rushed in. The big room was dark, save in the far corner, where a lamp was lit, with the shade off, so that an ugly glare lighted the face of the woman who sat beside it, mending socks.
"Ah, Miss Jane Judd, is that you?"
"Good afternoon," she answered, not looking up.
Jerry sang gaily as he dumped his belongings on the divan. He lit a cigarette, and laughed aloud involuntarily.
"Have you ever had delirium tremens, Miss Judd?" he demanded. She looked up without reply. "I've got a case right now."
She went on with her work. He glanced at her, marked how the shadow from the lamp accentuated the bold modelling of her face, bringing out its mask-like quality.
"I suppose you don't deal much in emotions," he added.
She neither smiled nor answered. He laughed at the idea himself.
"Jane Judd, conversationally, you are about as satisfactory as 'a bloomin' idol made of mud.'"
"You do not engage me to talk," she answered, in a low rather dull voice. "You engage me to work."
"So I do, but some day I am going to pay you double rates for your thoughts. A silent woman is a menace. I'm afraid of you."
A rat-a-tat-tat came on the door.
"Come in," called Jerry gaily.
An odd, boyish-looking girl stuck in her head.
"At home, Jerry? What's the celebration?"
"I've got a job, Bobsie, a big, cash-in-hand kind of a job, and I'm trying to raise a spark of human response in the frozen buzzum of Jane Judd."
"Oh, is this your Jane day? Hello, Jane," she added, seating herself comfortably. "Go ahead, Jerry, let's hear."
He told her the story, in some detail, with touches of his own. He was so boyishly elated over it that she was fired with some of his enthusiasm.
"But look here, Jerrymander, how about the big mural designs? How about my portrait? This pageant won't get you anywhere."
"Won't it? You should have heard me tell the Abercrombie Brendon that I would try my best to put off my portrait sitters. You, my dear Bobs, are my portrait sitters."
"It will ruin your winter's work. They'll pick your brains, that crowd, and take your time, and you can whistle for your money."
"I wasn't in kindergarten yesterday, Bobs. I know a thing or two about the dear rich. They will pay-as-we-go, one good big deposit down in advance."
"Get you all out of the work spirit-make you yearn for the flesh pots."
"Well, Bobs, I never did choose a diet of figs and thistles."
"That's just the trouble with you. It's nip and tuck all the time between the artist and the senses, Jerry. That uptown crowd can ruin you for good."
"Dear old Bobs! If they ruin me, I'll come to you for a scourge. Let's go to Buffanti's for a celebration. We'll get Chat and Jinny for a foursome, what? Are the Chatfields at home to-day, Jane?" he added.
"Yes; I was there this morning," she answered.
"Come on, old wailing banshee!" he cried.
"All right; but I don't like it, just the same. This very night may mark the grave of Jerome Paxton, painter."
"Well, think up some jolly epitaph and we'll sing it in our cups. Don't dree, Bobs; you're as bad as Jane."
At his mention of her, they both glanced at the silent bent figure, so indifferent to their presence.
"Time to close up, Miss Judd; we're off to dinner," said Jerry.
She quietly rose and put away the mended things. She set things to rights, as noiseless as a wraith. The other two went on talking and laughing, until she came toward them in her hat and coat.
"What do I owe you?" Jerry asked.
"Just for to-day."
"I haven't any change. Can you let it go until next time?"
"No," she said simply.
"Well, old Shylock, here's five. Consider yourself paid as long as that lasts."
"I don't wish to do that. I'll bring you change."
"Bother you, Jane Judd; what difference does it make whether you get it all at once, or in driblets?"
"Here, Jerry, I've got it even. You owe me," Bobs said.
"All right; much obliged."
Jane hesitated a moment, then took it with a bow, and went to the door.
"Good-night, Jane Judd," said Bobs.
"Good-night," the woman answered mechanically.
"Night," said Jerry, searching for cigarettes among his impedimenta.
"Queer creature, that," Bobs mused.
"What's that?"
"Jane Judd. What do you suppose she thinks of us all?"
"God knows, and I care as little as He does."
"I care. I'd like to know her. She's like steel, clean-cut, shining, efficient, silent, unbreakable."
"Is she? I've never noticed," said Jerry indifferently.
"She knows all our secrets, our economies, our loves, and hates. She mends us up, keeps us in order. Jane Judd is the law and order of our set. She glides among us, and we say everything we know before her, as if she were a wall."
"Gog and Magog! Do I have to listen to you ramble on about Jane Judd? She interests me about as much as a Wheeler and Wilson sewing machine. Come on to dinner."
Bobs rose and stretched herself luxuriously, with a yawn.
"Man is the most incomprehensible animal evolved from protoplasm," she remarked.
"That remark doesn't seem to have any point, Bobs, but I suppose it has."
"Thanks. From now on, I suppose only Bible allusions will have point to you."
"Well, there's nothing Biblical about Jane Judd."
"Humph! She might be the dim and vasty void out of which creation sprang."
"Good Lord!" cried Jerry, turning out the light. He took her by the elbow and led her out, closing the door on that conversation.
* * *
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
I sat on the cold tile floor of our Upper East Side penthouse, staring at the two pink lines until my vision blurred. After ten years of loving Julian Sterling and three years of a hollow marriage, I finally had the one thing that could bridge the distance between us. I was pregnant. But Julian didn't come home with flowers for our anniversary. He tossed a thick manila envelope onto the marble coffee table with a heavy thud. Fiona, the woman he'd truly loved for years, was back in New York, and he told me our "business deal" was officially over. "Sign it," He said, his voice flat and devoid of emotion. He looked at me with the cold detachment of a man selling a piece of unwanted furniture. When I hesitated, he told me to add a zero to the alimony if the money wasn't enough. I realized in that moment that if he knew about the baby, he wouldn't love me; he would simply take my child and give it to Fiona to raise. I shoved the pregnancy test into my pocket, signed the papers with a shaking hand, and lied through my teeth. When my morning sickness hit, I slumped to the floor to hide the truth. "It's just cramps," I gasped, watching him recoil as if I were contagious. To make him stay away, I invented a man named Jack-a fake boyfriend who supposedly gave me the kindness Julian never could. Suddenly, the man who wanted me gone became a monster of possessiveness. He threatened to "bury" a man who didn't exist while leaving me humiliated at his family's dinner to rush to Fiona's side. I was so broken that I even ate a cake I was deathly allergic to, then had to refuse life-saving steroids at the hospital because they would harm the fetus. Julian thinks he's stalling the divorce for two months to protect the family's reputation for his father's Jubilee. He thinks he's keeping his "property" on a short leash until the press dies down. He has no idea I'm using those sixty days to build a fortress for my child. By the time he realizes the truth, I'll be gone, and the Sterling heir will be far beyond his reach.
Five years of devotion ended when Brynn was left at the altar, watching Richard rush to his true love. Knowing she could never thaw his cold heart, Brynn walked away, ready to start over. After a night of drinking, she woke beside the last man she should ever cross-Nolan, her brother's arch-enemy. As she tried to escape, he caught her, murmuring, "You kissed me all night. Leaving isn't an option." The world saw Nolan as cold and distant, but with Brynn, he indulged her every desire. He even bought her a whole village and held her close, his voice low, deep, and endlessly tempting, his robe falling open to reveal his toned abs. "Want to feel it?"
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